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Evelyn Lear
Evelyn Shulman Lear (January 8, 1926 – July 1, 2012) was an American operatic soprano. Between 1959 and 1992, she appeared in more than forty operatic roles, appeared with every major opera company in the United States and won a Grammy Award in 1966. She was well known for her musical versatility, having sung all three main female roles in ''Der Rosenkavalier''. Lear was also known for her work on 20th century pieces by Robert Ward, Alban Berg, Marvin David Levy, Rudolf Kelterborn and Giselher Klebe. She was married to the American bass-baritone Thomas Stewart until his death in 2006. Life and career Lear was born as Evelyn Shulman in Brooklyn, New York, the daughter of Nina (Kwartin), a coloratura, and Nathan Shulman, and granddaughter of the distinguished cantor Zavel Kwartin. Her family was Russian Jewish. She completed her musical education at Hunter College, New York University and the Juilliard School of Music studying voice, piano, French horn and composition. She marri ...
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Evelyn Lear
Evelyn Shulman Lear (January 8, 1926 – July 1, 2012) was an American operatic soprano. Between 1959 and 1992, she appeared in more than forty operatic roles, appeared with every major opera company in the United States and won a Grammy Award in 1966. She was well known for her musical versatility, having sung all three main female roles in ''Der Rosenkavalier''. Lear was also known for her work on 20th century pieces by Robert Ward, Alban Berg, Marvin David Levy, Rudolf Kelterborn and Giselher Klebe. She was married to the American bass-baritone Thomas Stewart until his death in 2006. Life and career Lear was born as Evelyn Shulman in Brooklyn, New York, the daughter of Nina (Kwartin), a coloratura, and Nathan Shulman, and granddaughter of the distinguished cantor Zavel Kwartin. Her family was Russian Jewish. She completed her musical education at Hunter College, New York University and the Juilliard School of Music studying voice, piano, French horn and composition. She marri ...
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French Horn
The French horn (since the 1930s known simply as the horn in professional music circles) is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B (technically a variety of German horn) is the horn most often used by players in professional orchestras and bands, although the descant and triple horn have become increasingly popular. A musician who plays a horn is known as a list of horn players, horn player or hornist. Pitch is controlled through the combination of the following factors: speed of air through the instrument (controlled by the player's lungs and thoracic diaphragm); diameter and tension of lip aperture (by the player's lip muscles—the embouchure) in the mouthpiece; plus, in a modern horn, the operation of Brass instrument valve, valves by the left hand, which route the air into extra sections of tubing. Most horns have lever-operated rotary valves, but some, especially older horns, use piston valves (similar to a trumpet's ...
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Karl Böhm
Karl August Leopold Böhm (28 August 1894 – 14 August 1981) was an Austrian conductor. He was best known for his performances of the music of Mozart, Wagner, and Richard Strauss. Life and career Education Karl Böhm was born in Graz. The son of a lawyer, he studied law and earned a doctorate in this subject before entering the music conservatory in his home town of Graz, Austria. He later enrolled at the Vienna Conservatory, where he studied under Eusebius Mandyczewski, a friend of Johannes Brahms. Munich, Darmstadt, Hamburg In 1917, Böhm became a rehearsal assistant in his home town, making his debut as a conductor in Viktor Nessler's ''Der Trompeter von Säckingen'' in 1917. He became the assistant director of music in 1919, and the following year, the senior director. On the recommendation of Karl Muck, Bruno Walter engaged him at the Bavarian State Opera, Munich in 1921. An early assignment here was Mozart's ''Die Entführung aus dem Serail'', with a cast which i ...
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Vienna Festival
__NOTOC__ The Wiener Festwochen (Vienna Festival) is a cultural festival in Vienna that takes place every year for five or six weeks in May and June. The Wiener Festwochen was established in 1951, when Vienna was still occupied by the four Allies. The opening of the Wiener Festwochen is an open-air event with free admission held in the square in front of Vienna’s City Hall. Each year the festival attracts about 180,000 visitors. Directors of the festival include: *1951-1958: Adolph Ario *1959: Rudolf Gamsjäger *1960-1964: Egon Hilbert *1964-1977: Ulrich Baumgartner *1978-1979: Gerhard Freund *1980-1984: Helmut Zilk *1984-1991: Ursula Pasterk *1991-1996: Klaus Bachler *1997-2001: Luc Bondy / Klaus-Peter Kehr / Hortensia Völckers *2002–2013: Luc Bondy *2014–2016: Markus Hinterhäuser *2017–2021: Tomas Zierhofer-Kin *2019-present: Christophe Slagmuylder, whose term ends in 2024 See also *List of opera festivals This is an inclusive list of opera festiva ...
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Theater An Der Wien
The is a historic theatre in Vienna located on the Left Wienzeile in the Mariahilf district. Completed in 1801, the theatre has hosted the premieres of many celebrated works of theatre, opera, and symphonic music. Since 2006, it has served primarily as an opera house, hosting its own company. Although "" is German for "Vienna", the "" in the name of the theatre is actually the name of the Wien River, which once flowed by the theatre site; "" means "on the banks of the Wien". In modern times, the river has been covered over in this location and the covered riverbed now houses the Naschmarkt, an open-air market. The theatre is operated in cooperation with Vereinigte Bühnen Wien (VBW) which also operates the Raimund Theater and the . History Early history The theatre was the brainchild of the Viennese theatrical impresario Emanuel Schikaneder, who is best known as Mozart's librettist and collaborator on the opera ''The Magic Flute'' (1791). Schikaneder's troupe had already ...
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Lulu (opera)
''Lulu'' (composed from 1929 to 1935, premièred incomplete in 1937 and complete in 1979) is an opera in three acts by Alban Berg. Berg adapted the libretto from Frank Wedekind's two ''Lulu'' plays, ''Erdgeist'' ('' Earth Spirit'', 1895) and ''Die Büchse der Pandora'' (''Pandora's Box'', 1904). The opera tells the story of a mysterious young woman known as Lulu, who follows a downward spiral from a well-kept mistress in Vienna to a street prostitute in London, while being both a victim and a purveyor of destruction. It explores the idea of the '' femme fatale'' and the duality between her feminine and masculine qualities. Berg died before completing the third and final act, and in the following decades the opera was typically performed incomplete. Since the 1979 publication of the version including Friedrich Cerha's orchestration of the act 3 sketches, it has become standard. ''Lulu'' is especially notable for using serialism at a time that was particularly inhospitable to it. ...
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Ariadne Auf Naxos
(''Ariadne on Naxos''), Op. 60, is a 1912 opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. The opera's unusual combination of elements of low commedia dell'arte with those of high opera seria points up one of the work's principal themes: the competition between high and low art for the public's attention. First version (1912) The opera was originally conceived as a 30-minute divertissement to be performed at the end of Hofmannsthal's adaptation of Molière's play ''Le Bourgeois gentilhomme.'' Besides the opera, Strauss provided incidental music to be performed during the play. In the end, the opera occupied ninety minutes, and the performance of play plus opera occupied over six hours. It was first performed at the Hoftheater Stuttgart on 25 October 1912, directed by Max Reinhardt. The combination of the play and opera proved to be unsatisfactory to the audience: those who had come to hear the opera resented having to wait until the play finished. ...
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Richard Strauss
Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmonic style. Strauss's compositional output began in 1870 when he was just six years old and lasted until his death nearly eighty years later. While his output of works encompasses nearly every type of classical compositional form, Strauss achieved his greatest success with tone poems and operas. His first tone poem to achieve wide acclaim was ''Don Juan'', and this was followed by other lauded works of this kind, including ''Death and Transfiguration'', ''Till Eulenspiegel's Merry Pranks'', ''Also sprach Zarathustra'', ''Don Quixote'', ''Ein Heldenleben' ...
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Deutsche Oper Berlin
The Deutsche Oper Berlin is a German opera company located in the Charlottenburg district of Berlin. The resident building is the country's second largest opera house (after Munich's) and also home to the Berlin State Ballet. Since 2004, the Deutsche Oper Berlin, like the Staatsoper Unter den Linden (Berlin State Opera), the Komische Oper Berlin, the Berlin State Ballet, and the Bühnenservice Berlin (Stage and Costume Design), has been a member of the Berlin Opera Foundation. History The company's history goes back to the ''Deutsches Opernhaus'' built by the then independent city of Charlottenburg—the "richest town of Prussia"—according to plans designed by Heinrich Seeling from 1911. It opened on 7 November 1912 with a performance of Beethoven's ''Fidelio'', conducted by Ignatz Waghalter. In 1925, after the incorporation of Charlottenburg by the 1920 Greater Berlin Act, the name of the resident building was changed to ''Städtische Oper'' (Municipal Opera). With the Na ...
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Beverley Peck Johnson
Beverley Peck Johnson (June 12, 1904 – January 20, 2001) was an American voice teacher, soprano, and pianist who taught on the faculties of several institutions, including Manhattan School of Music and The Juilliard School. Her pupils included several prominent opera singers, actors, and entertainers, including sopranos Renée Fleming, Renata Tebaldi, Anna Moffo, tenor Anthony Dean Griffey, and actors Madeline Kahn, Kevin Kline, Constance Towers, and Juilliard voice professor Cynthia Hoffmann among others. Music critic Anthony Tommasini wrote that "Johnson was particularly valued by students for a keen ability to find individual solutions to their problems." Life and career Born Beverley Peck in Portland, Oregon, she was the daughter of Hartwig O. Peck and Cecilia W. Peck. She grew up in Walla Walla, Washington, and earned degrees in both speech and drama from the Ellison-White Conservatory of Music in Portland. Shortly thereafter she moved to New York where she began studies in ...
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Maria Ivogün
Maria Ivogün (18 November 1891 in Budapest – 3 October 1987 in Beatenberg, Switzerland) was a distinguished soprano singer of Hungarian origin. She was an especially outstanding interpreter of the works of Mozart: her recording of the aria of the Queen of the Night (''Die Zauberflöte'') became legendary. Biography and artistic career Maria Ivogün was born Ilse Kempner. Her father was the Austro-Hungarian Colonel Pál Kempner. She created her professional name by contracting the maiden name of her mother, an Austrian operetta singer named Ida von Günther. She spent the greater part of her childhood and youth in Zürich. From 1909 (other sources say after 1907) she began to study singing and theatre in Vienna. When the young soprano sang in 1913 at the Vienna Hofoper, she was overlooked. However, the house conductor there, Bruno Walter, recognized her outstanding talent and engaged her for his new workplace at the Hofoper in Munich. She gave her debut in Munich in the ro ...
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Berlin University Of The Arts
The Universität der Künste Berlin (UdK; also known in English as the Berlin University of the Arts), situated in Berlin, Germany, is the largest art school in Europe. It is a public art and design school, and one of the four research universities in the city. The university is known for being one of the biggest and most diversified universities of the arts worldwide. It has four colleges specialising in fine arts, architecture, media and design, music and the performing arts with around 3,500 students. Thus the UdK is one of only three universities in Germany to unite the faculties of art and music in one institution. The teaching offered at the four colleges encompasses the full spectrum of the arts and related academic studies in more than 40 courses. Having the right to confer doctorates and post-doctoral qualifications, Berlin University of the Arts is also one of Germany's few art colleges with full university status. Outstanding professors and students at all its colleg ...
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