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Eugène Demets
Eugène Louis Demets (6 April 1858 – 25 April 1923) was one of the most prestigious music publishers in early 20th-century Paris. Life Demets was born in Passy, west of Paris. Originally an orchestral musician, Demets set up his music publishing house in Paris in 1899, first in 20, rue des Marais, and from 1903 in 2, rue de Louvois. He was not able to join SACEM, the French publishers association, before 24 April 1901, because he had apparently several times issued defamatory remarks towards that association. Only after he had formally apologised, he was admitted.Anik Devriès & François Lesure: ''Dictionnaire des éditeurs de musique français'', vol. 2: ''De 1820 à 1914'' (Geneva: Minkoff, 1988), p. 139–140. In addition to his publishing activities, he also operated an "Agence musicale", an agency organising concerts, mainly for the purpose of bringing his publications to the public. Within a short period of time, Demets was able to enlist a number of well known modern com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Passy
Passy () is an area of Paris, France, located in the 16th arrondissement, on the Right Bank. It is home to many of the city's wealthiest residents. Passy was a commune on the outskirts of Paris. In 1658, hot springs were discovered around which spa facilities were developed. This attracted Parisian society and English visitors, some of whom made the area, which combined attractive countryside with both modest houses and fine residences, their winter retreat. The population was 2,400 in 1836, 4,545 in 1841, but larger in summer. In 1861 the population was 11,431. Passy's population was 17,594 when it was absorbed into Paris along with several other communities in 1860. Notable people *Alexandre Le Riche de La Poupelinière (1693–1762), French tax farmer and music patron *Niccolò Piccinni (1728–1800), Italian composer * Louis-Guillaume Le Veillard (1733–1794), aristocrat *Princess Marie Louise of Savoy (1749–1792), Savoyan princess * General Charles Edward Jennings de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auguste Durand
Marie-Auguste Massacrié-Durand (18 July 1830 – 31 May 1909) was a French music publisher, organist, and composer. Biography Durand was born in Paris and studied at the Paris Conservatoire with François Benoist. He started as an organist in 1849 in Saint-Ambroise, then at St. Genevieve, St. Roch and St. Vincent de Paul (1862–74). A. Durand & fils Together with Louis Schoenewerk and other sponsors, Durand founded the company Durand-Schoenewerk & Cie. in December 1869 and acquired the important catalogue of the Paris music publisher Gustave Flaxland (1821–1895), which had grown from approximately 1,200 titles in 1847 to 1,400 titles in 1869. This included the French rights to the early Wagner operas. Following a dispute, the company dissolved on 18 March 1885 and was sold at auction in May 1896. Auguste Durand and Louis Schoenewerk bought the firm in its entirety, and they reconstituted the company with Durand's son Jacques (1865–1928). In November 1891, Jacques replace ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1923 Deaths
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * '' Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Sl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1858 Births
Events January–March * January – ** Benito Juárez (1806–1872) becomes Liberal President of Mexico. At the same time, conservatives install Félix María Zuloaga (1813–1898) as president. ** William I of Prussia becomes regent for his brother, Frederick William IV, who had suffered a stroke. * January 9 ** British forces finally defeat Rajab Ali Khan of Chittagong ** Anson Jones, the last president of the Republic of Texas, commits suicide. * January 14 – Orsini affair: Felice Orsini and his accomplices fail to assassinate Napoleon III in Paris, but their bombs kill eight and wound 142 people. Because of the involvement of French émigrés living in Britain, there is a brief anti-British feeling in France, but the emperor refuses to support it. * January 25 – The '' Wedding March'' by Felix Mendelssohn becomes a popular wedding recessional, after it is played on this day at the marriage of Queen Victoria's daughter Victoria, Princess Roy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nocturnes (Satie)
The ''Nocturnes'' are a set of five piano pieces (initially planned as a set of seven, but left unfinished) by Erik Satie. They were written between August and November 1919. With the exception of the '' Premier Menuet'' (1920), they were his final works for solo piano, and are considered among his most significant achievements in the genre. The ''Nocturnes'' stand apart from Satie's piano music of the 1910s in their complete seriousness—lacking the zany titles, musical parody, and extramusical texts that he typically featured in his scores of the time. The completed set of five nocturnes takes about 13 minutes to perform. Background Much had transpired in Satie's personal and professional lives in the two years since his previous keyboard piece, the Neoclassical spoof ''Sonatine bureaucratique'' (1917). There was the fallout from the scandalous premiere of his ballet '' Parade'' (1917), including his conviction of criminal libel (from which he narrowly escaped imprisonment ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Descriptions Automatiques
The ''Descriptions automatiques'' (''Automatic Descriptions'') is a 1913 piano composition by Erik Satie. The second of his humoristic keyboard suites (1912-1915), it set the tone for the rest of the series by introducing elements of musical parody, and in the increasingly important role played by the verbal commentary. In performance it lasts about 4 minutes. Background On April 5, 1913, pianist Ricardo Viñes successfully premiered Satie's first humoristic suite, the ''Veritables Preludes flasques (pour un chien)'', at the Salle Pleyel in Paris. The composer used the occasion to publish an advertisement announcing his future creative plans in that day's issue of the periodical ''Le Guide du concert''. Anticipating attacks from his critics, he adopted a high-handed tone: The ''Véritables préludes flasques''...opens a series of pianistic works: ''Descriptions automatiques'', '' Embryons desséchés'', '' Chapitres tournés en tous sens'' and '' Vieux sequins et vieilles cui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Préludes Flasques (pour Un Chien)
The ''Préludes flasques (pour un chien)'' – ''Flabby Preludes (For a Dog)'' – is a set of four piano pieces composed in July 1912 by Erik Satie. In performance it lasts about 5 minutes. The work demonstrates Satie's attempts to reconcile the linear contrapuntal style he had acquired through his recent studies at the Schola Cantorum in Paris with his natural sense of wit and fantasy. It was to have been the first of his series of humoristic piano suites (1912-1915), but the composer withdrew the score after it was rejected for publication. He then wrote a second set of pieces on the same theme, the ''Veritables Preludes flasques (pour un chien)'' (1912), which proved a breakthrough in Satie's career and creative development. The original ''Préludes flasques'' were presumed lost for decades and would not see print until 1967. History Satie was never a pet-owner, but his fondness for dogs is well known. Stray mongrels he occasionally fed and sheltered were the only visitors h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miroirs
upRavel in 1907 ''Miroirs'' (French for "Mirrors") is a five-movement suite for solo piano written by French composer Maurice Ravel between 1904 and 1905."Miroirs". Maurice Ravel Frontispice. First performed by Ricardo Viñes in 1906, ''Miroirs'' contains five movements, each dedicated to a fellow member of the French avant-garde artist group Les Apaches."Miroirs". Piano Society. http://www.pianosociety.com/cms/index.php?section=171 History Around 1900, Maurice Ravel joined a group of innovative young artists, poets, critics, and musicians referred to as Les Apaches or "hooligans", a term coined by Ricardo Viñes to refer to his band of "artistic outcasts". To pay tribute to his fellow artists, Ravel began composing ''Miroirs'' in 1904 and finished it the following year. It was first published by Eugène Demets in 1906. The third and fourth movements were subsequently orchestrated by Ravel, while the fifth was orchestrated by Percy Grainger, among others. Structure ''Miroi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeux D'eau (Ravel)
''Jeux d'eau'' () is a piece for solo piano by Maurice Ravel, composed in 1901 and given its first public performance the following year. The title is variously translated as "Fountains", "Playing Water" or literally "Water Games". At the time of writing ''Jeux d'eau'', Ravel was a student of Gabriel Fauré, to whom the piece is dedicated. The work is in a single movement, typically lasting between four and half and six minutes in performance. Background and first performances In 1901 Maurice Ravel was aged 26 and had yet to make an impression on the French musical scene. He had failed to win any prizes as a student at the Paris Conservatoire and was expelled on that account. As a former student he was permitted to attend the classes of his teacher Gabriel Fauré, who thought highly of him and encouraged him. Ravel dedicated ''Jeux d'eau'' and his String Quartet "à mon cher maître Gabriel Fauré". ''Jeux d'eau'' represented what Ravel's biographer Gerald Larner calls "a s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pavane Pour Une Infante Défunte
''Pavane pour une infante défunte'' (''Pavane for a Dead Princess'') is a work for solo piano by Maurice Ravel, written in 1899 while the French composer was studying at the Conservatoire de Paris under Gabriel Fauré. Ravel published an orchestral version in 1910 using two flutes, an oboe, two clarinets (in B), two bassoons, two horns, harp, and strings. History Ravel described the piece as "an evocation of a pavane that a little princess might, in former times, have danced at the Spanish court". The pavane was a slow processional dance that enjoyed great popularity in the courts of Europe during the sixteenth and seventeenth centuries. This antique miniature is not meant to pay tribute to any particular princess from history, but rather expresses a nostalgic enthusiasm for Spanish customs and sensibilities, which Ravel shared with many of his contemporaries (most notably Debussy and Albéniz) and which is evident in some of his other works such as the ''Rapsodie espagno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Eschig
Max Eschig (27 May 1872 – 3 September 1927) was a Czech-born French music publisher who published many of the leading French composers of the twentieth century, later also including many East European and Latin American composers. Life Eschig was born in Troppau (now Opava, Czech Republic). He worked for a while for the Mainz, Germany, based music publisher B. Schotts Söhne before he went to Paris in 1907 to establish his own music publishing company. Initially, he also acted as the French representative of publishers like Breitkopf & Härtel, Ricordi, Schott, Simrock, Universal Edition, and others. He grew considerably in importance in France when he took over a number of established publishers in the course of the 1920s. Eschig died in Paris in 1927 at the age of 55. Company history Eschig began by publishing light music and French-language versions of Viennese operettas such as Franz Lehár's '' Die lustige Witwe''. With his own catalogue, he entirely devoted himself to tw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
