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EREŠ
The Sumerian word NIN (from the Akkadian pronunciation of the sign EREŠ)( 𒎏) was used to denote a queen or a priestess, and is often translated as "lady". Other translations include "queen", "mistress", "proprietress", and "lord".J A Halloran LexiconRetrieved 2012-06-07 & Many goddesses are called NIN, such as D NIN.GAL ("great lady"), D É.NIN.GAL ("lady of the great temple"), D EREŠ.KI.GAL, and D NIN.TI. The compound form NIN. DINGIR ("divine lady" or "lady of god"), from the Akkadian ''entu'', denotes a priestess. In writing NIN originated as a ligature of the cuneiform glyphs of MUNUS () and TÚG (); the NIN sign was written as MUNUS.TÚG () in archaic cuneiform, notably in the Codex Hammurabi. The syllable ''nin'', on the other hand, was written as MUNUS.KA () in Assyrian cuneiform. MUNUS.KU = NIN9 () means "sister". File:MUNUS-SAL-sinnishtu Cuneiform.svg, Basic cuneiform MUNUS sign ("woman") File:TUG-subatu-ku Cuneiform.svg, Basic cuneiform TÚG sign ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
TÚG
The Sumerian word NIN (from the Akkadian pronunciation of the sign EREŠ)( 𒎏) was used to denote a queen or a priestess, and is often translated as "lady". Other translations include "queen", "mistress", "proprietress", and "lord".J A Halloran LexiconRetrieved 2012-06-07 & Many goddesses are called NIN, such as D NIN.GAL ("great lady"), D É.NIN.GAL ("lady of the great temple"), D EREŠ.KI.GAL, and D NIN.TI. The compound form NIN.DINGIR ("divine lady" or "lady of god"), from the Akkadian ''entu'', denotes a priestess. In writing NIN originated as a ligature of the cuneiform glyphs of MUNUS () and TÚG (); the NIN sign was written as MUNUS.TÚG () in archaic cuneiform, notably in the Codex Hammurabi. The syllable ''nin'', on the other hand, was written as MUNUS.KA () in Assyrian cuneiform. MUNUS.KU = NIN9 () means "sister". File:MUNUS-SAL-sinnishtu Cuneiform.svg, Basic cuneiform MUNUS sign ("woman") File:TUG-subatu-ku Cuneiform.svg, Basic cuneiform TÚG sign (s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ereshkigal
In Mesopotamian mythology, Ereshkigal ( sux, , lit. "Queen of the Great Earth") was the goddess of Kur, the land of the dead or underworld in Sumerian religion, Sumerian mythology. In later myths, she was said to rule Irkalla alongside her husband Nergal. Sometimes her name is given as Irkalla, similar to the way the name Hades was used in Greek mythology for both the underworld and its ruler, and sometimes it is given as Ninkigal, lit. "Lady of the Great Earth". Ereshkigal was only one of multiple deities regarded as rulers of the underworld in Mesopotamia. The main temple dedicated to her was located in Kutha, a city originally associated with Nergal, and her cult had a very limited scope. No personal names with "Ereshkigal" as a theophoric element are known. In the ancient Sumerian poem ''Inanna#Descent into the underworld, Inanna's Descent to the Underworld'', Ereshkigal is described as Inanna's older sister. However, they were not commonly associated with each other. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ninhursag
, deity_of=Mother goddess, goddess of fertility, mountains, and rulers , image= Mesopotamian - Cylinder Seal - Walters 42564 - Impression.jpg , caption=Akkadian cylinder seal impression depicting a vegetation goddess, possibly Ninhursag, sitting on a throne surrounded by worshippers (circa 2350-2150 BC) , symbol=Omega-like symbol , children = Ninurta, Ashgi, Panigingarra , consort=Enlil, Enki Ninḫursaĝ ( sux, ''Ninḫarsang''; ) sometimes transcribed Ninursag,Britannica, The Editors of Encyclopaedia. "Ninhursag". ''Encyclopedia Britannica'', 2 May 2018, https://www.britannica.com/topic/Ninhursag. Accessed 28 April 2022. Ninḫarsag, or Ninḫursaĝa, also known as Damgalnuna or Ninmah, was the ancient Sumerian mother goddess of the mountains, and one of the seven great deities of Sumer. She is known earliest as a nurturing or fertility goddess. Temple hymn sources identify her as the "true and great lady of heaven" (possibly in relation to her standing on the mountain) an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
EN (cuneiform)
En (Borger 2003 nr. 164 ; U+12097 𒂗, see also Ensí) is the Sumerian cuneiform for "lord" or "priest". Originally, it seems to have been used to designate a high priest or priestess of a Sumerian city-state's patron-deity – a position that entailed political power as well. It may also have been the original title of the ruler of Uruk. See ''Lugal, ensi and en'' for more details. Deities including En as part of their name include DEnlil, DEnki, DEngurun, and DEnzu. Enheduanna, Akkadian 2285 BC – 2250 BC was the first known holder of the title, "En Priestess." Archaic forms The corresponding Emesal dialect word was UMUN, which may preserve an archaic form of the word. Earlier Emeg̃ir (the standard dialect of Sumerian) forms can be postulated as ''*ewen'' or ''*emen'', eventually dropping the middle consonant and becoming the familiar EN. Amarna letters: bêlu The 1350 BC Amarna letters use EN for bêlu, though not exclusively. The more common spelling is mostly 'be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuneiform
Cuneiform is a logo-syllabic script that was used to write several languages of the Ancient Middle East. The script was in active use from the early Bronze Age until the beginning of the Common Era. It is named for the characteristic wedge-shaped impressions (Latin: ) which form its signs. Cuneiform was originally developed to write the Sumerian language of southern Mesopotamia (modern Iraq). Cuneiform is the earliest known writing system. Over the course of its history, cuneiform was adapted to write a number of languages in addition to Sumerian. Akkadian texts are attested from the 24th century BC onward and make up the bulk of the cuneiform record. Akkadian cuneiform was itself adapted to write the Hittite language in the early second millennium BC. The other languages with significant cuneiform corpora are Eblaite, Elamite, Hurrian, Luwian, and Urartian. The Old Persian and Ugaritic alphabets feature cuneiform-style signs; however, they are unrelated to the cuneiform lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Priest
A priest is a religious leader authorized to perform the sacred rituals of a religion, especially as a mediatory agent between humans and one or more deities. They also have the authority or power to administer religious rites; in particular, rites of sacrifice to, and propitiation of, a deity or deities. Their office or position is the 'priesthood', a term which also may apply to such persons collectively. A priest may have the duty to hear confessions periodically, give marriage counseling, provide prenuptial counseling, give spiritual direction, teach catechism, or visit those confined indoors, such as the sick in hospitals and nursing homes. Description According to the trifunctional hypothesis of prehistoric Proto-Indo-European society, priests have existed since the earliest of times and in the simplest societies, most likely as a result of agricultural surplus and consequent social stratification. The necessity to read sacred texts and keep temple or church rec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conjunction (grammar)
In grammar, a conjunction (list of glossing abbreviations, abbreviated or ) is a part of speech that connects words, phrases, or clauses that are called the conjuncts of the conjunctions. That definition may overlap with that of other parts of speech and so what constitutes a "conjunction" must be defined for each language. In English, a given word may have several word sense, senses and be either a preposition or a conjunction, depending on the syntax of the sentence. For example, ''after'' is a preposition in "he left after the fight" but is a conjunction in "he left after they fought". In general, a conjunction is an invariable (non-inflection, inflected) grammatical particle that may or may not stand between the items conjoined. The definition of conjunction may also be extended to idiomatic phrases that behave as a unit with the same function, "as well as", "provided that". A simple literary example of a conjunction is "the truth of nature, ''and'' the power of giving inte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ninurta
, image= Cropped Image of Carving Showing the Mesopotamian God Ninurta.png , caption= Assyrian stone relief from the temple of Ninurta at Kalhu, showing the god with his thunderbolts pursuing Anzû, who has stolen the Tablet of Destinies from Enlil's sanctuary (Austen Henry Layard ''Monuments of Nineveh'', 2nd Series, 1853) , parents=Enlil and Ninhursag As Urash, An , deity_of=God of agriculture, hunting, and war , abode=Eshumesha temple in NippurLater Kalhu, during Assyrian times , symbol=Plow and perched bird , consort= ''As Ninurta:'' Gula''As Ninĝirsu:'' Bau , children= , planet=Saturn, Mercury , mount= Beast with the body of a lion and the tail of a scorpion , equivalent1_type = Caananite , equivalent1 = Attar , equivalent2_type = Eblaite , equivalent2 = Aštabi Ninurta ( sux, : , possible meaning "Lord fBarley"), also known as Ninĝirsu ( sux, : , meaning "Lord fGirsu"), is an ancient Mesopotamian god associated with farming, healing, hunting, law, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deluge (mythology)
A flood myth or a deluge myth is a myth in which a great flood, usually sent by a deity or deities, destroys civilization, often in an act of divine retribution. Parallels are often drawn between the flood waters of these myths and the primaeval waters which appear in certain creation myths, as the flood waters are described as a measure for the cleansing of humanity, in preparation for rebirth. Most flood myths also contain a culture hero, who "represents the human craving for life". The flood-myth motif occurs in many cultures, including the Mesopotamian flood stories, Native American in North America, the Genesis flood narrative, ''manvantara-sandhya'' in Hinduism, and Deucalion and Pyrrha in Greek mythology. Mythologies One example of a flood myth is the ''Epic of Gilgamesh''. Many scholars believe that this account was copied from the Akkadian '' Atra-Hasis'', which dates to the 18th century BCE. In the Gilgamesh flood myth, the highest god, Enlil, decides ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Segue
A segue (; ) is a smooth transition from one topic or section to the next. The term is derived from Italian ''segue'', which literally means "follows". In music In music, ''segue'' is a direction to the performer. It means ''continue (the next section) without a pause''. The term attacca is used synonymously. For written music, it implies a transition from one section to the next without any break. In improvisation, it is often used for transitions created as a part of the performance, leading from one section to another. In live performance, a segue can occur during a jam session, where the improvisation of the end of one song progresses into a new song. Segues can even occur between groups of musicians during live performance. For example, as one band finishes its set, members of the following act replace members of the first band one by one, until a complete band swap occurs. In recorded music, a segue is a seamless transition between one song and another. The effect is oft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epic Of Gilgamesh
The ''Epic of Gilgamesh'' () is an epic poetry, epic poem from ancient Mesopotamia, and is regarded as the earliest surviving notable literature and the second oldest religious text, after the Pyramid Texts. The literary history of Gilgamesh begins with five Sumerian language, Sumerian poems about Bilgamesh (Sumerian for "Gilgamesh"), king of Uruk, dating from the Third Dynasty of Ur (). These independent stories were later used as source material for a combined epic in Akkadian language, Akkadian. The first surviving version of this combined epic, known as the "Old Babylonian" version, dates back to the 18th century BC and is titled after its incipit, ''Shūtur eli sharrī'' ("Surpassing All Other Kings"). Only a few clay tablet, tablets of it have survived. The later Standard Babylonian version compiled by Sîn-lēqi-unninni dates from the 13th to the 10th centuries BC and bears the incipit ''Sha naqba īmuru'' ("He who Saw the Abyss", in unmetaphoric terms: "He who Sees the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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