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Ecovention
Ecovention was a term invented by Amy Lipton and Sue Spaid in 1999 to refer to an ecological art intervention in environmental degradation. The Ecovention movement in art is associated with land art, earthworks, and environmental art, and landscape architecture, but remains its own distinct category. Many ecoventions bear tendencies similar to public works projects such as sewage and waste-water treatment plants, public gardens, landfills, mines, and sustainable building projects. The term 'Ecovention' appears by the composition of the terms 'ecology' and 'innovation' or 'intervention'. The intention was to concrete a kind of art that alludes to the interventions that artists were made in degraded natural territories, pretending to generate a public consciousness, showing the existence of solutions. The fact of restoring make the artists enter in a collaboration process with the nature in a social way. They help to generate a new paradigm teaching how art could help the society n ...
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Sue Spaid
Sue Spaid (born 1961) is an American curator and philosopher, currently based in Belgium. Spaid’s thematic exhibitions feature all types of art, though she is most known for experiential exhibitions, such as “Action Station: Exploring Open Systems” (1995) at the Santa Monica Museum of Art; “Comestible Compost” (1998) at the Pavilions Marketplace in West Hollywood; “Cremolata Flotage” (1999) on the Andrew J. Barberi Staten Island Ferry; “An Active Life” (2000) at the Contemporary Arts Center, Cincinnati; “Hovering Above” (2008) and “Endurance: Visualizing Time” (2009) for the Abington Art Center Sculpture Park in Jenkintown, Pennsylvania; and “Microfibers” (2009) at Locks Gallery, Philadelphia. She has organized career surveys for Jim Isermann (1993, Sue Spaid Fine Art), Robert Overby (1994, Sue Spaid Fine Art), Lynne Berman/ Kathy Chenoweth (1997, Special K), Eileen Cowin (2000, Armory Center for the Arts) and Jim Shaw (2000, The Contemporary Arts Ce ...
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Ecological Art
Ecological art is an art genre and artistic practice that seeks to preserve, remediate and/or vitalize the life forms, resources and ecology of Earth. Ecological art practitioners do this by applying the principles of ecosystems to living species and their habitats throughout the lithosphere, atmosphere, biosphere, and hydrosphere, including wilderness, rural, suburban and urban locations. Ecological art is a distinct genre from Environmental art in that it involves functional ecological systems-restoration, as well as socially engaged, activist, community-based interventions. Ecological art also addresses politics, culture, economics, ethics and aesthetics as they impact the conditions of ecosystems. Ecological art practitioners include artists, scientists, philosophers and activists who often collaborate on restoration, remediation and public awareness projects. Historical precedents Art historical precedents include environmental art, earthworks, land art, sustainable art, lands ...
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Land Art
Land art, variously known as Earth art, environmental art, and Earthworks, is an art movement that emerged in the 1960s and 1970s, largely associated with Great Britain and the United StatesArt in the modern era: A guide to styles, schools, & movements. Abrams, 2002. (U.S. edition of Styles, Schools and Movements, by Amy Dempsey) but that also includes examples from many countries. As a trend, "land art" expanded boundaries of art by the materials used and the siting of the works. The materials used were often the materials of the Earth, including the soil, rocks, vegetation, and water found on-site, and the sites of the works were often distant from population centers. Though sometimes fairly inaccessible, photo documentation was commonly brought back to the urban art gallery.http://www.land-arts.com
Land art.
Concerns of the art mov ...
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Environmental Art
Environmental art is a range of artistic practices encompassing both historical approaches to nature in art and more recent ecological and politically motivated types of works. Environmental art has evolved away from formal concerns, for example monumental earthworks using earth as a sculptural material, towards a deeper relationship to systems, processes and phenomena in relationship to social concerns. Integrated social and ecological approaches developed as an ethical, restorative stance emerged in the 1990s. Over the past ten years environmental art has become a focal point of exhibitions around the world as the social and cultural aspects of climate change come to the forefront. The term "environmental art" often encompasses "ecological" concerns but is not specific to them. It primarily celebrates an artist's connection with nature using natural materials. The concept is best understood in relationship to historic earth/Land art and the evolving field of ecological art. T ...
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Environmental Degradation
Environmental degradation is the deterioration of the environment through depletion of resources such as quality of air, water and soil; the destruction of ecosystems; habitat destruction; the extinction of wildlife; and pollution. It is defined as any change or disturbance to the environment perceived to be deleterious or undesirable. Environmental concerns can be defined as the negative effects of any human activity on the environment. The biological as well as the physical features of the environment are included. Some of the primary environmental challenges that are causing great worry are air pollution, water pollution, natural environment pollution, rubbish pollution, and so o Environmental degradation is one of the ten threats officially cautioned by the High-level Panel on Threats, Challenges and Change, high-level PaneI on Threats, Challenges and Change of the United Nations. The United Nations International Strategy for Disaster Reduction defines environmental degra ...
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Landscape Architecture
Landscape architecture is the design of outdoor areas, landmarks, and structures to achieve environmental, social-behavioural, or aesthetic outcomes. It involves the systematic design and general engineering of various structures for construction and human use, investigation of existing social, ecological, and soil conditions and processes in the landscape, and the design of other interventions that will produce desired outcomes. The scope of the profession is broad and can be subdivided into several sub-categories including professional or licensed landscape architects who are regulated by governmental agencies and possess the expertise to design a wide range of structures and landforms for human use; landscape design which is not a licensed profession; site planning; stormwater management; erosion control; environmental restoration; parks, recreation and urban planning; visual resource management; green infrastructure planning and provision; and private estate and residence ...
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Joseph Beuys
Joseph Heinrich Beuys ( , ; 12 May 1921 – 23 January 1986) was a German artist, teacher, performance artist, and art theorist whose work reflected concepts of humanism, sociology, and anthroposophy. He was a founder of a provocative art movement known as Fluxus and was a key figure in the development of Happenings. Beuys is known for his "extended definition of art" in which the ideas of social sculpture could potentially reshape society and politics. He frequently held open public debates on a wide range of subjects, including political, environmental, social, and long-term cultural issues. Biography Childhood and early life in the Third Reich (1921–1941) Joseph Beuys was born in Krefeld, Germany, on 12 May 1921, to Josef Jakob Beuys (1888–1958), a merchant, and Johanna Maria Margarete Beuys née Hülsermann (1889–1974). Soon after his birth, the family moved from Krefeld to Kleve, an industrial town in Germany's Lower Rhine region, close to the Dutch border. ...
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Mel Chin
Mel Chin (born 1951 in Houston, Texas, USA) is a conceptual visual artist. Motivated largely by political, cultural, and social circumstances, Chin works in a variety of art media to calculate meaning in modern life. Chin places art in landscapes, in public spaces, and in gallery and museum exhibitions, but his work is not limited to specific venues. Chin once stated: “Making objects and marks is also about making possibilities, making choices—and that is one of the last freedoms we have. To provide that is one of the functions of art.” Ned Rifkin. ''Directions: Mel Chin, February 1- April 23, 1989''. Hishorn Museum and Sculpture Garden Brochure, 1989. Career 1970s-1980s In 1975, Chin graduated from Peabody College in Nashville, Tennessee. Shortly after, in 1976, Chin created ''See/Saw: The Earthworks'' for Hermann Park in Houston, Texas, where the artist manipulated two sections of the park's surface to create a kinetic, minimalist earthwork. In this mimic of a childhood ...
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Agnes Denes
Agnes Denes (Dénes Ágnes; born 1931 in Budapest) is a Hungarian-born American conceptual artist based in New York. She is known for works in a wide range of media—from poetry and philosophical writings to extremely detailed drawings, sculptures, and iconic land art works, such as '' Wheatfield — A Confrontation'' (1982), a two-acre field of wheat in downtown Manhattan, commissioned by the Public Art Fund, and ''Tree Mountain—A Living Time Capsule'' (1992–96) in Ylojärvi, Finland. Her work ''Rice/Tree/Burial with Time Capsule'' (1968–79) is recognized as one of the earliest examples of ecological art. She lives and works in New York City. Early life and career Born in Budapest, Hungary in 1931, her family survived World War II, the Nazi occupation, and moved to Sweden on their way to the United States. Still a teenager, she created her first environmental/philosophical work, ''Bird Project,'' in Sweden, comparing migrating bird colonies to people — the migrants of ...
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Robert Smithson
Robert Smithson (January 2, 1938 – July 20, 1973) was an American artist known for sculpture and land art who often used drawing and photography in relation to the spatial arts. His work has been internationally exhibited in galleries and museums and is held in public collections. He was one of the founders of the land art movement whose best known work is the ''Spiral Jetty'' (1970). Early life and education Smithson was born in Passaic, New Jersey, and spent his childhood in Rutherford until he was nine. In Rutherford, the poet and physician William Carlos Williams was Smithson's pediatrician. When Smithson was nine, his family moved to the Allwood section of Clifton. He studied painting and drawing in New York City at the Art Students League of New York from 1954 to 1956 and then briefly at the Brooklyn Museum Art School. Career Early work He primarily identified as a painter during this time, and his early exhibited artworks had a wide range of influences, including ...
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Mierle Laderman Ukeles
Mierle Laderman Ukeles (born 1939) is a New York City-based artist known for her feminist and service-oriented artworks, which relate the idea of process in conceptual art to domestic and civic "maintenance". She has been the Artist-in-Residence at the New York City Department of Sanitation. Her art brings to life the very essence of any urban center: waste flows, recycling, sustainability, environment, people, and ecology. Personal life and education Born in Denver, Colorado, Ukeles is Jewish and the daughter of a rabbi. As an undergraduate, Ukeles studied history and international studies at Barnard College and later began her artistic training at the Pratt Institute in New York in 1962. Her time at the Pratt Institute came with controversy, as her artworks (bulbous-like sculptures at the time) were deemed "over-sexed". While one of her teachers, Robert Richenburg, resigned in protest, she left the school shortly after. She then enrolled in art education at the University of ...
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Contemporary Arts Center
The Contemporary Arts Center (CAC) is a contemporary art museum in Cincinnati, Ohio and one of the first contemporary art institutions in the United States. The CAC is a non-collecting museum that focuses on new developments in painting, sculpture, photography, architecture, performance art and new media. Focusing on programming that reflects "the art of the last five minutes", the CAC has displayed the works of many now-famous artists early in their careers, including Andy Warhol. In 2003, the CAC moved to a new building designed by Zaha Hadid. History The Contemporary Arts Center was founded as the Modern Art Society in 1939 by Betty Pollak Rauh, Peggy Frank Crawford and Rita Rentschler Cushman. These three women were able to raise enough money through donations to display modern art at the Cincinnati Art Museum. Early advice and encouragement was offered by both Edward M.M. Warburg, a friend of the Pollak family, as well as Alfred H. Barr. The society's very first exhibit, ...
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