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Eugene Wright
Eugene Joseph Wright (May 29, 1923 – December 30, 2020) was an American jazz bassist who was a member of the Dave Brubeck Quartet. Career Wright was a cornetist at high school and led the 16-piece band Dukes of Swing in his 20s. He was largely self-taught on bass until his early 30s, when he studied privately with Paul Gregory and others. Walter Page was Wright's idol. He became more successful at the peak of the swing era, with bandleaders including Count Basie and Erroll Garner. Playing with Billie Holiday and Charlie Parker, after the swing era ended, he demonstrated his versatility in bebop with such musicians as Sonny Stitt as well as in Latin jazz with Cal Tjader. He also played with Lonnie Simmons, Gene Ammons, and Arnett Cobb in the late '40s and early '50s, then worked with Buddy DeFranco from 1952 to 1955, touring Europe with him. He played in the Red Norvo trio in 1955 and toured Australia with them. He was featured in a film short with Charlie Barnet. Wright's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dave Brubeck
David Warren Brubeck (; December 6, 1920 – December 5, 2012) was an American jazz pianist and composer. Often regarded as a foremost exponent of cool jazz, Brubeck's work is characterized by unusual time signatures and superimposing contrasting rhythms, Metre (music), meters, and tonality, tonalities. Born in Concord, California, Brubeck was drafted into the US Army, but was spared from combat service when a International Red Cross and Red Crescent Movement, Red Cross show he had played at became a hit. Within the US Army, Brubeck formed one of the first racial integration, racially diverse bands. In 1951, Brubeck formed the Dave Brubeck Quartet, which kept its name despite shifting personnel. The most successful—and prolific—lineup of the quartet was the one between 1958 and 1968. This lineup, in addition to Brubeck, featured saxophonist Paul Desmond, bassist Eugene Wright and drummer Joe Morello. A U.S. Department of State-sponsored tour in 1958 featuring the band inspir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cal Tjader
Callen Radcliffe Tjader Jr. ( ; July 16, 1925 – May 5, 1982) was an American Latin Jazz musician, known as the most successful non-Latino Latin musician. He explored other jazz idioms, even as he continued to perform music of Afro-Jazz, the Caribbean, México and Latin America. Cal Tjader played the vibraphone primarily, but was accomplished on the drums, bongos, congas, timpani, and the piano. He worked with many musicians from several cultures. He is often linked to the development of Latin rock and acid jazz. Although fusing Jazz with Latin music is often categorized as "Latin Jazz", Tjader's works swung freely between both styles. His Grammy award in 1980 for his album ''La Onda Va Bien'' capped off a career that spanned over forty years. Early years (1925–1943) Callen Radcliffe Tjader Jr. was born July 16, 1925, in St. Louis to touring Swedish American vaudevillians. His father tap danced and his mother played piano, a husband-wife team going from city to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Armstrong
Louis Daniel Armstrong (August 4, 1901 – July 6, 1971), nicknamed "Satchmo", "Satch", and "Pops", was an American trumpeter and vocalist. He was among the most influential figures in jazz. His career spanned five decades and several eras in the history of jazz. Armstrong was born and raised in New Orleans. Coming to prominence in the 1920s as an inventive trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. Around 1922, he followed his mentor, Joe "King" Oliver, to Chicago to play in the . In Chicago, he spent time with other popular jazz musicians, reconnecting with his friend Bix Beiderbecke and spending time with Hoagy Carmichael and Lil Hardin. He earned a reputation at "cutting contests", and his fame reached band leader Fletcher Henderson. Henderson persuaded Armstrong to come to New York City, where he became a featured and musically influential band soloist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Real Ambassadors
''The Real Ambassadors'' is a jazz musical developed in the late 1950s and early 1960s by Dave and Iola Brubeck, in collaboration with Louis Armstrong and his band. It addressed the Civil Rights Movement, the music business, America's place in the world during the Cold War, the nature of God, and a number of other themes. It was set in a fictional African nation called Talgalla, and its central character was based on Armstrong and his time as a jazz ambassador.Von Eschen, Penny M. ''Satchmo Blows Up the World'', 2004, pp. 81, 89-90. It was the first major large scale musical collaboration between Dave and Iola Brubeck and served as a template for their future musical collaborations. Songs from the musical were recorded by Columbia Records and a soundtrack album was released in 1962, just before the show's premiere at the 1962 Monterey Jazz Festival with an all star cast. Background In writing this work, the Brubecks drew upon experiences they and their friends and colleagues ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue Rondo à La Turk
"Blue Rondo à la Turk" is a jazz standard composition by Dave Brubeck. It appeared on the album '' Time Out'' in 1959. It is written in time, with one side theme in and the choice of rhythm was inspired by the Turkish aksak time signatures. It was originally recorded by the Dave Brubeck Quartet with Dave Brubeck on piano, Paul Desmond on alto saxophone, Eugene Wright on bass, and Joe Morello on drums. History Brubeck heard this unusual rhythm performed by Turkish musicians on the street. Upon asking the musicians where they got the rhythm, one replied "This rhythm is to us what the blues is to you." Hence the title "Blue Rondo à la Turk." Contrary to popular belief, the piece is neither inspired by nor related to the last movement of Wolfgang Amadeus Mozart's Piano Sonata No. 11, known by the near-identical title "Rondo Alla Turca". The rhythm is an additive rhythm that consists of three measures of followed by one measure of and the cycle then repeats. Taking the sma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Take Five
"Take Five" is a jazz standard composed by saxophonist Paul Desmond and originally recorded by the Dave Brubeck Quartet for their album ''Time Out'' at Columbia Records' 30th Street Studios in New York City on July 1, 1959. Two years later it became a sleeper hit and the biggest-selling jazz single ever. Revived since in numerous movie and television soundtracks the piece still receives significant radio airplay. The single was inducted into the Grammy Hall of Fame in 1996. Musical style "Take Five" is known for its distinctive two- chord piano/bass vamp; catchy, cool-jazz saxophone melodies; inventive, jolting drum solo; and unorthodox quintuple () time, from which Dave Brubeck derived its name. Helped by native symphony musicians, the classically-trained Brubeck had recently enhanced his knowledge of more complex forms of music during the Quartet's U.S. State Department-sponsored tour of Eurasia in the spring of 1958. The odyssey inspired him to create an experimental al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Standard
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications (sheet music collections of popular tunes) and jazz reference works offer a rough guide to which songs are considered standards. Not all jazz standards were written by jazz composers. Many are originally Tin Pan Alley popular songs, Broadway show tunes or songs from Hollywood musicals – the Great American Songbook. In Europe, jazz standards and "fake books" may even include some traditional folk songs (such as in Scandinavia) or pieces of ethnic music (such as gypsy melodies) that have been played with a jazz feel by well known jazz players. A commonly played song can only be considered a jazz standard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Morello
Joseph Albert Morello (July 17, 1928 – March 12, 2011) was an American jazz drummer best known for serving as the drummer for pianist Dave Brubeck, as part of the Dave Brubeck Quartet, from 1957 to 1972, including during the quartet's "classic lineup" from 1958 to 1968, which also included alto saxophonist Paul Desmond and bassist Eugene Wright. Morello's facility for playing unusual time signatures and rhythms enabled that group to record a series of albums that explored unusual time signatures. The most notable of these was the first in the series, the 1959 album '' Time Out'', which contained the hit songs "Take Five" and "Blue Rondo à la Turk". In fact, "Take Five", the album's biggest hit (and the first jazz single to sell more than one million copies) was specifically written by Desmond as a way to showcase Morello's ability to play in time. Besides playing with Brubeck, Morello also served as an accompanist for other musicians, including Marian McPartland, Tal Farlow a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Desmond
Paul Desmond (born Paul Emil Breitenfeld; November 25, 1924 – May 30, 1977) was an American jazz alto saxophone, alto saxophonist and composer, best known for his work with the Dave Brubeck Quartet and for composing that group's biggest hit, "Take Five". He was one of the most popular musicians to come out of the cool jazz scene. In addition to his work with Brubeck, he led several groups and collaborated with Gerry Mulligan, Chet Baker, Jim Hall (musician), Jim Hall, and Ed Bickert. After years of chain smoking and poor health, Desmond succumbed to lung cancer in 1977 after a tour with Brubeck. Early life Desmond was born Paul Emil Breitenfeld in San Francisco, California, in 1924, the son of Shirley (née King) and Emil Aron Breitenfeld. His grandfather Sigmund Breitenfeld was, according to an obituary, born in Austria in 1857. Sigmund Breitenfeld, a medical doctor, emigrated to New York City with his wife Hermine (born Hermine Lewy) at the end of the 19th century, and the B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Barnet
Charles Daly Barnet (October 26, 1913 – September 4, 1991) was an American jazz saxophonist, composer, and bandleader. His major recordings were "Skyliner", "Cherokee", "The Wrong Idea", "Scotch and Soda", "In a Mizz", and "Southland Shuffle". Early life Barnet was born in New York City, the son of Charline (Daly) and Willard Barnet. His parents divorced when he was two, and he was raised by his mother and her grandparents. His grandfather was Charles Frederick Daly, a vice-president for the New York Central Railroad, banker, and businessman. Barnet attended boarding schools, both in the New York and Chicago areas. He learned to play piano and saxophone as a child. He often left school to listen to music and to try to gain work as a musician. Although his family wanted him to become a lawyer, he chose to be a musician instead. Career By sixteen, Barnet had played on tours with Jean Goldkette's satellite band and was in New York, where he joined Frank Winegar's Pennsylvania ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red Norvo
Red Norvo (born Kenneth Norville; March 31, 1908 – April 6, 1999) was an American musician, one of jazz's early vibraphonists, known as "Mr. Swing". He helped establish the xylophone, marimba, and vibraphone as jazz instruments. His recordings included "Dance of the Octopus", "Bughouse", "Knockin' on Wood", "Congo Blues", and "Hole in the Wall". Career Red Norvo was born in Beardstown, Illinois, United States. His career began in Chicago with a band called "The Collegians" in 1925. He played with many other bands, including an all-marimba band on the vaudeville circuit, and the bands of Paul Whiteman, Benny Goodman, Charlie Barnet, and Woody Herman. He recorded with Mildred Bailey (his wife from 1933 to 1942), Billie Holiday, Dinah Shore and Frank Sinatra. Norvo and his wife were known as "Mr. and Mrs. Swing." He appeared as himself in the film '' Screaming Mimi'' (1958) and in ''Ocean's 11'', accompanying Dean Martin while he sang "Ain't That a Kick in the Head?" In 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy DeFranco
Boniface Ferdinand Leonard "Buddy" DeFranco (February 17, 1923 – December 24, 2014) was an Italian-American jazz clarinetist. In addition to his work as a bandleader, DeFranco led the Glenn Miller Orchestra for almost a decade in the 1960s and 1970s. Biography Born in Camden, New Jersey, United States, DeFranco was raised in South Philadelphia. He was playing the clarinet by the time he was nine years old and within five years had won a national Tommy Dorsey swing contest. He began his professional career just as swing music and big bands—many of which were led by clarinetists like Artie Shaw, and Benny Goodman—were in decline. While most jazz clarinet players did not adapt to this change, DeFranco successfully continued to play clarinet exclusively, and was one of the few bebop clarinetists. In 1950, DeFranco spent a year with Count Basie's septet. He then led a small combo in the early 1950s which included pianist Sonny Clark and guitarist Tal Farlow. In this p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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