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Extra Soul Perception
''Extra Soul Perception'' is an album by saxophonist Monk Higgins recorded in 1968 and released on the Solid State label.Payne, D.Monk Higgins discographyaccessed July 26, 2017 Track listing All compositions by Monk Higgins except where noted # "Extra Soul Perception" – 2:35 # "The Look of Slim" – 3:00 # "A Good Thing" (Dee Ervin) – 2:30 # " Watermelon Man" (Herbie Hancock) – 3:10 # "Straight Ahead" (Vee Pea) – 2:40 # " Canadian Sunset" ( Eddie Heywood, Norman Gimbel) – 3:56 # "Collision in Black" – 4:00 # "Just Around the Corner" (Pea) – 2:58 # " Little Green Apples" (Bobby Russell) – 2:25 # "Poker Chips" (Pea) – 3:08 # "Sittin' Duck" – 3:00 # "Doing It to Deff" – 2:50 Personnel *Monk Higgins – tenor saxophone The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monk Higgins
Milton Bland (October 3, 1930 – July 3, 1986) better known as Monk Higgins, was an American musician and saxophonist who was born in Menifee, Arkansas. Biography Higgins's biggest hits were the instrumental tracks "Who Dun It" (which reached #30 on the US R&B chart in 1966), and "Gotta Be Funky" (#22 on the US R&B chart). His instrumental "Ceatrix Did It" (1967) was the sign-off song for soul DJ Dr Rock on WMPP, East Chicago Heights, Illinois. Higgins worked with a variety of musicians including Gene Harris, Bobby Bland, The Chi-Lites, Junior Wells, Freddy Robinson, Muddy Waters, Cash McCall, Etta James, Blue Mitchell and The Three Sounds. His track "One Man Band (Plays All Alone)" was featured on the breakbeat compilation album, ''Ultimate Breaks and Beats''. Late in his career, Higgins performed with his band The Specialties as the featured artists at the television actress Marla Gibbs's Los Angeles, California supper club, known as Marla's Memory Lane Club. Higgins died ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flugelhorn
The flugelhorn (), also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax (creator of the saxophone) with the inspiration for his B soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled. Etymology The German word ''Flügel'' means ''wing'' or ''flank'' in English. In early 18th century Germany, a ducal hunt leader known as a ''Flügelmeister'' blew the ''Flügelhorn'', a large semicircular brass or silver valveless horn, to direct the wings of the hunt. Military use dates from the Seven Years' War, where this instrument was employed as a pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Congas
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vibraphone
The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist,'' or ''vibist''. The vibraphone resembles the steel marimba, which it superseded. One of the main differences between the vibraphone and other keyboard percussion instruments is that each bar suspends over a resonator tube containing a flat metal disc. These discs are attached together by a common axle and spin when the motor is turned on. This causes the instrument to produce its namesake tremolo or vibrato effect. The vibraphone also has a sustain pedal similar to a piano. When the pedal is up, the bars produce a muted sound; when the pedal is down, the bars sustain for several seconds or until again muted with the pedal. The vibraphone is commonly used in jazz music, in which it often plays a featured role, and was a defining element ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Guerin
John Payne Guerin (October 31, 1939 – January 5, 2004) was an American percussionist. He was a proponent of the jazz-rock style. Biography Guerin was born in Hawaii and raised in San Diego. As a young drummer he began performing with Buddy DeFranco in 1960. In the late 1960s he moved to Los Angeles where his drum work was utilized by artists including Frank Sinatra, The Beach Boys, George Harrison, Frank Zappa, The Animals, Joni Mitchell, Them, Thelonious Monk, Lou Rawls, Ray Conniff, George Shearing, Peggy Lee, Ella Fitzgerald, Linda Ronstadt, Nelson Riddle and countless others. From July 1972 to January 1973 he was the drummer for The Byrds, and joined the L.A. Express later that year. The band served as Joni Mitchell's back-up band on tour during the mid- to late-1970s; Guerin had a brief relationship with Mitchell during that time. She later wrote the song ''Hejira'' about leaving him. Guerin was an exponent of the jazz-rock style and played in many different genres, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abu Talib (musician)
Abu Talib (born Fred Leroy Robinson; February 24, 1939 – October 8, 2009) was an American blues and R&B guitarist. Career Born in Memphis, Tennessee, he was raised in the state of Arkansas and moved to Chicago, Illinois, in 1956. Inspired as a guitarist by Joe Willie Wilkins, he first recorded that year, backing harmonica player Birmingham Jones. In 1958, he began touring with Little Walter, and after seeing a jazz band perform was inspired to learn music formally at the Chicago School of Music. He also began working with Howlin' Wolf, recording with him such notable blues classics as "Spoonful", "Back Door Man" and "Wang Dang Doodle". In the mid-1960s, he played with R&B singers Jerry Butler and Syl Johnson, before joining Ray Charles' band in Los Angeles. While there, he recorded the instrumental "Black Fox", which became a minor pop hit reaching #56 on the ''Billboard'' Hot 100 and # 29 on the R&B chart. In the early 1970s, he worked with English blues bandleader John Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Adams (singer)
Arthur Adams (born December 25, 1943) is an American blues guitarist from Medon, Tennessee. Inspired by B.B. King and other 1950s artists, he played gospel music before attending college. He moved to Los Angeles, and during the 1960s and 1970s he released solo albums and worked as a session musician. In 1985 he was tapped to tour on bass guitar with Nina Simone, and he staged a comeback in the 1990s when he released ''Back on Track'', and became a respected Chicago blues player and bandleader in B.B. King's clubs. A prolific songwriter, with a blues style that incorporated a variety of genres, and a vocalist with a funky, soul-driven sound, Adams is known for his collaboration with many of blues' elite and continues to perform to date. Early life Arthur Adams was born on December 25, 1943, in Medon, Tennessee. At the age of six, he sang in the church choir, but did not begin playing the guitar until he was a teenager. In the mid-1950s, he learned the instrument from his mother, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jim Horn
James Ronald Horn (born November 20, 1940) is an American saxophonist, woodwind player, and session musician. Biography Horn was born in Los Angeles, and after replacing saxophonist Steve Douglas in 1959, he toured with member Duane Eddy for five years, playing sax and flute on the road, and in the recording studio. Along with Bobby Keys and Jim Price he became one of the most in-demand horn session players of the 1970s and 1980s. Horn played on solo albums by three members of the Beatles, forming a long association with George Harrison after appearing at the latter's Concert for Bangladesh benefit in 1971. Horn toured with John Denver on and off from 1978 to 1993. He also played with Denver in concert occasionally after the Wildlife Concert in 1995. He played flute on the original studio recording of "Going Up the Country" by Canned Heat, reproduced in the film ''Woodstock''. Horn played flute and saxophone on the Beach Boys' album ''Pet Sounds'', and played flute on the Rol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Horn
The French horn (since the 1930s known simply as the horn in professional music circles) is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B (technically a variety of German horn) is the horn most often used by players in professional orchestras and bands, although the descant and triple horn have become increasingly popular. A musician who plays a horn is known as a list of horn players, horn player or hornist. Pitch is controlled through the combination of the following factors: speed of air through the instrument (controlled by the player's lungs and thoracic diaphragm); diameter and tension of lip aperture (by the player's lip muscles—the embouchure) in the mouthpiece; plus, in a modern horn, the operation of Brass instrument valve, valves by the left hand, which route the air into extra sections of tubing. Most horns have lever-operated rotary valves, but some, especially older horns, use piston valves (similar to a trumpet's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Scott (saxophonist)
Thomas Wright Scott (born May 19, 1948) is an American saxophonist, composer, and arranger. He was a member of The Blues Brothers and led the jazz fusion group L.A. Express. Early life, family and education Scott was born in Los Angeles, California, US. He is the son of film and television composer Nathan Scott, who had more than 850 television credits and more than 100 film credits as a composer, orchestrator, and conductor, including the theme songs for '' Dragnet'' and '' Lassie''. Career Tom Scott's career began as a teenager as leader of the jazz ensemble Neoteric Trio and the band Men of Note. After that, he worked as a session musician. In 1970, Quincy Jones said of him: "Tom Scott, the saxophonist; he's 21, and out of sight! Plays any idiom you can name, and blows like crazy on half a dozen horns." Scott wrote the theme songs for the television shows '' Starsky and Hutch'' and ''The Streets of San Francisco''. In 1974, with the L.A. Express he composed the score for th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
