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Everyman Band
Everyman Band was an American jazz fusion group active in the early 1980s and featuring Marty Fogel on saxophones, Bruce Yaw on bass, Michael Suchorsky on drums and David Torn on guitar. The band's origins lay in Lou Reed's backing band in the late 1970s with various members (with the exception of Torn) appearing on ''Coney Island Baby'' (1975), ''Rock and Roll Heart'' (1976), ''Street Hassle ''Street Hassle'' is the eighth solo studio album by American musician Lou Reed, released in February 1978 by Arista Records. Richard Robinson and Reed produced the album. It is the first commercially released pop album to employ binaural record ...'' (1978), and '' The Bells'' (1979) and the live album '' Live: Take No Prisoners'' (1978).Orens, GAll Music Band Entryaccessed September 23, 2011 Michael Suchorsky continued playing with Reed until 1980's '' Growing Up in Public'' album and tour. Discography * 1982: ''Everyman Band'' (ECM) * 1985: ''Without Warning'' (ECM) References External ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Fusion
Jazz fusion (also known as fusion and progressive jazz) is a music genre that developed in the late 1960s when musicians combined jazz harmony and jazz improvisation, improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock and roll started to be used by jazz musicians, particularly those who had grown up listening to rock and roll. Jazz fusion arrangements vary in complexity. Some employ groove-based vamps fixed to a single key or a single chord with a simple, repeated melody. Others use elaborate chord progressions, unconventional time signatures, or melodies with counter-melodies. These arrangements, whether simple or complex, typically include improvised sections that can vary in length, much like in other forms of jazz. As with jazz, jazz fusion can employ brass and woodwind instruments such as trumpet and saxophone, but other instruments often substitute for these. A jazz fusion band is less likely to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Torn
David M. Torn (born May 26, 1953) is an American guitarist, composer, and producer. He is known for combining electronic and acoustic instruments and for his use of looping. Background Torn has contributed to recordings by artists as diverse as David Bowie, k.d. lang, John Legend, Madonna, Tori Amos, Bill Bruford, Tony Levin, Mick Karn, David Sylvian, Chocolate Genius, Michael Shrieve, Steve Roach, Patrick O'Hearn, Andy Rinehart, Matt Chamberlain, Meshell Ndegeocello and Don Cherry. In addition to his composition work, Torn's music has been featured in a wide variety of films, including '' Friday Night Lights'', ''Velvet Goldmine'', ''Adaptation'', ''The Big Lebowski'', ''The Departed'', ''Fur'', ''The Hoax'', ''Kalifornia'', ''Traffic'', '' Reversal of Fortune'', ''Tibet'', and ''Three Kings.'' He studied with Leonard Bernstein (within the "Music for Young Composers" series), as well as with guitarists John Abercrombie, Pat Martino, Paul Weiss and Arthur Basile. Torn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lou Reed
Lewis Allan Reed (March 2, 1942October 27, 2013) was an American musician, songwriter, and poet. He was the guitarist, singer, and principal songwriter for the rock band the Velvet Underground and had a solo career that spanned five decades. Although not commercially successful during its existence, the Velvet Underground became regarded as one of the most influential bands in the history of underground and alternative rock music. Reed's distinctive deadpan voice, poetic and transgressive lyrics, and experimental guitar playing were trademarks throughout his long career. Having played guitar and sung in doo-wop groups in high school, Reed studied poetry at Syracuse University under Delmore Schwartz, and had served as a radio DJ, hosting a late-night avant garde music program while at college. After graduating from Syracuse, he went to work for Pickwick Records in New York City, a low-budget record company that specialized in sound-alike recordings, as a songwriter and sess ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coney Island Baby
''Coney Island Baby'' is the sixth solo studio album by American musician Lou Reed, released December 1975 in the US, and in January 1976 in the UK, by RCA Records. Music and lyrics The album has been described by Anthony DeCurtis as "perhaps the most romantic album of Reed's career". Many of the album's songs were inspired by and dedicated to Reed's girlfriend and muse at the time, Rachel Humphreys. According to Aidan Levy, ''Coney Island Baby'' was "as much a love letter to Rachel as it was to the nostalgic Coney Island of the mind." The album's title track directly references Rachel with the line: "I'd like to send this one out to Lou and Rachel, and all the kids at P.S. 192." "P.S. 192" refers to P.S. 192 – which at that time was a public school for kindergarten to 6th grade, in Brooklyn, New York City, NY, where Reed went to school before moving to Long Island, New York. In 1979 Reed said "Saying 'I'm a Coney Island baby' at the end of that song is like saying I have ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock And Roll Heart
''Rock and Roll Heart'' is the seventh solo studio album by American musician Lou Reed, released in October 1976. It was his first album for Arista Records after record mogul Clive Davis reportedly rescued him from bankruptcy. "A Sheltered Life" dates back to 1967, when the Velvet Underground recorded a demo of it (available on ''Peel Slowly and See''). The Velvet Underground also performed "Follow the Leader", and a live recording of it was released on '' The Quine Tapes'' (2001). The cover art is credited to Mick Rock. Track listing Personnel Musicians * Lou Reed – vocals, guitar, piano * Marty Fogel – saxophone * Michael Fonfara – piano, Hammond organ, clavinet, ARP, synthesiser * Bruce Yaw – bass guitar * Michael Suchorsky – drums * Garland Jeffreys – backing vocals on "You Wear It So Well" Production and artwork * Corky Stasiak – engineer, mixing * Julie Harris – art direction * Steve Ridgeway – art direction * Mick Rock Michael David Rock (born Mic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Street Hassle
''Street Hassle'' is the eighth solo studio album by American musician Lou Reed, released in February 1978 by Arista Records. Richard Robinson and Reed produced the album. It is the first commercially released pop album to employ binaural recording technology. ''Street Hassle'' combines live concert tapes (with overdubs) and studio recordings. Production All of the songs on ''Street Hassle'' were written by Reed, including "Real Good Time Together", a track that dates back to his days as a member of the Velvet Underground. Recording of a live album began in Munich and Ludwigshafen, West Germany. Unlike most live albums, the audience is completely muted from the mix during the concert recordings. Upon returning to the United States in August 1977, Arista Records told Reed releasing a live album was not an option, which began the NYC studio phase of the album. Then, producer Richard Robinson left the project after a fight in the studio. Determined to carry on, Reed moved the procee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Bells (Lou Reed Album)
''The Bells'' is the ninth solo studio album by American rock musician Lou Reed, released in April 1979 by Arista Records. It is recorded in binaural sound at Delta Studios in Wilster, West Germany. Production was handled by Reed with Michael Fonfara serving as executive producer. Three out of nine songs on the album are the product of a short-lived writing partnership between Reed and Nils Lofgren. More of the team's work appeared on Nils' solo studio album ''Nils'', released the same year. Lofgren released his version of "Stupid Man" as "Driftin' Man" on ''Break Away Angel'' (2001). Lofgren resurrected five songs he wrote with Reed in the late 70s on ''Blue with Lou'' (2019). The album features contributions from Michael Fonfara, Ellard "Moose" Boles, Don Cherry, Marty Fogel and Michael Suchorsky. The album peaked at No. 13 in New Zealand, No. 44 in Sweden, No. 58 in Australia, and No. 130 in the United States. Recording Reed said: "I mastered the art of recording known as 'capt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Take No Prisoners
The phrase no quarter was generally used during military conflict to imply combatants would not be taken prisoner, but killed. According to some modern American dictionaries, a person who is given no quarter is "not treated kindly" or "treated in a very harsh way". Etymology The term may originate from an order by the commander of a victorious army that they will not quarter (house) captured enemy combatants. Therefore, none can be taken prisoner and all enemy combatants must be killed. A second derivation, given equal prominence in the '' Oxford English Dictionary'' (''OED''), is that quarter (n.17) can mean "Relations with, or conduct towards, another" as in Shakespeare's ''Othello'', Act II, scene iii, line 180, "Friends all ... In quarter, and in termes, like bride and groome". So "no quarter" may also mean refusal to enter into an agreement (relations) with an enemy attempting to surrender. The ''OED'' mentions a third possible derivation but says "The assertion of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Growing Up In Public (Lou Reed Album)
''Growing Up in Public'' is the tenth solo studio album by American rock musician Lou Reed, released in April 1980 by Arista Records. ''Growing Up in Public'' peaked at No. 158 on the ''Billboard 200''. One single was released from the album, "The Power of Positive Drinking", which failed to chart. Production Michael Fonfara and Reed produced the album. It was written and recorded over a period of six weeks in sessions that took place at George Martin's AIR Studios in Montserrat. Critical reception ''Rolling Stone'' called the album "a polished package of bombastic rock & roll — indeed, probably Reed’s best commercial shot since his 1974 Top Ten anomaly, ''Sally Can’t Dance''." ''Trouser Press'' wrote that Reed uses "driving rock and delicate melodicism to back thoughtful lyrics and impassioned singing." Track listing Personnel Adapted from the ''Growing Up in Public'' liner notes. Musicians * Lou Reed – vocals; guitar * Michael Fonfara – keyboards; guita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Jazz Ensembles
American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, people who self-identify their ancestry as "American" ** American English, the set of varieties of the English language native to the United States ** Native Americans in the United States, indigenous peoples of the United States * American, something of, from, or related to the Americas, also known as "America" ** Indigenous peoples of the Americas * American (word), for analysis and history of the meanings in various contexts Organizations * American Airlines, U.S.-based airline headquartered in Fort Worth, Texas * American Athletic Conference, an American college athletic conference * American Recordings (record label), a record label previously known as Def American * American University, in Washington, D.C. Sports teams Soccer * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Fusion Ensembles
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisational style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Groups From New York (state) , the ability to perceive music or to create music
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{{Music disambiguation ...
Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film and television, a genre of film and television that incorporates into the narrative songs sung by the characters * MusicAL, an Albanian television channel * Musical isomorphism, the canonical isomorphism between the tangent and cotangent bundles See also * Lists of musicals * Music (other) * Musica (other) * Musicality Musicality (''music-al -ity'') is "sensitivity to, knowledge of, or talent for music" or "the quality or state of being musical", and is used to refer to specific if vaguely defined qualities in pieces and/or genres of music, such as melodiousness ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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