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Expletive Infixation
Expletive infixation is a process by which an expletive or profanity is inserted into a word, usually for intensification. It is similar to tmesis, but not all instances are covered by the usual definition of ''tmesis'' because the words are not necessarily compounds. The most commonly inserted English expletives are adjectival: either participles (''fucking'', ''mother-fucking'', ''freaking'', ''blooming'', ''bleeding'', '' damned'', ''wretched'') or adjectives (''bloody''). Rules of formation in English Judgments of which formations of expletive infixation are acceptable are remarkably consistent. This suggests that the rules for the placement of the expletive are not arbitrary, but instead derive from fundamental aspects of English phonology. A simple rule is that the insertion occurs at a syllable boundary, usually just before the primary stressed syllable. Thus, one hears ''abso-fuckin'-lutely'' rather than *''ab-fuckin'-solutely''. This rule is insufficient to describ ...
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Expletive Attributive
An expletive attributive is an adjective or adverb (or adjectival or adverbial phrase) that does not contribute to the meaning of a sentence, but is used to intensify its emotional force. Often such words or phrases are regarded as profanity or "bad language", though there are also inoffensive expletive attributives. The word is derived from the Latin verb , meaning "to fill", and it was originally introduced into English in the 17th century for various kinds of padding. Etymology ''Expletive'' comes from the Latin verb , meaning "to fill", via , "filling out". It was introduced into English in the 17th century for various kinds of padding—the padding out of a book with peripheral material, the addition of syllables to a line of poetry for metrical purposes, and so forth. The use of ''expletive'' for such a meaning is now rare. Rather, ''expletive'' is a linguistics term for a meaningless word filling a syntactic vacancy. Outside linguistics, the word is commonly used to ref ...
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Prosody (linguistics)
In linguistics, prosody () is concerned with elements of speech that are not individual phonetic segments (vowels and consonants) but are properties of syllables and larger units of speech, including linguistic functions such as intonation, stress, and rhythm. Such elements are known as suprasegmentals. Prosody may reflect features of the speaker or the utterance: their emotional state; the form of utterance (statement, question, or command); the presence of irony or sarcasm; emphasis, contrast, and focus. It may reflect elements of language not encoded by grammar or choice of vocabulary. Attributes of prosody In the study of prosodic aspects of speech, it is usual to distinguish between auditory measures ( subjective impressions produced in the mind of the listener) and objective measures (physical properties of the sound wave and physiological characteristics of articulation that may be measured objectively). Auditory (subjective) and objective ( acoustic and articulatory) ...
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Affix
In linguistics, an affix is a morpheme that is attached to a word stem to form a new word or word form. Affixes may be derivational, like English ''-ness'' and ''pre-'', or inflectional, like English plural ''-s'' and past tense ''-ed''. They are bound morphemes by definition; prefixes and suffixes may be separable affixes. Affixation is the linguistic process that speakers use to form different words by adding morphemes at the beginning (prefixation), the middle (infixation) or the end (suffixation) of words. Positional categories of affixes ''Prefix'' and ''suffix'' may be subsumed under the term ''adfix'', in contrast to ''infix.'' When marking text for interlinear glossing, as in the third column in the chart above, simple affixes such as prefixes and suffixes are separated from the stem with hyphens. Affixes which disrupt the stem, or which themselves are discontinuous, are often marked off with angle brackets. Reduplication is often shown with a tilde. Affixes which c ...
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Chasing Liberty
''Chasing Liberty'' is a 2004 romantic comedy film directed by Andy Cadiff and starring Mandy Moore and Matthew Goode. Written by Derek Guiley and David Schneiderman, the film is about the 18-year-old daughter of the President of the United States whose rebellion against the constant presence of Secret Service agents in her life leads to a European adventure and an unexpected romance. ''Chasing Liberty'' was filmed on location in Prague, Venice, Berlin, London, Chelmsford and Washington, D.C. Plot Anna Foster is the daughter of POTUS James Foster. After Secret Service agents ruin a first date, Anna demands less supervision. For his upcoming trip to Prague, the president agrees to assign only two agents to watch over Anna, whose Secret Service codename is Liberty. In Prague, Anna and her friend Gabrielle La Clare attend a concert, where she spots numerous agents in the crowd. Believing her father has broken his promise, she eludes her protectors with Gabrielle's help. Outside the ...
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Soft Machine
Soft Machine are a British rock band from Canterbury formed in mid-1966 by Mike Ratledge (keyboards, 1966–1976), Robert Wyatt (drums, vocals, 1966–1971), Kevin Ayers (bass, guitar, vocals, 1966–1968) and Daevid Allen (guitar, 1966–1967). As a central band of the Canterbury scene, the group became one of the first British psychedelic acts and later moved into progressive rock and jazz fusion. Their varying line-ups have included former members such as Andy Summers (guitar, 1968), Hugh Hopper (bass, 1968–1973), Elton Dean (saxophone 1969–1972), Karl Jenkins (keyboards, saxophone, 1972–1978, 1980–1981, 1984) and Allan Holdsworth (guitar, 1973–1975), and currently consists of John Marshall (drums, 1972–1978, 1980–1981, 1984 and since 2015), John Etheridge (guitar, 1975–1978, 1984 and since 2015), Theo Travis (saxophone, flutes, keyboards since 2015), and Fred Thelonious Baker (bass since 2020). Though they achieved little commercial success, the Soft Machi ...
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Third (Soft Machine Album)
''Third'' is the third studio album by the rock band Soft Machine, originally released in 1970 as a double LP, with each side of the original vinyl consisting of a single suite without individual track titles. ''Third'' marks the most major of Soft Machine's several shifts in musical genre over their career, completing their transition from psychedelic music to jazz, and is a significant milestone of the Canterbury scene. It was their first album with saxophonist Elton Dean. Lyn Dobson appears on saxophone and flute on "Facelift", recorded while he was a full member of the band (then a quintet), although he is credited as an additional performer. Jimmy Hastings (brother of Pye Hastings from Caravan) makes substantial contributions on flute and clarinet on "Slightly All the Time", free-jazz violinist Rab Spall (then a bandmate of Wyatt's in the part-time ensemble Amazing Band) is heard on the coda to "Moon in June", and Nick Evans (a member of the band during its short-lived sep ...
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Forrest Gump
''Forrest Gump'' is a 1994 American comedy-drama film directed by Robert Zemeckis and written by Eric Roth. It is based on the 1986 novel of the same name by Winston Groom and stars Tom Hanks, Robin Wright, Gary Sinise, Mykelti Williamson and Sally Field. The film follows several decades in the life of a slow-witted and kindhearted Alabama man named Forrest Gump (Hanks) and his experiences in the 20th-century United States. The film differs substantially from the novel. Principal photography took place between August and December 1993, mainly in Georgia, North Carolina and South Carolina. Extensive visual effects were used to incorporate Hanks into archived footage and to develop other scenes. The soundtrack features songs reflecting the different periods seen in the film. ''Forrest Gump'' was released in the United States on July 6, 1994, and received critical acclaim for Zemeckis's direction, performances (particularly those of Hanks and Sinise), visual effects, music, a ...
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Richard D'Alessandro
Richard is a male given name. It originates, via Old French, from Old Frankish and is a compound of the words descending from Proto-Germanic ''*rīk-'' 'ruler, leader, king' and ''*hardu-'' 'strong, brave, hardy', and it therefore means 'strong in rule'. Nicknames include "Richie", "Dick", "Dickon", " Dickie", "Rich", "Rick", "Rico", "Ricky", and more. Richard is a common English, German and French male name. It's also used in many more languages, particularly Germanic, such as Norwegian, Danish, Swedish, Icelandic, and Dutch, as well as other languages including Irish, Scottish, Welsh and Finnish. Richard is cognate with variants of the name in other European languages, such as the Swedish "Rickard", the Catalan "Ricard" and the Italian "Riccardo", among others (see comprehensive variant list below). People named Richard Multiple people with the same name * Richard Andersen (other) * Richard Anderson (other) * Richard Cartwright (other) * Ri ...
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Abbie Hoffman
Abbot Howard "Abbie" Hoffman (November 30, 1936 – April 12, 1989) was an American political and social activist who co-founded the Youth International Party ("Yippies") and was a member of the Chicago Seven. He was also a leading proponent of the Flower Power movement. As a member of the Chicago Seven, Hoffman was charged with and tried―for activities during the 1968 Democratic National Convention―for conspiring to use interstate commerce with intent to incite a riot and crossing state lines with the intent to incite a riot under the anti-riot provisions of Title X of the Civil Rights Act of 1968. Five of the Chicago Seven defendants, including Hoffman, were convicted of crossing state lines with intent to incite a riot; all of the convictions were vacated after an appeal and the U.S. Department of Justice declined to pursue another trial. Hoffman, along with all of the defendants and their attorneys were also convicted and sentenced for contempt of court by the judge ...
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My Fair Lady
''My Fair Lady'' is a musical based on George Bernard Shaw's 1913 play ''Pygmalion'', with a book and lyrics by Alan Jay Lerner and music by Frederick Loewe. The story concerns Eliza Doolittle, a Cockney flower girl who takes speech lessons from professor Henry Higgins, a phonetician, so that she may pass as a lady. Despite his cynical nature and difficulty understanding women, Higgins grows attached to her. The musical's 1956 Broadway production was a notable critical and popular success, winning six Tony Awards, including Best Musical. It set a record for the longest run of any musical on Broadway up to that time and was followed by a hit London production. Rex Harrison and Julie Andrews starred in both productions. Many revivals have followed, and the 1964 film version won the Academy Award for Best Picture. Plot Act I In Edwardian London, Eliza Doolittle is a flower girl with a thick Cockney accent. The noted phonetician Professor Henry Higgins encounters Eliza at Cov ...
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Wouldn't It Be Loverly
"Wouldn't It Be Loverly" is a popular song by Alan Jay Lerner and Frederick Loewe, written for the 1956 Broadway play ''My Fair Lady''. The song is sung by Cockney flower girl Eliza Doolittle and her street friends. It expresses Eliza's wish for a better life. In addition to pronouncing "lovely" as "loverly", the song lyrics highlight other facets of the Cockney accent that Professor Henry Higgins wants to refine away as part of his social experiment. In the stage version it was sung by Julie Andrews. In the 1964 film version, Marni Nixon dubbed the song for Audrey Hepburn. Both Andrews' and Nixon's versions are available on the original cast and soundtrack albums, respectively, and Hepburn's original version is available in the specials for the DVD of the film. Andy Williams released a version of the song on his 1964 album, '' The Great Songs from "My Fair Lady" and Other Broadway Hits''. In the late 1980s and early 1990s the song was used in television advertisements for Commo ...
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Foot (prosody)
The foot is the basic repeating rhythmic unit that forms part of a line of verse in most Indo-European traditions of poetry, including English accentual-syllabic verse and the quantitative meter of classical ancient Greek and Latin poetry. The unit is composed of syllables, and is usually two, three, or four syllables in length. The most common feet in English are the iamb, trochee, dactyl, and anapest. The foot might be compared to a bar, or a beat divided into pulse groups, in musical notation. The English word "foot" is a translation of the Latin term ''pes'', plural ''pedes'', which in turn is a translation of the Ancient Greek ποῦς, pl. πόδες. The Ancient Greek prosodists, who invented this terminology, specified that a foot must have both an arsis and a thesis, that is, a place where the foot was raised ("arsis") and where it was put down ("thesis") in beating time or in marching or dancing. The Greeks recognised three basic types of feet, the iambic (where the ...
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