Ecole De Mime Corporel Dramatique
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Ecole De Mime Corporel Dramatique
Theatre de l'Ange Fou is a theatre company based in London, England. Its artistic directors are Steven Wasson and Corinne Soum. It was created in Paris in 1984 and relocated to London in 1995. It was co-founded with the International School of Dramatic Corporeal Mime, formerly known as the ''Ecole de Mime Corporel Dramatique'', a theatre Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The perform ... school that teaches corporeal mime. History The ''Theatre de l'Ange Fou'' and the ''International School of Corporeal Mime'' (formerly known as the ''Ecole de Mime Corporel Dramatique'') were created in Paris in 1984 by Wasson and Soum, the last assistants of Etienne Decroux, "the father of Modern Mime", and relocated to London in 1995. The International School of Corporeal Mime is devoted to th ...
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London
London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a major settlement for two millennia. The City of London, its ancient core and financial centre, was founded by the Romans as '' Londinium'' and retains its medieval boundaries.See also: Independent city § National capitals The City of Westminster, to the west of the City of London, has for centuries hosted the national government and parliament. Since the 19th century, the name "London" has also referred to the metropolis around this core, historically split between the counties of Middlesex, Essex, Surrey, Kent, and Hertfordshire, which largely comprises Greater London, governed by the Greater London Authority.The Greater London Authority consists of the Mayor of London and the London Assembly. The London Mayor is distinguished fr ...
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England
England is a country that is part of the United Kingdom. It shares land borders with Wales to its west and Scotland to its north. The Irish Sea lies northwest and the Celtic Sea to the southwest. It is separated from continental Europe by the North Sea to the east and the English Channel to the south. The country covers five-eighths of the island of Great Britain, which lies in the North Atlantic, and includes over 100 smaller islands, such as the Isles of Scilly and the Isle of Wight. The area now called England was first inhabited by modern humans during the Upper Paleolithic period, but takes its name from the Angles, a Germanic tribe deriving its name from the Anglia peninsula, who settled during the 5th and 6th centuries. England became a unified state in the 10th century and has had a significant cultural and legal impact on the wider world since the Age of Discovery, which began during the 15th century. The English language, the Anglican Church, and Engli ...
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Steven Wasson
Steven Wasson (born 1950 in the United States), is the director of Theatre de l'Ange Fou, and the International School of Corporeal mime. He studied literature and drama at the University of Northern Colorado with Dr. Lloyd Norton, and mime with Dr. E. Reid Gilbert and Thomas Leabhart at the Valley Studio in Madison, Wisconsin. Coming to Paris, he was a student of Étienne Decroux and later became his assistant, participating in Decroux's teaching, research and creations. Decroux created two pieces on Wasson: ''Le Prophete'' and ''Le Duo dans le Parc St. Cloud''. Wasson has created and directed all of the plays for the Theatre de l’Ange Fou, and has performed in many of them. He has worked as an actor in film, TV and live radio in the U.S. and France. In 1996, he reconstructed and directed the mime scenes for the Royal Shakespeare Company The Royal Shakespeare Company (RSC) is a major British theatre company, based in Stratford-upon-Avon, Warwickshire, England. The company ...
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Theatre
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patrice ...
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Corporeal Mime
Corporeal mime is an aspect of physical theater whose objective is to place drama inside the moving human body, rather than to substitute gesture for speech as in pantomime. In this medium, the mime must apply to physical movement those principles that are at the heart of drama: pause, hesitation, weight, resistance and surprise. Corporeal mime accentuates the vital importance of the body and physical action on stage. Étienne Decroux’s dramatic corporeal mime is taking the body as a main means of expression and the actor as a starting point for creation with the aim of “making the invisible visible” (Étienne Decroux), of allowing the actor to show thought movement. Art of movement rather than art of silence, dramatic corporeal mime is first of all the art of the actor/actress. An actor, whatever his artistic ambition might be, must, before all, be present, “be” on stage and this presence is shown through the body. The body is what sustains the costume, what the specta ...
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Corporeal Mime
Corporeal mime is an aspect of physical theater whose objective is to place drama inside the moving human body, rather than to substitute gesture for speech as in pantomime. In this medium, the mime must apply to physical movement those principles that are at the heart of drama: pause, hesitation, weight, resistance and surprise. Corporeal mime accentuates the vital importance of the body and physical action on stage. Étienne Decroux’s dramatic corporeal mime is taking the body as a main means of expression and the actor as a starting point for creation with the aim of “making the invisible visible” (Étienne Decroux), of allowing the actor to show thought movement. Art of movement rather than art of silence, dramatic corporeal mime is first of all the art of the actor/actress. An actor, whatever his artistic ambition might be, must, before all, be present, “be” on stage and this presence is shown through the body. The body is what sustains the costume, what the specta ...
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Spring Green, Wisconsin
Spring Green is a village in Sauk County, Wisconsin Wisconsin () is a state in the upper Midwestern United States. Wisconsin is the 25th-largest state by total area and the 20th-most populous. It is bordered by Minnesota to the west, Iowa to the southwest, Illinois to the south, Lake M ..., United States. The population was 1,628 at the 2010 United States Census, 2010 census. The village is located within the Spring Green (town), Wisconsin, Town of Spring Green. Geography Spring Green is located at (43.177268, -90.067277). According to the United States Census Bureau, the village has a total area of , all of it land. The Wisconsin River runs along the southern edge of the village. Demographics 2010 census As of the census of 2010, there were 1,628 people, 690 households, and 433 families living in the village. The population density was . There were 753 housing units at an average density of . The racial makeup of the village was 97.5% White (U.S. Census), Whit ...
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Physical Theatre
Physical theatre is a genre of theatrical performance that encompasses storytelling primarily through physical movement. Although several performance theatre disciplines are often described as "physical theatre," the genre's characteristic aspect is a reliance on the performers' physical motion rather than, or combined with, text to convey storytelling. Performers can communicate through various body gestures (including using the body to portray emotions). Common elements Certain institutions suggest that all physical theatre genres share common characteristics, although individual performances do not need to exhibit all such characteristics to be defined as physical theatre. Research into the training or "work" of physical theatre artists cites an amalgamation of numerous elements adopted as a means to further inform the theatrical research/production. These elements include: * Inter-disciplinary origins, spanning music, dance, visual art, etc., as well as theatre * Challengin ...
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