|
Early (A Certain Ratio Album)
''Early'' is a 2002 compilation album by A Certain Ratio. Content The album includes songs by A Certain Ratio between their formation in 1978 and 1985. Dave Simpson of ''The Guardian'' described A Certain Ratio's sound as "a combination of Eno ambience, Wire post-punk, George Clinton funk and later, Latin percussion". Release ''Early'' was released on March 22, 2002 by Soul Jazz Records. Reception Andy Kellman of AllMusic gave the album a four star rating out of a potential five, noting that four songs are presented in two versions, which led to "eating up space that could have been taken up by other highlights." while concluding that "All things considered, there is no shortage of great material here, and the packaging is phenomenal." Simpson also gave the album a four star rating, noting that tracks "The Fox" and "Life's a Scream" "would have been massive hits". Matt Harvey of the BBC commented that "on listening to these tracks you can see why house music, as the 80s prog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Certain Ratio
A Certain Ratio (abbreviated as ACR) are an English post-punk band formed in 1977 in Flixton, Greater Manchester by Peter Terrell (guitar, electronics) and Simon Topping (vocals, trumpet), with additional members Jez Kerr (bass, vocals), Martin Moscrop (trumpet, guitar), Donald Johnson (drums), and Martha Tilson (vocals) joining soon after. Among the first white indie groups to draw heavy influence from funk as well as disco and Latin percussion, the band were among the first to debut on Tony Wilson's Factory Records in 1979 with "All Night Party," produced by Martin Hannett. During ACR's early years with Factory, they scored seven Top Ten U.K. independent releases, highlighted by "Flight" and "Waterline," and released five albums beginning with ''The Graveyard and the Ballroom'' (1979). Following late 1980s and early 1990s phases with major-label A&M and Rob Gretton's independent Robs Records, ACR were intermittently active. They returned to the studio for the 2008 album ''M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrew Weatherall
Andrew James Weatherall (6 April 1963 – 17 February 2020) was an English musician, DJ, songwriter, producer and remixer. His career took him from being one of the key DJs in the acid house movement of the late 1980s to being a remixer of tracks by the likes of Happy Mondays, New Order, Björk, the Orb, the Future Sound of London and My Bloody Valentine. His production work on Primal Scream's album '' Screamadelica'', adding samples, loops and creating an influential mix of hard rock, house and rave, helped the record win the first ever Mercury Music Prize in 1992 and become one of the most celebrated albums of the 1990s. Biography Andrew James Weatherall was born on 6 April 1963, in Windsor, Berkshire, England, to Robert Weatherall and Carol (Spires) Weatherall. During his teenage years, he started going to Funk & Soul Weekenders and disco parties. After leaving the local grammar school, he left home at the age of 18, and worked in a variety of jobs including on building si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock's Backpages
Rock's Backpages is an online archive of music journalism, sourced from contributions to the music and mainstream press from the 1950s to the present day. The articles are full text and searchable, and all are reproduced with the permission of the copyright holders. The database was founded in 2000 by British music journalist Barney Hoskyns. As of November 2018 its database contains over 37,000 articles, including interviews, features and reviews, which covered popular music from blues and soul up to the present date. . Rock's Backpages. Rock's Backpages also features over 600 audio interviews with musicians from Jimi Hendrix and Johnny Cash to Kate Bush and Kurt Cobain. The articles are sourced from magazines including '' |
Newspapers
A newspaper is a periodical publication containing written information about current events and is often typed in black ink with a white or gray background. Newspapers can cover a wide variety of fields such as politics, business, sports and art, and often include materials such as opinion columns, weather forecasts, reviews of local services, obituaries, birth notices, crosswords, editorial cartoons, comic strips, and advice columns. Most newspapers are businesses, and they pay their expenses with a mixture of subscription revenue, newsstand sales, and advertising revenue. The journalism organizations that publish newspapers are themselves often metonymically called newspapers. Newspapers have traditionally been published in print (usually on cheap, low-grade paper called newsprint). However, today most newspapers are also published on websites as online newspapers, and some have even abandoned their print versions entirely. Newspapers developed in the 17th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Peel
John Robert Parker Ravenscroft (30 August 1939 – 25 October 2004), known professionally as John Peel, was an English disc jockey (DJ) and radio presenter. He was the longest-serving of the original BBC Radio 1 DJs, broadcasting regularly from 1967 until his death in 2004. Peel was one of the first broadcasters to play psychedelic rock and progressive rock records on British radio. He is widely acknowledged for promoting artists of multiple genres, including pop, dub reggae, punk rock and post-punk, electronic music and dance music, indie rock, extreme metal and British hip hop. Fellow DJ Paul Gambaccini described Peel as "the most important man in music for about a dozen years". Peel's Radio 1 shows were notable for the regular "Peel sessions", which usually consisted of four songs recorded by an artist in the BBC's studios, often providing the first major national coverage to bands that later achieved fame. Another feature was the annual Festive Fifty countdown of his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Graveyard And The Ballroom
''The Graveyard and the Ballroom'' is the debut album by English band A Certain Ratio, released in January 1980 by record label Factory.Strong, Martin C. (2003) ''The Great Indie Discography'', Canongate, , pp. 192–3 It was produced by Martin Hannett. It was originally released only as a cassette, designed by Peter Saville. The album has been re-released on CD by Creation Records in 1994 and by Mute Records in 2017. The latter also reissued the album on vinyl, replicating the original PVC pouch of the cassette release. The reissued album spent five weeks in the UK Independent Chart, peaking at number 29.Lazell, Barry (1997) ''Indie Hits 1980–1989'', Cherry Red Books, , p. 1 Content Side A of the album, ''The Graveyard'', was recorded at Graveyard Studios in September 1979, while the other side, ''The Ballroom'', was recorded live at the Electric Ballroom in October. Critical reception AllMusic described the album as "accomplished enough to be intriguing, but never all t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Stubbs
David Stubbs (born 13 September 1962 in London) is a British music journalist. He grew up in Leeds and in the early Eighties was a student at the University of Oxford where he was a close friend of Simon Reynolds. The two were part of the Oxford-based collective that in 1984 launched the pop journal ''Monitor'' and then in 1986 both joined '' Melody Maker'' as staff writers. Stubbs remained at ''Melody Maker'' for a dozen years. He combined his serious writing career with writing the humorous "Talk Talk Talk" section, which featured the character of Mr Agreeable who would insult sacred cows with barrages of swear words (asterisked out to comply with IPC Media regulations). Career Stubbs has written for '' Vox'' magazine, the ''NME'' (late 1990s and early 2000s), and as editor of ''The Wire'', ''Uncut'', ''The Guardian'', ''The Times'' and the football magazines ''Goal'' and ''When Saturday Comes'', where in the guise of the "Wing Commander", Stubbs covered their ill-fated Wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joey Beltram
Joey Beltram (born 6 September 1971) is an American DJ and music producer, best known for his pioneering singles "Energy Flash" and "Mentasm" and for remixing Human Resource (band), Human Resource's "Dominator (Human Resource song), Dominator". Rave recordings "Mentasm", co-produced with Mundo Muzique and released under the artist name Second Phase in 1991, became iconic within rave party, rave culture, as it was the track that gave birth to the "mentasm riff" (also known as the "hoover sound"): a churning, dirgelike synth pattern that wormed into techno's communal genome and has since been mutated and reused in thousands of records. The "mentasm riff" is also strongly associated with drum and bass, the Belgian techno scene, and the R&S Records, R&S record label, as well as Hardcore (electronic dance music genre), hardcore/hard house in their various permutations since 1994. Beltram was referenced as a pioneer in the late 1990s house music scene by Daft Punk, in their song "Teach ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Music
House is a music genre characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by Disc jockey, DJs and music producers from Chicago metropolitan area, Chicago's underground Clubbing (subculture), club culture in the late 1970s, as DJs began altering disco songs to give them a more mechanical beat. House was pioneered by African Americans, African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other American cities such as New York City and became a worldwide phenomenon. House has had a large effect on pop music, especially dance music. It was incorporated by major international pop artists including Whitney Houston, Janet Jackson ("Together Again (Janet Jackson song), Together Again"), Kylie Minogue, Pet Shop Boys and Madonna ("Vogu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soul Jazz Records
Soul Jazz Records is a British record label based in London. Outside of releasing records, the label also publishes books, occasionally films and performs as a DJ set. The music releases labels from a variety of genres, including reggae, house music, house, hip hop music, hip hop, punk rock, jazz, funk, bossa nova and soul music, soul. History Soul Jazz Records was founded by Stuart Baker in 1991. Baker purchased his first record at the age of 10 and prior to starting the label, had his roots selling records at a secondhand record vinyl stall in the Camden market in the late 1980s. The label initially worked doing straight reissues of old albums before releasing ''Nu Yorica!'', a double album of classic salsa music, salsa and Latin funk from the 1970s. Peter Reilly spoke on the labels behalf that ''Nu Yorica'' was their first "really successful record" form Soul Jazz noting that "it was more of a kind of cult thing up until then. It opened it up to a lot of people." and that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uncut (magazine)
''Uncut'' is a monthly magazine based in London. It is available across the English-speaking world, and focuses on music, but also includes film and books sections. A DVD magazine under the ''Uncut'' brand was published quarterly from 2005 to 2006. The magazine was acquired in 2019 by Singaporean music company BandLab Technologies, and has been published by NME Networks since December 2021. ''Uncut'' (main magazine) ''Uncut'' was launched in May 1997 by IPC as "a monthly magazine aimed at 25- to 45-year-old men that focuses on music and movies", edited by Allan Jones (former editor of ''Melody Maker''). Jones has stated that " e idea for Uncut came from my own disenchantment about what I was doing with ''Melody Maker''. There was a publishing initiative to make the audience younger; I was getting older and they wanted to take the readers further away from me", specifically referring to the then dominant Britpop genre. According to IPC Media, 86% of the magazine's readers are mal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
