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Esta Voz Que Me Atravessa
''Esta Voz que me Atravessa'' is the second album by Portuguese fado singer Mafalda Arnauth. It was released in 2001 by EMI Valentim de Carvalho. In praise of this album, Andreas Dorschel writes: "capable of the tenderest nuances of voice, she afalda Arnauthingeniously counterbalances them with a roughness that calls to mind fado’s subcultural origins.“Andreas Dorschel, 'Ästhetik des Fado.' In: ''Merkur'' 69 (2015), no. 2, pp. 79–86, pp. 81-82article online Track listing #Esta Voz Que Me Atravessa" #“O Instante Dos Sentidos" #“Ee Não Saber Ser Loucura" #“Coisa Assim" #“Este Silêncio Que Me Corta" #“Até Logo, Meu Amor" #“Não Há Fado Que Te Resista" #“Lusitana" #“Há Noite Aqui" #“Ai Do Vento" #“Ora vai" #“A Casa E O Mundo" Personnel *José Martins - direction and arrangement *Amélia Muje - production *José Elmiro Nunes - Fado guitar *Paulo Paz - double bass *Ricardo Rocha - Portuguese guitar The Portuguese guitar or Portuguese guitarra ( pt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mafalda Arnauth
Mafalda Arnauth (born October 1974) is a Portuguese people, Portuguese fado singer. Life and career Arnauth was born in Lisbon, Portugal, in October 1974, and her career began in 1995 when she was invited by João Braga to participate in a concert at S. Luis's Theater. She released her debut album in 1999, which won the award for Best Upcoming Voice from the weekly magazine Blitz. She performed concerts in the Netherlands, Denmark, and Italy, as well as at the Centro Cultural de Belém in Lisbon. Her second album, ''Esta Voz Que Me Atravessa'' (English: ''This voice that goes through me'') was released in 2001, produced by Amélia Muge and José Martins. Andreas Dorschel praised the album, writing that: "capable of the tenderest nuances of voice, [Mafalda Arnauth] ingeniously counterbalances them with a roughness that calls to mind fado's subcultural origins". Mafalda Arnauth's third album, ''Encantamento'', was self-produced. Discography Solo * ''Mafalda Arnauth'' (1999) CD ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fado
Fado (; "destiny, fate") is a music genre that can be traced to the 1820s in Lisbon, Portugal, but probably has much earlier origins. Fado historian and scholar Rui Vieira Nery states that "the only reliable information on the history of fado was orally transmitted and goes back to the 1820s and 1830s at best. But even that information was frequently modified within the generational transmission process that made it reach us today." Although the origins are difficult to trace, today fado is commonly regarded as simply a form of song which can be about anything, but must follow a certain traditional structure. In popular belief, fado is a form of music characterized by mournful tunes and lyrics, often about the sea or the life of the poor, and infused with a sentiment of resignation, fate and melancholy. This is loosely captured by the Portuguese word ''saudade'', or longing, symbolizing a feeling of loss (a permanent, irreparable loss and its consequent lifelong damage). This is s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Encantamento
''Encantamento'' is the third album by Portuguese fado singer Mafalda Arnauth, released in 2003 on EMI Valentim de Carvalho. Track listing # Pode Lá Ser # As Fontes # Porque Não Oiço No Ar # Fado Arnauth # Ó Voz Da Minh’Alma # Cavalo À Solta # Eu Venho # Trova Escondida # Canção # Da Palma Da Minha Mão # Sem Limite # No Teu Poema # É Sempre Cedo # Bendito Fado, Bendita Gente Personnel *Mafalda Arnauth - production *José Elmiro Nunes - Portuguese guitar *Luís Oliveira - arrangement, direction, fado guitar *João Penedo - double bass References * 2003 albums Mafalda Arnauth albums {{2003-album-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fado
Fado (; "destiny, fate") is a music genre that can be traced to the 1820s in Lisbon, Portugal, but probably has much earlier origins. Fado historian and scholar Rui Vieira Nery states that "the only reliable information on the history of fado was orally transmitted and goes back to the 1820s and 1830s at best. But even that information was frequently modified within the generational transmission process that made it reach us today." Although the origins are difficult to trace, today fado is commonly regarded as simply a form of song which can be about anything, but must follow a certain traditional structure. In popular belief, fado is a form of music characterized by mournful tunes and lyrics, often about the sea or the life of the poor, and infused with a sentiment of resignation, fate and melancholy. This is loosely captured by the Portuguese word ''saudade'', or longing, symbolizing a feeling of loss (a permanent, irreparable loss and its consequent lifelong damage). This is s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andreas Dorschel
Andreas Dorschel (born 1962) is a German philosopher. Since 2002, he has been professor of aesthetics and head of the Institute for Music Aesthetics at the University of the Arts Graz (Austria). Background Andreas Dorschel was born in 1962 in Wiesbaden, West Germany. He is a cousin of the modernist visual artist Gesine Probst-Bösch (Weimar 1944–1994 Munich). From 1983 on, Dorschel studied philosophy, musicology and linguistics at the universities of Frankfurt am Main (Germany) and Vienna (Austria) (MA 1987, PhD 1991). In 2002, the University of Bern (Switzerland) awarded him the Habilitation degree (post-doctoral lecturing qualification). Dorschel has taught at universities in Switzerland, Austria, Germany and the UK. At University of East Anglia Norwich (UK), he was a colleague of writer W.G. Sebald. Dorschel was Visiting Professor at Emory University (1995) and at Stanford University (2006). On Dorschel’s initiative, the Graz Institute for Music Aesthetics received it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Merkur (magazine)
''Merkur'', subtitled ''Deutsche Zeitschrift für europäisches Denken'', is Germany's leading intellectual review, published monthly in Stuttgart by Klett Cotta. History and profile ''Merkur'' was established in 1947. The magazine was formerly headquartered in Munich. In the course of its history, many influential scholars and public intellectuals have written for ''Merkur''. Among them were philosophers such as Hannah Arendt, Theodor W. Adorno, Ernst Bloch, Martin Heidegger, Hans-Georg Gadamer, Jürgen Habermas, Axel Honneth, and Carl Schmitt or sociologists such as Arnold Gehlen, Niklas Luhmann, Hans Joas, and Dirk Baecker, but also writers such as Ingeborg Bachmann, Ilse Aichinger, Alfred Andersch, Hans Magnus Enzensberger, and Kathrin Röggla. ''Merkur'' has been able to gather voices from both the left and the right, which is unusual in the divisive German intellectual landscape. ''Merkur'' sold approximately 4,800 copies in July 2011. In January 2016, the 800th issue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portuguese Guitar
The Portuguese guitar or Portuguese guitarra ( pt, guitarra portuguesa, ) is a plucked string instrument with twelve steel strings, strung in six course (music), courses of two strings. It is one of the few musical instruments that still uses watch-key or Preston tuners. It is iconically associated with the musical genre known as Fado, and is now an icon for anything Portuguese. History The Portuguese guitar now known has undergone considerable technical modification in the last century (dimensions, mechanical tuning system, etc.) although it has kept the same number of courses, the string tuning and the finger technique characteristic of this type of instrument. It is a descendant of the Medieval citole, based on evidence of its use in Portugal since the thirteenth century (then known as 'cítole' in Portuguese) amongst troubadour and minstrel circles and in the Renaissance period, although initially it was restricted to noblemen in court circles. Later it became popular and re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2001 Albums
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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