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Edgar Ulmer
Edgar Georg Ulmer (; September 17, 1904 – September 30, 1972) was a Jewish- Moravian, Austrian-American film director who mainly worked on Hollywood B movies and other low-budget productions, eventually earning the epithet 'The King of PRC', due to his extremely prolific output for the Poverty Row studio. His stylish and eccentric works came to be appreciated by auteur theory-espousing film critics in the years following his retirement. Ulmer's most famous productions include the horror film '' The Black Cat'' (1934) and the film noir ''Detour'' (1945). Career Ulmer was born in Olomouc, in what is now the Czech Republic. As a young man he lived in Vienna, where he worked as a stage actor and set designer while studying architecture and philosophy. He did set design for Max Reinhardt's theater, served his apprenticeship with F. W. Murnau, and worked with directors including Robert Siodmak, Billy Wilder, Fred Zinnemann and cinematographer Eugen Schüfftan, inventor of the Schü ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olmütz
Olomouc (, , ; german: Olmütz; pl, Ołomuniec ; la, Olomucium or ''Iuliomontium'') is a city in the Czech Republic The Czech Republic, or simply Czechia, is a landlocked country in Central Europe. Historically known as Bohemia, it is bordered by Austria to the south, Germany to the west, Poland to the northeast, and Slovakia to the southeast. The .... It has about 99,000 inhabitants, and its larger urban zone has a population of about 384,000 inhabitants (2019). Located on the Morava (river), Morava River, the city is the ecclesiastical metropolis and was a historical capital city of Moravia, before having been sacked by the Swedish Empire, Swedish army during the Thirty Years' War. Today, it is the administrative centre of the Olomouc Region and Statutory city (Czech Republic), the sixth largest city in the Czech Republic. The historic city centre is well preserved and is protected by law as Cultural monument (Czech Republic)#Monument reservations, urban monume ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Producers Releasing Corporation
Producers Releasing Corporation was the smallest and least prestigious of the Hollywood film studios of the 1940s. It was considered a prime example of what was called "Poverty Row": a low-rent stretch of Gower Street in Hollywood where shoestring film producers based their operations. However, PRC was more substantial than the usual independent company that made only a few low-budget movies and then disappeared. PRC was an actual Hollywood studio -- albeit the smallest -- with its own production facilities and distribution network, and it even accepted imports from the UK. PRC lasted from 1939 to 1947, churning out low-budget B movies for the lower half of a double bill or the upper half of a neighborhood theater showing second-run films. The studio was originally located at 1440 N. Gower St. (on the lot that eventually became part of Columbia Pictures) from 1936 to 1943. PRC then occupied the former Grand National Pictures physical plant at 7324 Santa Monica Blvd., from 194 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
How He Came Into The World
How may refer to: * How (greeting), a word used in some misrepresentations of Native American/First Nations speech * How, an interrogative word in English grammar Art and entertainment Literature * ''How'' (book), a 2007 book by Dov Seidman * ''HOW'' (magazine), a magazine for graphic designers * H.O.W. Journal, an American art and literary journal Music * "How", a song by The Cranberries from ''Everybody Else Is Doing It, So Why Can't We?'' * "How", a song by Maroon 5 from ''Hands All Over'' * "How", a song by Regina Spektor from ''What We Saw from the Cheap Seats'' * "How", a song by Daughter from ''Not to Disappear'' * "How?" (song), by John Lennon Other media * HOW (graffiti artist), Raoul Perre, New York graffiti muralist * ''How'' (TV series), a British children's television show * ''How'' (video game), a platform game People * How (surname) * HOW (graffiti artist), Raoul Perre, New York graffiti muralist Places * How, Cumbria, England * How, Wisconsin, Un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schüfftan Process
The Schüfftan process is a movie special effect named after its inventor, Eugen Schüfftan (1893–1977). The technique consists of covering part of the camera's view with a mirror, allowing filmmakers to assemble an image from multiple parts. It was widely used in the first half of the 20th century before being almost completely replaced by the travelling matte and bluescreen effects. Introduction The process was refined and popularized by the German cinematographer Eugen Schüfftan while he was working on the movie ''Metropolis'' (1927), although there is evidence that other film-makers were using similar techniques earlier than this. The movie's director, Fritz Lang, wanted to insert the actors into shots of miniatures of skyscrapers and other buildings, so Schüfftan used a specially made mirror to create the illusion of actors interacting with huge, realistic-looking sets. Schüfftan placed a plate of glass at a 45-degree angle between the camera and the miniature bui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugen Schüfftan
Eugen Schüfftan (21 July 1893, in Breslau, Silesia, Germany, now Wroclaw, Poland – 6 September 1977, in New York City) was a German cinematographer. He invented the Schüfftan process, a special effects technique that employed mirrors to insert actors into miniature sets. One of the early uses of the process was for ''Metropolis'' (1927), directed by Fritz Lang. The technique was widely used throughout the first half of the 20th century until it was supplanted by the travelling matte and bluescreen techniques. Schüfftan won the 1962 Academy Award for Best Cinematography, Black-and-White for his work on the film ''The Hustler''. Selected filmography See also * List of German-speaking Academy Award winners and nominees This is a list of Academy Award winners and nominees from Germany. Acting categories Actor in a Leading Role Actor in a Supporting Role Actress in a Leading Role Actress in a Supporting Role Best Art Direction Best Cinematography Bes ... ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fred Zinnemann
Alfred ''Fred'' Zinnemann (April 29, 1907 – March 14, 1997) was an Austrian Empire-born American film director. He won four Academy Awards for directing and producing films in various genres, including thrillers, westerns, film noir and play adaptations. He made 25 feature films during his 50-year career. He was among the first directors to insist on using authentic locations and for mixing stars with civilians to give his films more realism. Within the film industry, he was considered a maverick for taking risks and thereby creating unique films, with many of his stories being dramas about lone and principled individuals tested by tragic events. According to one historian, Zinnemann's style demonstrated his sense of "psychological realism and his apparent determination to make worthwhile pictures that are nevertheless highly entertaining." Among his films were ''The Search'' (1948), '' The Men'' (1950), '' High Noon'' (1952), ''From Here to Eternity'' (1953), ''Oklahoma!'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Wilder
Billy Wilder (; ; born Samuel Wilder; June 22, 1906 – March 27, 2002) was an Austrian-American filmmaker. His career in Hollywood spanned five decades, and he is regarded as one of the most brilliant and versatile filmmakers of Classic Hollywood cinema. He was nominated for the Academy Award for Best Director eight times, winning twice, and for a screenplay Academy Award 13 times, winning three times. Wilder became a screenwriter while living in Berlin. The rise of the Nazi Party and antisemitism in Germany saw him move to Paris. He then moved to Hollywood in 1933, and had a major hit when he, Charles Brackett and Walter Reisch wrote the screenplay for the Academy Award-nominated film ''Ninotchka'' (1939). Wilder established his directorial reputation and received his first nomination for the Academy Award for Best Director with the film noir adaptation of the novel ''Double Indemnity'' (1944), for which he co-wrote the screenplay with Raymond Chandler. Wilder won the Best ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Siodmak
Robert Siodmak (; 8 August 1900 – 10 March 1973) was a German film director who also worked in the United States. He is best remembered as a thriller specialist and for a series of films noirs he made in the 1940s, such as ''The Killers'' (1946). Early life Siodmak was born in Dresden, Germany, the son of Rosa Philippine (née Blum) and Ignatz Siodmak and the brother of Curt, Werner and Roland. His parents were both from Jewish families in Leipzig (the myth of his American birth in Memphis, Tennessee was necessary for him to obtain a visa in Paris during World War II). He worked as a stage director and a banker before becoming editor and scenarist for Curtis Bernhardt in 1925 (Bernhardt directed a film of Siodmak's story ''Conflict'' in 1945). At twenty-six he was hired by his cousin, producer Seymour Nebenzal, to assemble original silent movies from stock footage of old films. Siodmak worked at this for two years before he persuaded Nebenzal to finance his first feature, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Reinhardt
Max Reinhardt (; born Maximilian Goldmann; 9 September 1873 – 30 October 1943) was an Austrian-born Theatre director, theatre and film director, theater manager, intendant, and theatrical producer. With his innovative stage productions, he is regarded as one of the most prominent directors of German-language theatre in the early 20th century. In 1920, he established the Salzburg Festival with the performance of Hugo von Hofmannsthal's ''Jedermann (play), Jedermann''. Life and career Reinhardt was born Maximilian Goldmann in the spa town of Baden bei Wien, Baden near Vienna, the son of Wilhelm Goldmann (1846–1911), a History of the Jews in Austria, Jewish merchant from Stupava, Slovakia, Stupava, Austro-Hungarian Monarchy, and his wife Rachel Lea Rosi "Rosa" Goldmann (''née'' Wengraf; 1851–1924). Having finished school, he began an apprenticeship at a bank, but already took acting lessons. In 1890, he gave his debut on a private stage in Vienna with the stage name ''Max ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vienna
en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST = CEST , utc_offset_DST = +2 , blank_name = Vehicle registration , blank_info = W , blank1_name = GDP , blank1_info = € 96.5 billion (2020) , blank2_name = GDP per capita , blank2_info = € 50,400 (2020) , blank_name_sec1 = HDI (2019) , blank_info_sec1 = 0.947 · 1st of 9 , blank3_name = Seats in the Federal Council , blank3_info = , blank_name_sec2 = GeoTLD , blank_info_sec2 = .wien , website = , footnotes = , image_blank_emblem = Wien logo.svg , blank_emblem_size = Vienna ( ; german: Wien ; ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Noir
Film noir (; ) is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American ''film noir''. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression. The term ''film noir'', French for 'black film' (literal) or 'dark film' (closer meaning), was first applied to Hollywood films by French critic Nino Frank in 1946, but was unrecognized by most American film industry professionals of that era. Frank is believed to have been inspired by the French literary publishing imprint Série noire, founded in 1945. Cinema historians and critics defined the category ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horror Film
Horror is a film genre that seeks to elicit fear or disgust in its audience for entertainment purposes. Horror films often explore dark subject matter and may deal with transgressive topics or themes. Broad elements include monsters, apocalyptic events, and religious or folk beliefs. Cinematic techniques used in horror films have been shown to provoke psychological reactions in an audience. Horror films have existed for more than a century. Early inspirations from before the development of film include folklore, religious beliefs and superstitions of different cultures, and the Gothic and horror literature of authors such as Edgar Allan Poe, Bram Stoker, and Mary Shelley. From origins in silent films and German Expressionism, horror only became a codified genre after the release of ''Dracula'' (1931). Many sub-genres emerged in subsequent decades, including body horror, comedy horror, slasher films, supernatural horror and psychological horror. The genre has been produ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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