Exposition Universelle (2020)
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Exposition Universelle (2020)
Paris Exposition or Paris Exhibition can refer to * French Industrial Exposition of 1844 * Exposition des produits de l'industrie française, held intermittently from 1798 to 1849 * Exposition Universelle (1855), the Paris Exposition of 1855 * Exposition Universelle (1867), the Paris Exposition of 1867 * Exposition Universelle (1878), the Paris Exposition or Paris World's Fair of 1878 * Exposition Universelle (1889), the Paris Exposition of 1889 * Exposition Universelle (1900), the Paris Exposition of 1900 * International Exposition of Modern Industrial and Decorative Arts, the Paris Exposition of 1925 * Paris Colonial Exposition, the Paris Exposition of 1931 *Exposition Internationale des Arts et Techniques dans la Vie Moderne The ''Exposition Internationale des Arts et Techniques dans la Vie Moderne'' (International Exposition of Art and Technology in Modern Life) was held from 25 May to 25 November 1937 in Paris, France. Both the Palais de Chaillot, housing the Mus ...
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French Industrial Exposition Of 1844
The French Industrial Exposition of 1844 (french: Exposition des produits de l'industrie française en 1844), held in a temporary structure on the Champs-Élysées in Paris, was the tenth in a series of eleven French national industrial expositions held since 1798 to encourage improvements in progressive agriculture and in technology. History The exposition lasted 60 days, with 3,960 exhibitors. It opened in the Champs-Élysées on 1 May and closed on 29 June. In the 1844 exposition it was found necessary to exclude retailers who did not make their own products, and to eliminate anything that was not socially useful, which included both freak artisan products and instruments used only by scientists. Entrants had to fill out a form that gave information about their business including its nature, number of employees, materials used, export and domestic earning and so on. The king of France, Louis Philippe I, opened the exposition and toured all the exhibits. Hector Berlioz composed ...
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Exposition Des Produits De L'industrie Française
The Exposition des produits de l'industrie française (Exhibition of Products of French Industry) was a public event organized in Paris, France, from 1798 to 1849. The purpose was "to offer a panorama of the productions of the various branches of industry with a view to emulation". It was a precursor to the Great Exhibition of 1851 in London. Background The Paris industrial expositions between 1798 and 1849 can trace their origins to the fairs that were held in several cities of Europe in the Middle Ages. After the start of the French Revolution of 1789–98 the authorities staged a series of festivals in Paris, starting with the Festival of the Federation on 14 July 1790 and followed by events such as the Festival of Law (1792), Festival of Reason (1793), Festival of the Supreme Being (1794), and Festival of the Foundation of the Republic (1796). These celebrations of the new republic helped to unite the people and win acceptance of the new order. The Directory launched the fir ...
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Exposition Universelle (1855)
The Exposition Universelle of 1855 was an International Exhibition held on the Champs-Élysées in Paris from 15 May to 15 November 1855. Its full official title was the Exposition Universelle des produits de l'Agriculture, de l'Industrie et des Beaux-Arts de Paris 1855. Today the exposition's sole physical remnant is the Théâtre du Rond-Point des Champs-Élysées designed by architect Gabriel Davioud, which originally housed the Panorama National. History The exposition was a major event in France, then newly under the reign of Emperor Napoleon III. It followed London's Great Exhibition of 1851 and attempted to surpass that fair's Crystal Palace with its own Palais de l'Industrie. The arts displayed were shown in a separate pavilion on Avenue Montaigne. There were works from artists from 29 countries, including French artists François Rude, Ingres, Delacroix and Henri Lehmann, and British artists William Holman Hunt and John Everett Millais. However, Gustave Courbet, having h ...
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Exposition Universelle (1867)
The International Exposition of 1867 (french: Exposition universelle 'art et d'industriede 1867), was the second world's fair to be held in Paris, from 1 April to 3 November 1867. A number of nations were represented at the fair. Following a decree of Emperor Napoleon III, the exposition was prepared as early as 1864, in the midst of the renovation of Paris, marking the culmination of the Second French Empire. Visitors included Tsar Alexander II of Russia, a brother of the King William and Otto von Bismarck of Prussia, Prince Metternich and Franz Josef of Austria, Ottoman Sultan Abdülaziz, and the Khedive of Egypt Isma'il. Conception In 1864, Napoleon III issued a decree stating that an international exposition should be held in Paris in 1867. A commission was appointed with Prince Jerome Napoleon as president, under whose direction the preliminary work began. The site chosen for the Exposition Universelle of 1867 was the Champ de Mars, the great military parade ground ...
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Exposition Universelle (1878)
The third Paris World's Fair, called an Exposition Universelle in French, was held from 1 May to 10 November 1878. It celebrated the recovery of France after the 1870–71 Franco-Prussian War. Construction The buildings and the fairgrounds were somewhat unfinished on opening day, as political complications had prevented the French government from paying much attention to the exhibition until six months before it was due to open. However, efforts made in April were prodigious, and by 1 June, a month after the formal opening, the exhibition was finally completed. This exposition was on a far larger scale than any previously held anywhere in the world. It covered over , the main building in the Champ de Mars and the hill of Chaillot, occupying . The Gare du Champ de Mars was rebuilt with four tracks to receive rail traffic occasioned by the exposition. The Pont d'Iéna linked the two exhibition sites along the central allée. The French exhibits filled one-half of the entir ...
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Exposition Universelle (1889)
The Exposition Universelle of 1889 () was a world's fair held in Paris, France, from 5 May to 31 October 1889. It was the fourth of eight expositions held in the city between 1855 and 1937. It attracted more than thirty-two million visitors. The most famous structure created for the Exposition, and still remaining, is the Eiffel Tower. Organization The Exposition was held to celebrate the 100th anniversary of the Storming of the Bastille, which marked the beginning of French Revolution, and was also seen as a way to stimulate the economy and pull France out of an economic recession. The Exposition attracted 61,722 official exhibitors, of whom twenty-five thousand were from outside of France. Admission price Admission to the Exposition cost forty centimes, at a time when the price of an "economy" plate of meat and vegetables in a Paris cafe was ten centimes. Visitors paid an additional price for several of the Exposition's most popular attractions. Climbing the Eiffel Towe ...
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Exposition Universelle (1900)
The Exposition Universelle of 1900, better known in English as the 1900 Paris Exposition, was a world's fair held in Paris, France, from 14 April to 12 November 1900, to celebrate the achievements of the past century and to accelerate development into the next. It was held at the esplanade of Les Invalides, the Champ de Mars, the Trocadéro and at the banks of the Seine between them, with an additional section in the Bois de Vincennes, and it was visited by more than 50 million people. Many international congresses and other events were held within the framework of the Exposition, including the 1900 Summer Olympics. Many technological innovations were displayed at the Fair, including the ''Grande Roue de Paris'' ferris wheel, the '' Rue de l'Avenir'' moving sidewalk, the first ever regular passenger trolleybus line, escalators, diesel engines, electric cars, dry cell batteries, electric fire engines, talking films, the telegraphone (the first magnetic audio recorder), the ...
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International Exposition Of Modern Industrial And Decorative Arts
The International Exhibition of Modern Decorative and Industrial Arts (french: Exposition internationale des arts décoratifs et industriels modernes) was a World's fair held in Paris, France, from April to October 1925. It was designed by the French government to highlight the new ''style moderne'' of architecture, interior decoration, furniture, glass, jewelry and other decorative arts in Europe and throughout the world. Many ideas of the international avant-garde in the fields of architecture and applied arts were presented for the first time at the Exposition. The event took place between the esplanade of Les Invalides and the entrances of the Grand Palais and Petit Palais, and on both banks of the Seine. There were 15,000 exhibitors from twenty different countries, and it was visited by sixteen million people during its seven-month run. The ''Style Moderne'' presented at the Exposition later became known as "Art Deco", after the name of the Exposition. The idea and the organiz ...
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Paris Colonial Exposition
The Paris Colonial Exhibition (or "''Exposition coloniale internationale''", International Colonial Exhibition) was a six-month colonial exhibition held in Paris, France, in 1931 that attempted to display the diverse cultures and immense resources of France's colonial possessions. History The exposition opened on 6 May 1931 in the Bois de Vincennes on the eastern outskirts of Paris. The scale was enormous.Leininger-Miller 54. It is estimated that from 7 to 9 million visitors came from over the world. The French government brought people from the colonies to Paris and had them create native arts and crafts and perform in grandly scaled reproductions of their native architectural styles such as huts or temples.Leininger-Miller 55. Other nations participated in the event, including The Netherlands, Belgium, Italy (with a pavilion designed by Armando Brasini), Japan, Portugal, the United Kingdom, and the United States. Politically, France hoped the exposition would paint its colo ...
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