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Europa Riconosciuta
''Europa riconosciuta'' (; meaning "Europa revealed" or "Europa recognized") is an opera in two acts by Antonio Salieri, designated as a ''dramma per musica'', set to an Italian libretto by Mattia Verazi. The opera takes place in Tyre in Phoenicia and tells a story of love, violence and political discord in ancient times. The central character, Europa, was once the lover of Zeus and helps resolve all disagreements after she discloses her identity – thus the title "Europa Revealed". Though a traditional opera seria, the work differentiates itself from several of the typical characteristics of the genre. For example: a murder is seen onstage and an extended finale is used in both acts, a practice more typical of opera buffa. Musically, the opera is quite challenging, requiring four principal singers capable of spanning wide tessituras, sustaining long phrases, and making dextrous leaps. For example, the roles of Europa and Semele go up to a high F sharp above high C a few times. ...
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Antonio Salieri
Antonio Salieri (18 August 17507 May 1825) was an Italian classical composer, conductor, and teacher. He was born in Legnago, south of Verona, in the Republic of Venice, and spent his adult life and career as a subject of the Habsburg monarchy. Salieri was a pivotal figure in the development of late 18th-century opera. As a student of Florian Leopold Gassmann, and a protégé of Christoph Willibald Gluck, Salieri was a cosmopolitan composer who wrote operas in three languages. Salieri helped to develop and shape many of the features of operatic compositional vocabulary, and his music was a powerful influence on contemporary composers. Appointed the director of the Italian opera by the Habsburg court, a post he held from 1774 until 1792, Salieri dominated Italian-language opera in Vienna. During his career, he also spent time writing works for opera houses in Paris, Rome, and Venice, and his dramatic works were widely performed throughout Europe during his lifetime. As the Aus ...
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Gaspare Pacchiarotti
Gaspare Pacchierotti (21 May 1740 – 28 October 1821) was a mezzo-soprano castrato, and one of the most famous singers of his time. Training and first appearances Details of his early life are scarce. It is possible that he studied with Mario Bittoni, ''maestro di cappella'' in the cathedral of his home city, Fabriano. Under the stage name of Porfirio Pacchierotti, he made his début in Baldassare Galuppi's opera ''Le nozze di Dorina'' at the Teatro dei Nobili in Perugia during the carnival season of 1759, playing, as young castrati often did, a female role: Livietta. He made further appearances under his assumed name in Venice (1764) and Innsbruck (1765). On this latter occasion he sang Acronte in Hasse's ''Romolo ed Ersilia'' on the occasion of the marriage of Peter Leopold of Habsburg-Lorraine, future Grand Duke of Tuscany and Holy Roman Emperor, and the Infanta Maria Luisa of Spain. Here, for the first time, he encountered the famous castrato Gaetano Guadagni, then at the h ...
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Operas Based On Classical Mythology
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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1778 Operas
Events January–March * January 18 – Third voyage of James Cook: Captain James Cook, with ships HMS ''Resolution'' and HMS ''Discovery'', first views Oahu then Kauai in the Hawaiian Islands of the Pacific Ocean, which he names the ''Sandwich Islands''. * February 5 – **South Carolina becomes the first state to ratify the Articles of Confederation. ** **General John Cadwalader shoots and seriously wounds Major General Thomas Conway in a duel after a dispute between the two officers over Conway's continued criticism of General George Washington's leadership of the Continental Army.''Harper's Encyclopaedia of United States History from 458 A. D. to 1909'', ed. by Benson John Lossing and, Woodrow Wilson (Harper & Brothers, 1910) p166 * February 6 – American Revolutionary War – In Paris, the Treaty of Alliance and the Treaty of Amity and Commerce are signed by the United States and France, signaling official French recognition of the new rep ...
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Operas By Antonio Salieri
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Giuseppe Sabbatini
Giuseppe Sabbatini (born 11 May 1957 in Rome, Italy) is a lyric tenor, orchestra conductor, conductor, and double-bassist. His opera repertoire includes ''Idomeneo'', ''Mitridate, re di Ponto'', ''Don Giovanni'', ''Linda di Chamounix'', ''La favorita'', ''L'elisir d'amore'', ''Anna Bolena'', ''Maria Stuarda'', ''Roberto Devereux'', ''Lucrezia Borgia (opera), Lucrezia Borgia'', ''Dom Sébastien'', ''I puritani'', ''Rigoletto'', ''La Traviata'', ''Falstaff (opera), Falstaff'', ''La Bohème'', ''Eugene Onegin (opera), Eugene Onegin'', Auber's ''Fra Diavolo (opera), Fra Diavolo'', ''Werther'', ''Manon'', ''Thaïs (opera), Thaïs'', ''La Damnation de Faust'', ''Benvenuto Cellini (opera), Benvenuto Cellini'', ''The Tales of Hoffmann, Les Contes d'Hoffmann'', ''Orphée aux Enfers'', ''Les Pêcheurs de Perles'' and Gounod's ''Faust (opera), Faust''. He has sung in the leading opera houses of the world, such as La Scala (his usual base), the Vienna Staatsoper, the Royal Opera House, Covent ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Daniela Barcellona
Daniela Barcellona (born 28 March 1969) is an Italian operatic mezzo-soprano. Biography Barcellona was born in Trieste, where she completed her musical studies under the guidance of Alessandro Vitiello, pianist and conductor. She married Vitiello in 1998 and continued to work with him on a professional level. Barcellona won the “Adriano Belli” award in Spoleto, the “ Iris Adami Corradetti” award in Padua, and the “Pavarotti International Voice Competition” in Philadelphia. She debuted in the title role of ''Tancredi'' at the Rossini Opera Festival in Pesaro in 1999, establishing herself as a reference interpreter for “en travesti” roles. In the early 2000s, Barcellona performed at New York's Metropolitan Opera, La Scala in Milan, the Royal Opera House in London, the Théâtre des Champs-Élysées in Paris, the Bayerische Staatsoper in Munich, the Teatro Real in Madrid, the Salzburg Festival and the Gran Teatre del Liceu in Barcelona. She and Joyce DiDonato ...
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Giovanni Rubinelli
Giovanni may refer to: * Giovanni (name), an Italian male given name and surname * Giovanni (meteorology), a Web interface for users to analyze NASA's gridded data * ''Don Giovanni'', a 1787 opera by Wolfgang Amadeus Mozart, based on the legend of Don Juan * Giovanni (Pokémon), boss of Team Rocket in the fictional world of Pokémon * Giovanni (World of Darkness), a group of vampires in ''Vampire: The Masquerade/World of Darkness'' roleplay and video game * "Giovanni", a song by Band-Maid from the 2021 album ''Unseen World'' * ''Giovanni's Island'', a 2014 Japanese anime drama film * ''Giovanni's Room'', a 1956 novel by James Baldwin * Via Giovanni, places in Rome See also * * *Geovani *Giovanni Battista *San Giovanni (other) *San Giovanni Battista (other) San Giovanni Battista is the Italian translation of Saint John the Baptist. It may also refer to: Italian churches * San Giovanni Battista, Highway A11, a church in Florence, Italy * San Giovanni Battista, Pra ...
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ...
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Desirée Rancatore
Desirée Rancatore (born 29 January 1977) is an Italian dramatic coloratura soprano with an active career on the opera and concert stages of Europe. Biography Rancatore was born in Palermo. She studied violin and piano before studying singing with her mother Maria Argento at the age of 16 and later in Rome, with Margaret Baker Genovesi. She won first prizes at several competitions: Ibla International Competition in Ragusa (1995), V. Bellini International Competition in Caltanissetta (1995), Maria Caniglia International Competition in Sulmona (1996). In 1996, at the age of 19 she debuted at the Salzburg Festival as Barbarina in Mozart's ''The Marriage of Figaro''. She returned to the Festival in the following seasons for ''Die Entführung aus dem Serail'' (Blonde; 1997, 1998), Verdi's ''Don Carlo'' conducted by Lorin Maazel (Voice from Heaven; 1998, 1999), ''Great Mass in C minor'' (2000), Honegger's ''Jeanne d'Arc au bûcher'' (2001), Hasse's '' Piramo e Tisbe'' (2010; conducted ...
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