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ES-150
The Gibson Guitar Corporation's ES-150 guitar is generally recognized as the world's first commercially successful Spanish-style electric guitar. The ES stands for Electric Spanish, and Gibson designated it "150" because they priced it (in an instrument/amplifier/cable bundle) at around $150 (). The particular sound of the instrument came from a combination of the specific bar-style pickup and its placement, and the guitar's overall construction. It became famous due in large part to its endorsement by notable guitar players including Charlie Christian. After Gibson introduced it in 1936, it immediately became popular in jazz orchestras. Unlike the usual acoustic guitars in jazz bands of the period, it was loud enough to take a more prominent position in ensembles. Gibson produced the guitar with minor variations until 1940, when the ES-150 designation (the "V2") denoted a model with a different construction and pickup. History Gibson's previous electrified guitars were either ...
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Gibson ES-150
The Gibson Guitar Corporation's ES-150 guitar is generally recognized as the world's first commercially successful Spanish-style electric guitar. The ES stands for Electric Spanish, and Gibson designated it "150" because they priced it (in an instrument/amplifier/cable bundle) at around $150 (). The particular sound of the instrument came from a combination of the specific bar-style pickup and its placement, and the guitar's overall construction. It became famous due in large part to its endorsement by notable guitar players including Charlie Christian. After Gibson introduced it in 1936, it immediately became popular in jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a m ... orchestras. Unlike the usual acoustic guitars in jazz bands of the period, it was loud enough to take a ...
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Charlie Christian Pickup
The Gibson Guitar Corporation's ES-150 guitar is generally recognized as the world's first commercially successful Spanish-style electric guitar. The ES stands for Electric Spanish, and Gibson designated it "150" because they priced it (in an instrument/Instrument amplifier, amplifier/cable Product bundling, bundle) at around $150 (). The particular sound of the instrument came from a combination of the specific bar-style Pickup (music technology), pickup and its placement, and the guitar's overall construction. It became famous due in large part to its endorsement by notable guitar players including Charlie Christian. After Gibson introduced it in 1936, it immediately became popular in jazz orchestras. Unlike the usual acoustic guitars in jazz bands of the period, it was loud enough to take a more prominent position in ensembles. Gibson produced the guitar with minor variations until 1940, when the ES-150 designation (the "V2") denoted a model with a different construction and pi ...
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Semi-acoustic Guitar
A semi-acoustic guitar, hollow-body electric, or thinline is a type of electric guitar that was first created in the 1930s. It has a sound box and at least one electric pickup. The semi-acoustic guitar is different to an acoustic-electric guitar, which is an acoustic guitar with the addition of pickups or other means of amplification, added by either the manufacturer or the player. History In the 1930s, guitar manufacturers aimed at increasing the sound level produced by the instrument, to compete with louder instruments such as the drums.Ingram, Adrian, A Concise History of the Electric Guitar, Melbay, 2001. Companies such as Gibson, Rickenbacker and Gretsch focused on amplifying a guitar through a loudspeaker. In 1936, Gibson introduced their first manufactured semi-acoustic guitars, the ES-150s (Electric Spanish Series).Hunter, Dave, The Rough Guide to Guitar, Penguin Books, 2011. Gibson based them on a standard production archtop, with f holes on the face of the guitar's ...
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Electric Guitar
An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar (however combinations of the two - a semi-acoustic guitar and an electric acoustic guitar exist). It uses one or more pickups to convert the vibration of its strings into electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities on the amplifier settings or the knobs on the guitar from that of an acoustic guitar. Often, this is done through the use of effects such as reverb, distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz and rock guitar playing. Invented in 1932, the electric guitar was adopted by jazz guitar players, who wanted to play single-note guitar solos in large big band ensembles. Early proponents of the electric gui ...
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Gibson Guitar Corporation
Gibson Brands, Inc. (formerly Gibson Guitar Corporation) is an American manufacturer of guitars, other musical instruments, and professional audio equipment from Kalamazoo, Michigan, and now based in Nashville, Tennessee. The company was formerly known as Gibson Guitar Corporation and renamed Gibson Brands, Inc. on June 11, 2013. Orville Gibson started making instruments in 1894 and founded the company in 1902 as the Gibson Mandolin-Guitar Mfg. Co. Ltd. in Kalamazoo, Michigan, to make mandolin-family instruments. Gibson invented archtop guitars by constructing the same type of carved, arched tops used on violins. By the 1930s, the company was also making flattop acoustic guitars, as well as one of the first commercially available hollow-body electric guitars, used and popularized by Charlie Christian. In 1944, Gibson was bought by Chicago Musical Instruments (CMI), which was acquired in 1969 by Panama-based conglomerate Ecuadorian Company Limited (ECL), that changed its ...
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Charlie Christian (1939-10 Waldorf-Astoria Portrait)
Charles Henry Christian (July 29, 1916 – March 2, 1942) was an American swing and jazz guitarist. Christian was an important early performer on the electric guitar and a key figure in the development of bebop and cool jazz. He gained national exposure as a member of the Benny Goodman Sextet and Orchestra from August 1939 to June 1941. His single-string technique, combined with amplification, helped bring the guitar out of the rhythm section and into the forefront as a solo instrument. For this, he is often credited with leading to the development of the lead guitar role in musical ensembles and bands. John Hammond and George T. Simon called Christian the best improvisational talent of the swing era. In the liner notes to the album '' Solo Flight: The Genius of Charlie Christian'' (Columbia, 1972), Gene Lees wrote that "Many critics and musicians consider that Christian was one of the founding fathers of bebop, or if not that, at least a precursor to it."Liner notes. '' ...
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Charlie Christian
Charles Henry Christian (July 29, 1916 – March 2, 1942) was an American swing and jazz guitarist. Christian was an important early performer on the electric guitar and a key figure in the development of bebop and cool jazz. He gained national exposure as a member of the Benny Goodman Sextet and Orchestra from August 1939 to June 1941. His single-string technique, combined with amplification, helped bring the guitar out of the rhythm section and into the forefront as a solo instrument. For this, he is often credited with leading to the development of the lead guitar role in musical ensembles and bands. John Hammond and George T. Simon called Christian the best improvisational talent of the swing era. In the liner notes to the album '' Solo Flight: The Genius of Charlie Christian'' (Columbia, 1972), Gene Lees wrote that "Many critics and musicians consider that Christian was one of the founding fathers of bebop, or if not that, at least a precursor to it."Liner notes. '' ...
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P-90
The P-90 (sometimes written P90) is a single coil electric guitar pickup produced by Gibson since 1946. Gibson is still producing P-90s, and there are outside companies that manufacture replacement versions. Compared to other single coil designs, such as the ubiquitous Fender single coil, the bobbin for a P-90 is wider but shorter. The Fender style single coil is wound in a taller bobbin but the wires are closer to the individual poles. This makes the P-90 produce a different type of tone, somewhat warmer with less edge and brightness. As with other single-coil pickups, the P-90 is subject to mains hum unless some form of hum cancelling is used. History Around 1940 Gibson offered a new bridge pickup cased in metal for the ES-100/125 series as an alternative to the classic Charlie Christian pickup. Officially, P-90 pickups were introduced in 1946, when Gibson resumed guitar production after World War II. The name refers to the part number as designated by Gibson. They we ...
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Magnet
A magnet is a material or object that produces a magnetic field. This magnetic field is invisible but is responsible for the most notable property of a magnet: a force that pulls on other ferromagnetic materials, such as iron, steel, nickel, cobalt, etc. and attracts or repels other magnets. A permanent magnet is an object made from a material that is magnetized and creates its own persistent magnetic field. An everyday example is a refrigerator magnet used to hold notes on a refrigerator door. Materials that can be magnetized, which are also the ones that are strongly attracted to a magnet, are called ferromagnetic (or ferrimagnetic). These include the elements iron, nickel and cobalt and their alloys, some alloys of rare-earth metals, and some naturally occurring minerals such as lodestone. Although ferromagnetic (and ferrimagnetic) materials are the only ones attracted to a magnet strongly enough to be commonly considered magnetic, all other substances respond wea ...
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Barney Kessel
Barney Kessel (October 17, 1923 – May 6, 2004) was an American jazz guitarist born in Muskogee, Oklahoma. Known in particular for his knowledge of chords and inversions and chord-based melodies, he was a member of many prominent jazz groups as well as a "first call" guitarist for studio, film, and television recording sessions. Kessel was a member of the group of session musicians informally known as the Wrecking Crew. Biography Kessel was born in Muskogee, Oklahoma in 1923. Kessel's father was an immigrant from Hungary who owned a shoe shop. His only formal musical study was three months of guitar lessons at the age of 12. He began his career as a teenager touring with local dance bands. When he was 16, he started playing with the Oklahoma A&M band, Hal Price & the Varsitonians. The band members nicknamed him "Fruitcake" because he practiced up to 16 hours a day. Kessel gained attention because of his youth and being the only white musician playing in all African American ...
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Floyd Smith (musician)
Floyd George Smith (January 25, 1917 – March 29, 1982), sometimes credited as Floyd "Guitar" Smith, was an American jazz guitarist and record producer. Biography Born in St. Louis, Missouri, Smith studied music theory as a teenager and learned ukulele as a child before taking up guitar. He spent his early career in territory bands, playing in groups such as Eddie Johnson's Crackerjacks, the Jeter-Pillars Orchestra, the Sunset Royal Orchestra, the Brown Skin Models, and Andy Kirk's 12 Clouds Of Joy. Biography by Eugene Chadbourne, ''Allmusic.com''
Retrieved 14 October 2016
His composition "Floyd's Guitar Blues", recorded with Andy Kirk's orchestra in March 1939, has been claimed as the first hit record to feature a
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Barry Galbraith
Joseph Barry Galbraith (December 18, 1919 – January 13, 1983) was an American jazz guitarist. Galbraith moved to New York City from McDonald, PA in the early 1940s and found work playing with Babe Russin, Art Tatum, Red Norvo, Hal McIntyre, and Teddy Powell. He played with Claude Thornhill in 1941–1942 and again in 1946–1949 after serving in the Army. He did a tour with Stan Kenton in 1953. Galbraith did extensive work as a studio musician for NBC and CBS in the 1950s and 1960s; among those he played with were Miles Davis, Michel Legrand, Tal Farlow, Coleman Hawkins, George Barnes, John Lewis, Hal McKusick, Oscar Peterson, Max Roach, George Russell, John Carisi, and Tony Scott. He also accompanied the singers Anita O'Day, Chris Connor, Billie Holiday, Helen Merrill, Sarah Vaughan and Dinah Washington on record. He was a mentor to Ralph Patt. In 1961, he appeared in the film '' After Hours''. In 1963-1964 he played on Gil Evans's album '' The Individualism of Gil Evans' ...
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