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Ezio (libretto)
''Ezio'' is an opera libretto by Pietro Metastasio, first officially set to music by Pietro Auletta and premièred in the Teatro delle Dame, Rome, on December 26, 1728; an unauthorized setting by Nicola Porpora had already been premièred a month earlier (November 20) in Venice.Irving Godt, ''Marianna Martines: a woman composer in the Vienna of Mozart and Haydn'' John A. Rice – 2010, p. 61 "Typical of the collection is 'Pensa a serbarmi, o cara', Marianna's setting of an aria text from Metastasio's ''Ezio'', a libretto first heard in Venice in 1728 with music by Porpora and in Rome the following year with music by Pietro Auletta" Other notable settings include: * ''Ezio'' (Handel), King's Theatre, London 1732 * ''Ezio'' (Mysliveček, 1775), Naples * ''Ezio'' (Mysliveček, 1777), Munich – completely new music * ''Ezio'' (Gluck), Prague 1750, revised Vienna 1763 *''Ezio'' (1730), Johann Adolph Hasse, Naples, revised Dresden 1755 *''Ezio'' (1750), Davide Perez, Teatro Regio Duc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Metastasio
Pietro Antonio Domenico Trapassi (3 January 1698 – 12 April 1782), better known by his pseudonym of Pietro Metastasio (), was an Italian poet and librettist, considered the most important writer of '' opera seria'' libretti. Early life Metastasio was born in Rome, where his father, Felice Trapassi, a native of Assisi, had taken service in the Corsican regiment of the papal forces. Felice married a Bolognese woman, Francesca Galasti, and became a grocer in the ''Via dei Cappellari''. The couple had two sons and two daughters; Pietro was the younger son. Pietro, while still a child, is said to have attracted crowds by reciting impromptu verses on a given subject. On one such occasion in 1709, two men of distinction stopped to listen: Giovanni Vincenzo Gravina, famous for legal and literary erudition as well as his directorship of the Arcadian Academy, and Lorenzini, a critic of some note. Gravina was attracted by the boy's poetic talent and personal charm, and made Pietro hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Auletta
Pietro Antonio Auletta (1698–1771) was an Italian composer known mainly for his operas. His opera buffa ''Orazio'' gained popularity after being mis-attributed to Pergolesi Pergolesi is a surname. Notable people with the surname include: * Giovanni Battista Pergolesi, (1710–1736), Italian composer, violinist, and organist * Michael Angelo Pergolesi, 18th-century Italian decorative artist {{Surname Italian-langu ... as ''Il maestro de musica''.''Theatre in Dublin, 1745–1820: A Calendar of Performances'' 1611461103 John C. Greene (2011) Opera 1 14, says that this piece is 'no doubt' Pietro Auletta's opera buffo, ''Orazio'', first presented under the title of ''Il Maestro de Musica'' at Paris in 1752 ... References 1698 births 1771 deaths Italian Baroque composers Italian male classical composers Italian opera composers Male opera composers 18th-century Italian composers 18th-century Italian male musicians {{Italy-composer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Operas By Nicola Porpora
This is a complete list of the operas written by the Italian composer Nicola Porpora (1686–1768). List References Sources *Monson, Dale E. (1992), "Porpora, Nicola" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was publ ... (London) External links * {{DEFAULTSORT:Porpora, Nicola Lists of operas by composer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ezio (Handel)
''Ezio'' ("Aetius", HWV 29) is an opera seria by George Frideric Handel to a libretto by Metastasio. Metastasio's libretto was partly inspired by Jean Racine's play ''Britannicus''. The same libretto had already been set by many other composers, first of all Nicola Porpora who managed to preempt the official Rome premiere of Pietro Auletta's setting for 26 December 1728 with his own version (of a slightly edited copy of the libretto) for Venice on 20 November, a month earlier. The libretto continued to be set and reset for another 50 years, including two versions of ''Ezio'' by Gluck. Handel's ''Ezio'' is considered one of the purest examples of opera seria with its absence of vocal ensembles. The story of the opera is a fictionalisation of events in the life of the fifth-century AD Roman general Flavius Aetius (Ezio in Italian), returned from his victory over Attila. Performance history The opera received its first performance at the King's Theatre, London on 15 Januar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ezio (Mysliveček, 1775)
''Ezio'' is an eighteenth-century Italian opera in 3 acts by the Czech composer Josef Mysliveček. It was the composer's first setting of a libretto by the Italian poet Metastasio that was first performed with music by Pietro Auletta in 1728, one of the most popular of the Metastasian librettos in Mysliveček's day. The story is based on incidents from the lives of the 5th-century Roman emperor Valentinian III and his general Aetius. For a performance in the 1770s, it would only be expected that a libretto of such age would be abbreviated and altered to suit contemporary operatic taste. The cuts and changes in the text made for the 1775 performance of Mysliveček's opera are not attributable. All of Mysliveček's operas are of the serious type in Italian language referred to as opera seria. Performance history The opera was first performed at the Teatro San Carlo in Naples on 30 May 1775 in honor of the nameday of Ferdinand, the king of Naples. It was the last of a series of f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ezio (Mysliveček, 1777)
''Ezio'' is an eighteenth-century Italian opera in 3 acts by the Czech composer Josef Mysliveček. It was the composer's second setting of a libretto by the Italian poet Metastasio that was first performed in 1728, one of the most popular of the Metastasian librettos in Mysliveček's day. The story is based on incidents from the lives of the 5th-century Roman emperor Valentinian III and his general Aetius. For a performance in the 1770s, it would only be expected that a libretto of such age would be abbreviated and altered to suit contemporary operatic taste. The cuts and changes in the text made for the 1777 performance of Mysliveček's opera are not attributable. All of Mysliveček's operas are of the serious type in Italian language referred to as opera seria. Performance history The opera was first performed at the Hoftheater in Munich on 10 January 1777.Documentation concerning the Munich performance of Mysliveček's ''Ezio'' of 1777 is found in Daniel E. Freeman, ''Josef ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ezio (Gluck)
''Ezio'' is an opera seria from the Early Classical Period in three acts composed by Christoph Willibald Gluck, staged in 1750 and revised in 1763. History Metastasio's libretto for this opera had previously been set by a number of composers, including Nicola Porpora (1728) and Pietro Auletta (1728), Hasse (Naples, 1730; Dresden, 1755), Handel (London, 1732) and Latilla (Naples, 1758). ''Ezio'' was first performed during Carnival in Prague (1750); Gluck revised his setting for Vienna (1763). Unlike the two completely different settings of the text by Mysliveček, Naples (1775) and Munich (1777), Gluck's two versions share about half their music. Roles * Ezio, general (alto castrato), who loves Fulvia * Valentiniano, emperor (soprano castrato), who loves Fulvia * Massimo, Roman patrician (tenor), conspiring against Valentiniano * Fulvia, Massimo's daughter (soprano), who loves Ezio * Onoria, sister of Valentiniano, who loves Ezio * Varo, prefect and confidant of Ezio Syn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Adolph Hasse
Johann Adolph Hasse (baptised 25 March 1699 – 16 December 1783) was an 18th-century German composer, singer and teacher of music. Immensely popular in his time, Hasse was best known for his prolific operatic output, though he also composed a considerable quantity of sacred music. Married to soprano Faustina Bordoni and a friend of librettist Pietro Metastasio, whose libretti he frequently set, Hasse was a pivotal figure in the development of '' opera seria'' and 18th-century music. Early career Hasse was baptised in Bergedorf near Hamburg where his family had been church organists for three generations. His career began in singing when he joined the Hamburg Oper am Gänsemarkt in 1718 as a tenor. In 1719 he obtained a singing post at the court of Brunswick, where in 1721 his first opera, ''Antioco'', was performed; Hasse himself sang in the production. He is thought to have left Germany during 1722. During the 1720s he lived mostly in Naples, dwelling there for six or seven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Davide Perez
Davide Perez (1711 – 30 October 1778) was an Italian opera composer born in Naples of Italian parents, and later resident court composer at Lisbon from 1752. He staged three operas on librettos of Metastasio at Lisbon with huge success in 1753, 1754, and 1755. Following the 1755 Lisbon earthquake, Perez turned from opera mostly to church music. Early years Perez was born in Naples, the son of Giovanni Perez and Rosalina Serrari, both Neapolitans. At the age of 11 he became a student at the Conservatorio di S Maria di Loreto in Naples, where he remained until 1733, studying counterpoint with Francesco Mancini, singing and keyboard playing with Giovanni Veneziano, and violin with Francesco Barbella. On completion of his studies, Perez immediately entered the service of the Sicilian Prince d’Aragona, Naselli. From 1734 date his first known pieces, the Latin cantatas ''Ilium Palladio astu Subducto Expugnatum'' and ''Palladium'' performed in Palermo's Collegio della Societ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Regio Ducale
The Teatro Regio Ducale (Italian, "Royal Ducal Theatre") was the opera house in Milan from 26 December 1717 until 25 February 1776, when it was burned down following a carnival gala. Many famous composers and their operas are associated with it, including the premieres of Mozart's ''Mitridate, re di Ponto'', ''Ascanio in Alba'', and ''Lucio Silla''. The opera house also saw the premiere of Maria Teresa Agnesi Pinottini's '' Ciro in Armenia'' in 1753; one of the earliest successfully received operas by a female composer. The variant form ''Regio Ducal Teatro'' is also seen. The atmosphere in opera houses at the time was very sociable and congenial, and the Teatro Regio Ducale was no exception. The English traveller and music writer Charles Burney describes its faro tables for gambling, and gives this description: The theatre here is very large and splendid; it has five rows of boxes on each side, one hundred in each row; and parallel to these runs a broad gallery ... as an a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
