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Eucharis (actress)
Licinia Eucharis (1st century BC) was an Ancient Roman stage actress. She was a star of the Theatre of ancient Rome, and belonged to the few known ancient actresses to achieve fame and respect in her profession during the Roman Republic. Eucharis was originally a Greek-born slave of Roman Licinia. In contrast to Greece, where only male actors were allowed, the Romans allowed female performers. However, many prestigious theatres still barred women actors, and the majority of actresses performed on smaller stages as '' mimae'', pantomime dancer-actresses, which was not regarded as a respectable profession, and therefore often performed by slaves or freedwomen. Eucharis, however, made a remarkable career. Her talent on stage eventually resulted in her being freed. She came to belong to the minority of ancient Roman actresses to be allowed to perform in prestigious theatres and earn a respectable income on acting alone. She was given speaking parts and performed roles in classic G ...
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Theatre Of Ancient Rome
The architectural form of theatre in Rome has been linked to later, more well-known examples from the 1st century BC to the 3rd Century AD. The theatre of ancient Rome referred to as a period of time in which theatrical practice and performance took place in Rome has been linked back even further to the 4th century BC, following the state’s transition from monarchy to republic. Theatre during this era is generally separated into genres of tragedy and comedy, which are represented by a particular style of architecture and stage play, and conveyed to an audience purely as a form of entertainment and control. When it came to the audience, Romans favored entertainment and performance over tragedy and drama, displaying a more modern form of theatre that is still used in contemporary times. 'Spectacle' became an essential part of an everyday Romans expectations when it came to theatre. Some works by Plautus, Terence, and Seneca the Younger that survive to this day, highlight the diff ...
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Roman Republic
The Roman Republic ( la, Res publica Romana ) was a form of government of Rome and the era of the classical Roman civilization when it was run through public representation of the Roman people. Beginning with the overthrow of the Roman Kingdom (traditionally dated to 509 BC) and ending in 27 BC with the establishment of the Roman Empire, Rome's control rapidly expanded during this period—from the city's immediate surroundings to hegemony over the entire Mediterranean world. Roman society under the Republic was primarily a cultural mix of Latin and Etruscan societies, as well as of Sabine, Oscan, and Greek cultural elements, which is especially visible in the Roman Pantheon. Its political organization developed, at around the same time as direct democracy in Ancient Greece, with collective and annual magistracies, overseen by a senate. The top magistrates were the two consuls, who had an extensive range of executive, legislative, judicial, military, and religious powers ...
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Arbuscula
Arbuscula ( lat, Arbuscŭla; d. between 54 and 35 BCE) was a woman stage performer of ancient Rome. She was a celebrated actor in pantomimes during the 1st century BCE, when most of the female parts at the time were played by men at least in tragedy. Cicero speaks of her in 54 BC as having been very successful, and having given him great pleasure. Horace Quintus Horatius Flaccus (; 8 December 65 – 27 November 8 BC), known in the English-speaking world as Horace (), was the leading Roman lyric poet during the time of Augustus (also known as Octavian). The rhetorician Quintilian regarded his ' ... mentions her as having been hissed and booed at by an audience, though it is said she did not care that the common people booed her, and remarked, "It is enough the knights still applaud me." References Cicero 1st-century BC Romans 1st-century BC actors Ancient actresses 1st-century BC Roman women Ancient Roman actors Ancient Roman theatre practitioners {{Ancient ...
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Dionysia (stage Artist)
Dionysia (1st-century BC), was an ancient Roman dancer-actress. Dionysia was evidently a famous stage artist in Ancient Rome, as her name was known enough to be used in public debate. She is one of few female stage artists from antiquity of which there is specific sums of a notably great income, an example used in research that elite actresses in Ancient Rome could earn great amounts on their career. In 66 BC, in his speech in favour of Quintus Roscius, Cicero noted that the famous dancer Dionysia earns 200.000 sestertius, which he appears to assume to be a well known fact. In the critic against the orator Hortensius Quintus Hortensius Hortalus (114–50 BC) was a famous Roman lawyer, a renowned orator and a statesman. Politically he belonged to the Optimates. He was consul in 69 BC alongside Quintus Caecilius Metellus Creticus. His nickname was ''Dionysia'', ... in 62 BC, his gestures are mockingly compared to that of an actress, Dionysia. References * E. Togo Salmon Co ...
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Fabia Arete
Fabia Arete was a dancer, actress and singer in Ancient Rome In modern historiography, ancient Rome refers to Roman civilisation from the founding of the city of Rome in the 8th century BC to the collapse of the Western Roman Empire in the 5th century AD. It encompasses the Roman Kingdom (753–509 BC .... She was a freedwoman, which was a common background for a stage performer. She is referred to as an ''archimima'', which was the title for the leading lady actress of a Roman theatre, and as a ''diurna'', signifying that she toured as a guest actress in different theatres and theatre companies, demonstrating that she enjoyed fame and popularity. She is described as a famed actress and likely belonged to the elite minority of Roman actresses employed to perform speeking roles in a period when female stage artists were normally engaged only to dance or sing in the choir, and she became wealthy enough to afford a grand funeral monument for herself and her spouse. A role she ...
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Galeria Copiola
Galeria Copiola (96 BC – AD 9 or after) was an Women in Ancient Rome, ancient Roman dancer ''(emboliaria)'' and actress whom Pliny the Elder, Pliny includes in a list of notable female nonagenarians and centenarians in his ''Natural History (Pliny), Natural History''. Because of Pliny's notice, Galeria is one of the few performing artists in classical antiquity whose career milestones can be precisely dated. Performance genre The ''embolimon'' (Ancient Greek language, Greek, literally an "insert") was a musical number performed between the acts of a play. In Theatre of ancient Rome, Roman theatre, the ''embolium'' (Latin, plural ''embolia'') in which Galeria specialized was an interlude, probably solo, performed by a dancing girl or ''mima''. The ''embolium'' is treated in modern scholarship as a form of History of ballet, ballet-Pantomime#History, pantomime requiring pirouette, turns, leaping, versatility of movement, sudden "freezing," and a particular repertoire of hand gestures ...
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Tertia (actress)
{{short description, Ancient Roman actress and dancer Tertia (died ''after'' 74 BC) was an ancient Roman actress and dancer. Tertia was born on Sicily as the daughter of the dancer-actor Isidorus. She is famous in history as the mistress of Verres, after he was appointed governor of Sicily in 74 BC. The relationship attracted a scandal and was brought up in court during the corruption trial against Verres. Her alleged influence and position is known from the speech ''Verrine Orations''. Verres caused a scandal by showing himself openly with Tertia in public, allowing her to act as his hostess during public functions and introducing her to local dignitaries and aristocracy, which was regarded as scandalous because of the low social status of stage artists. He also arranged a marriage between her and one of his clients. It was reportedly Tertia and a courtesan named Pippa who introduced Verres to the courtesan Chelidon, who were alleged to have great political influence up ...
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Volumnia Cytheris
Volumnia Cytheris (fl. 1st-century BC) was an ancient Roman actress and mimae dancer. She is foremost known as the mistress of several famous Romans. She was originally a slave and later freedwoman. On stage, she was normally referred to only as Cytheris. The name derived from "Cythera" a nickname for Aphrodite. She had relationships with Brutus and Mark Antony, which attracted a lot of attention in contemporary ancient Rome. She is mentioned as the companion of her aristocratic lovers in social occasions when the presence of a courtesan was otherwise not common, and considered shocking. Her rejection of Cornelius Gallus reportedly provided the theme for Virgil's tenth Eclogue. Gallus refers to her in his work under the name ''Lycoris''. She is one of few free influential Roman courtesans mentioned by her contemporaries, others being Praecia and Chelidon. Anise K. Strong: Prostitutes and Matrons in the Roman World' See also * Tertia (actress) {{short description, Ancient ...
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Ancient Actresses
Ancient history is a time period from the beginning of writing and recorded human history to as far as late antiquity. The span of recorded history is roughly 5,000 years, beginning with the Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500. The three-age system periodizes ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages varies between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was already exponentially increasing due to the Neolithic Revolution, which was in full progress. While in 10,000 BC, the world population stood at ...
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1st-century BC Roman Women
The 1st century was the century spanning AD 1 ( I) through AD 100 ( C) according to the Julian calendar. It is often written as the or to distinguish it from the 1st century BC (or BCE) which preceded it. The 1st century is considered part of the Classical era, epoch, or historical period. The 1st century also saw the appearance of Christianity. During this period, Europe, North Africa and the Near East fell under increasing domination by the Roman Empire, which continued expanding, most notably conquering Britain under the emperor Claudius ( AD 43). The reforms introduced by Augustus during his long reign stabilized the empire after the turmoil of the previous century's civil wars. Later in the century the Julio-Claudian dynasty, which had been founded by Augustus, came to an end with the suicide of Nero in AD 68. There followed the famous Year of Four Emperors, a brief period of civil war and instability, which was finally brought to an end by Vespasian, ninth Roman em ...
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1st-century BC Romans
The 1st century was the century spanning AD 1 ( I) through AD 100 ( C) according to the Julian calendar. It is often written as the or to distinguish it from the 1st century BC (or BCE) which preceded it. The 1st century is considered part of the Classical era, epoch, or historical period. The 1st century also saw the appearance of Christianity. During this period, Europe, North Africa and the Near East fell under increasing domination by the Roman Empire, which continued expanding, most notably conquering Britain under the emperor Claudius ( AD 43). The reforms introduced by Augustus during his long reign stabilized the empire after the turmoil of the previous century's civil wars. Later in the century the Julio-Claudian dynasty, which had been founded by Augustus, came to an end with the suicide of Nero in AD 68. There followed the famous Year of Four Emperors, a brief period of civil war and instability, which was finally brought to an end by Vespasian, ninth Roman em ...
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