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Ethiopian Golden Age Of Music
The Ethiopian Golden Age of Music was an era of Ethiopian music that began around 1960s to 1970s, until the Derg regime progressively falter its existence through politically motivated persecution and retribution against musicians and companies, which left many self-imposed exile to North America and Europe. Several artists and musical companies as well as recording groups emerged to produce their own singles and albums, the first being Amha Records, and Philips Records, Ethiopia Records and Kaifa Records, which primarily based in Addis Ababa. The musical era involved a blend of traditional and folk genre as well as soul and funk. Central innovation was the "Ethio-jazz" music and musicians Alemayehu Eshete, Tilahun Gessesse, Mahmoud Ahmed, Mulatu Astatke and others were prominent in this era. After the downfall of the Derg, the music industry revitalized; in 1998, Éthiopiques reestablished with collaboration to Mahmoud Ahmed, Tilahun Gessesse and Mulatu Astatke. Background I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Ethiopia
Ethiopian music is a term that can mean any music of Ethiopian origin, however, often it is applied to a genre, a distinct modal system that is pentatonic, with characteristically long intervals between some notes. The music of the Ethiopian Highlands uses a fundamental modal system called ''qenet'', of which there are four main modes: , , , and . Three additional modes are variations on the above: tezeta minor, bati major, and bati minor.Abatte Barihun, liner notes of the album Ras Deshen, 200. Some songs take the name of their qenet, such as tizita, a song of reminiscence. When played on traditional instruments, these modes are generally not tempered (that is, the pitches may deviate slightly from the Western-tempered tuning system), but when played on Western instruments such as pianos and guitars, they are played using the Western-tempered tuning system. Music in the Ethiopian highlands is generally monophonic or heterophonic. In certain southern areas, some music is polyph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Éthiopiques
''Éthiopiques'' is a series of compact discs featuring Music of Ethiopia, Ethiopian singers and musicians. Many of the CDs compile songs from various singles and albums that Amha Records, Kaifa Records and Philips, Philips-Ethiopia released during the 1960s and 1970s in Ethiopia. Prominent singers and musicians from this era appearing on ''Éthiopiques'' releases include Alemayehu Eshete, Asnaketch Worku, Mahmoud Ahmed, Mulatu Astatke and Tilahun Gessesse. However, some other releases contain new recordings. Overview The Paris-based world music record label Buda Musique began the ''Éthiopiques'' series in 1997 and initially compiled Ethiopian popular music releases from the 1960s and 1970s. Some of the subsequent CDs focus on traditional music, while others highlight individual musicians or specific styles. As of 2017, there have been 30 releases. None of the CDs feature modern-day synthesizer-based Ethiopian pop music. Francis Falceto is the producer of the series. Some songs fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Debo Band
Debo Band (also known simply as Debo) are a Boston-based Ethiopian music band led by saxophonist Danny Mekonnen and fronted by vocalist Bruck Tesfaye. Ranging from 10–12 members playing horns, guitars, violins, percussion, and accordion, their sound incorporates Ethiojazz, folk, and pop styles from the Horn of Africa infused with tinges of motifs from Eastern Europe and Asia, as well as punk, experimental, and psychedelic rock. ''Rolling Stone'' described Debo's sound as, "guitar solos, massed vocals, violin and brass hatrush in like a Red Bulled marching band...Dance at your own risk." History Sudanese-born saxophone player Danny Mekonnen had grown up in Texas listening to his parents' home taped Ethiopian pop cassettes. In middle school he became obsessed with American jazz of the 1950s and 1960s, poring over records by John Coltrane and Miles Davis and went on to study and play jazz at the University of Texas. In the early 2000s he moved to Boston to attend Harvard Univers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tizita
Tizita/Tezeta/tazata ( am, ትዝታ; en, memory, "nostalgia" or "longing") is one of the Pentatonic scales or Qañat of the Amhara ethnic group. Etymology and origin The term ''tizita'' is distinctly Amharic, there's no Geez equivalent, contrarily to the term ''nafkot'' which belong to both languages with the same meaning (regret, emotion linked to a remembrance). Tizita folk songs developed in the countryside by the Amhara peasantry and the village musicians called the Azmaris. Tizita music genre Tizita songs are a popular music genre in Ethiopia and Eritrea. It's named after the Tizita Qañat mode/scale used in such songs. Tizita is known for strongly moving listener's feelings not only among the Amhara, but a large number of Ethiopians, in general. Western sources often compare tizita to the blues. Other musical equivalent are the Portuguese ''Saudade'', ''Assouf'' for the Tuareg people, or ''Dor'' in Romania. In Slovakia, the closest word is ''clivota'' or '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Getatchew Mekurya
Getatchew Mekurya (Amharic: ጌታቸው መኩሪያ ወልደ ተክሌ; 14 March 1935 – 4 April 2016) was an Ethiopian jazz saxophonist. Early career Mekurya was born on 14 March 1935, in Yifat, Ethiopia. His father was a honey merchant. Young Getatchew played traditionel Ethiopian instruments such as the washint flute, the krar and the masenqo, and later moved on to the saxophone and clarinet. At age 13, he began his professional career in 1949 as a part of the Municipality Band in Addis Ababa. In 1955 he joined the house band at Addis' Haile Selassie I Theatre, and in 1965 joined the famous Police Orchestra. He was also one of the first musicians to record an instrumental version of ''shellela'', a genre of traditional Amhara vocal music sung by warriors before going into battle. Mekurya took the ''shellela'' tradition seriously, often appearing onstage in a warrior's animal-skin tunic and lion's mane headdress. He continued to refine his instrumental ''shellela'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reggae
Reggae () is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, " Do the Reggay" was the first popular song to use the word "reggae", effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term ''reggae'' more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument. Reggae is d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rastafari
Rastafari, sometimes called Rastafarianism, is a religion that developed in Jamaica during the 1930s. It is classified as both a new religious movement and a social movement by scholars of religion. There is no central authority in control of the movement and much diversity exists among practitioners, who are known as Rastafari, Rastafarians, or Rastas. Rastafari beliefs are based on a specific interpretation of the Bible. Central is a monotheistic belief in a single God, referred to as Jah, who is deemed to partially reside within each individual. Rastas accord key importance to Haile Selassie, the emperor of Ethiopia between 1930 and 1974; many regard him as the Second Coming of Jesus and Jah incarnate, while others see him as a human prophet who fully recognised Jah's presence in every individual. Rastafari is Afrocentric and focuses attention on the African diaspora, which it believes is oppressed within Western society, or "Babylon". Many Rastas call for this diaspora' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haile Selassie
Haile Selassie I ( gez, ቀዳማዊ ኀይለ ሥላሴ, Qädamawi Häylä Səllasé, ; born Tafari Makonnen; 23 July 189227 August 1975) was Emperor of Ethiopia from 1930 to 1974. He rose to power as Regent Plenipotentiary of Ethiopia (''Enderase'') for Empress Zewditu from 1916. Haile Selassie is widely considered a defining figure in modern Ethiopian history, and the key figure of Rastafari, a religious movement in Jamaica that emerged shortly after he became emperor in the 1930s. He was a member of the Solomonic dynasty, which claims to trace lineage to Emperor Menelik I, believed to be the son of King Solomon and Makeda the Queen of Sheba. Haile Selassie attempted to modernize the country through a series of political and social reforms, including the introduction of the 1931 constitution, its first written constitution, and the abolition of slavery. He led the failed efforts to defend Ethiopia during the Second Italo-Ethiopian War and spent most of the period of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emperor Of Ethiopia
The emperor of Ethiopia ( gez, ንጉሠ ነገሥት, nəgusä nägäst, "King of Kings"), also known as the Atse ( am, ዐፄ, "emperor"), was the hereditary monarchy, hereditary ruler of the Ethiopian Empire, from at least the 13th century until the abolition of the monarchy in 1975. The emperor was the head of state and head of government, with ultimate executive power, executive, judicial power, judicial and legislative power in that country. A ''National Geographic'' article from 1965 called imperial Ethiopia "nominally a constitutional monarchy; in fact [it was] a benevolent dictatorship, benevolent autocracy". Title and style The title "King of Kings", often rendered imprecisely in English as "emperor", dates back to ancient Mesopotamia, but was used in Aksumite Empire, Axum by King Sembrouthes (c. 250 AD). However, Yuri Kobishchanov dates this usage to the period following the Persian Empire, Persian victory over the Roman Empire, Romans in 296–297. The most notabl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funk
Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African Americans in the mid-20th century. It de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first bea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blues
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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