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Escape From Havana
''Escape from Havana'' is the debut album by rapper Mellow Man Ace. It was released on August 29, 1989 by Capitol Records. Production for the album was contributed by the Dust Brothers, Tony G, Def Jef, DJ Muggs and Johnny Rivers. The album received a positive reception from critics who praised the East Coast and Latin-influenced production and lyricism. ''Escape from Havana'' peaked at number 69 on the ''Billboard'' 200 and spawned three singles: "Rhyme Fighter", " Mentirosa" and "If You Were Mine". Critical reception ''Escape from Havana'' garnered positive reviews from music critics who praised the production and lyrics for being a great mix of East Coast and Latin-flavored styles. Alex Henderson of AllMusic praised the album's amalgam of hardcore tracks and mainstream love ballads that showcase Ace's ability as a bilingual rapper, concluding that "Ace, like a lot of rappers, spends too much time boasting about his microphone skills. Nonetheless, ''Escape From Havana'' is an in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mellow Man Ace
Ulpiano Sergio Reyes (born April 12, 1967), better known as Mellow Man Ace, is a Cuban-American rapper known for bilingual delivery and novelty rhymes. He was born in Cuba and moved to Los Angeles with his family at the age of four. Early life and career An Afro-Cuban rapper born in Cuba, Mellow Man Ace focused on lovers rap with a blend of urban hip hop and occasional bilingual delivery, and a heady gift for novelty rhymes. Born Ulpiano Sergio Reyes in 1967, he left Cuba with his family at the age of four and resettled in Los Angeles. His family moved to South Gate, California at a very young age. His debut album ''Escape from Havana'' was released on Capitol on August 29, 1989, and featured production from the Dust Brothers and Def Jef. The single " Mentirosa" was released on March 9, 1990. It was his only hit single, peaking at Number 14 on ''Billboard'''s Hot 100 Chart, with Ace rapping over a crafty hook from the Santana songs "No One to Depend On" and "Evil Ways." His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Journalism
Music journalism (or music criticism) is media criticism and reporting about music topics, including popular music, classical music, and traditional music. Journalists began writing about music in the eighteenth century, providing commentary on what is now regarded as classical music. In the 1960s, music journalism began more prominently covering popular music like rock and pop after the breakthrough of The Beatles. With the rise of the internet in the 2000s, music criticism developed an increasingly large online presence with music bloggers, aspiring music critics, and established critics supplementing print media online. Music journalism today includes reviews of songs, albums and live concerts, profiles of recording artists, and reporting of artist news and music events. Origins in classical music criticism Music journalism has its roots in classical music criticism, which has traditionally comprised the study, discussion, evaluation, and interpretation of music that has be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Get Up, Get Into It, Get Involved
"Get Up, Get into It, Get Involved" is a funk song recorded by James Brown. It was released as a two-part single in 1970 and charted #4 R&B and #34 Pop. It features backing vocals by Bobby Byrd, who shared writing credit for the song with Brown and Ron Lenhoff. This was one of several songs by Brown with an upfront social message. The song first received an album release on the 1973 official James Brown compilation album Soul Classics, Vol. II. Live performances of the song appear on the albums ''Revolution of the Mind'' (1971) and '' Love Power Peace'' (1992; recorded 1971). Performers included drummer Clyde Stubblefield and guitarist Catfish Collins. Sample used * Big Daddy Kane – Set It Off (1988) * BDP – "South Bronx" (1987) * Full Force – "Ain't My Type of Hype" (1990) * MC Shan – "Juice Crew Law" * Public Enemy – " Brothers Gonna Work It Out" and "Can't Truss It" * Technotronic – "Get Up! (Before the Night Is Over) "Get Up! (Before the Night Is Over)" is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dyke And The Blazers
Dyke and the Blazers was an American funk band led by Arlester Christian. The band was formed in 1965, and recorded up until Christian's death in 1971. Among their most successful records were the original version of "Funky Broadway" (1966) and " Let a Woman Be a Woman" (1969). Career Arlester Christian (June 13, 1943 – March 13, 1971), nicknamed "Dyke", was born (according to most sources) in Buffalo, New York. He attended Burgard High School. In 1960, he started playing bass in a Buffalo band, Carl LaRue and his Crew, who played local bars and clubs and released a single, "Please Don't Drive Me Away", on the KKC label in March 1962. In 1964, LaRue was invited by Phoenix, Arizona-based disc jockey, Eddie O'Jay, to take his band to that city, to provide the backing for the vocal group that he managed there, The O'Jays. By 1965, however, the O'Jays and their manager had moved elsewhere, and LaRue's band fell apart. LaRue returned to Buffalo, but Christian and two other members ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Let A Woman Be A Woman
"Let a Woman Be a Woman" is a 1969 song by Dyke and the Blazers. The song was written by bandleader Arlester Christian. Chart performance Sampling According to the sampling website database WhoSampled.com, "Let a Woman Be a Woman" is on the Sampled in More Than 100 Songs list and was on the Most Sampled Tracks list at #100 with more than 180 songs sampling, until being knocked off by the Fairlight CMI digital synthesizer sampled for the "ORCH5" orchestra hit sample, itself sampling the Philharmonia Orchestra's Firebird Suite by Igor Stravinsky. Nonetheless, it is one of the most sampled singles primarily due to the breakbeat after the line "Some people don't like the way Sally walk" which lined up to the sound effect of a firetruck, giving it its unique sound. The songs sampling include "If My Homie Calls" by 2Pac (1991), "Rusty" by Tyler, the Creator ft. Earl Sweatshirt and Domo Genesis (2013), "Sally" by Stetsasonic (1988), where the entire song centers around the "Sall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
War (U
War is an intense armed conflict between State (polity), states, governments, Society, societies, or paramilitary groups such as Mercenary, mercenaries, Insurgency, insurgents, and militias. It is generally characterized by extreme violence, destruction, and mortality, using Regular army, regular or Irregular military, irregular Military, military forces. Warfare refers to the common activities and characteristics of types of war, or of wars in general. Total war is warfare that is not restricted to purely legitimate military targets, and can result in massive civilian casualties, civilian or other non-combatant suffering and Casualty (person), casualties. While some war studies scholars consider war a universal and ancestral aspect of human nature, others argue it is a result of specific socio-cultural, economic or ecological circumstances. Etymology The English word ''war'' derives from the 11th-century Old English words ''wyrre'' and ''werre'', from Old French ''werre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santana (band)
Santana is an American rock band formed in San Francisco in 1966 by American guitarist Carlos Santana. The band has undergone multiple recording and performing line-ups in its history, with Santana the only consistent member. After signing with Columbia Records, the band's appearance at the Woodstock Festival in 1969 increased their profile and went on to record the commercially successful and critically-acclaimed albums ''Santana'' (1969), ''Abraxas'' (1970), and ''Santana III'' (1971). These were recorded by the group's "classic" line-up, featuring Gregg Rolie, Michael Carabello, Michael Shrieve, David Brown, and José "Chepito" Areas. Hit songs of this period include "Evil Ways", "Black Magic Woman", "Oye Como Va", and the instrumental " Samba Pa Ti". Following a change in line-up and musical direction in 1972, the band experimented with elements of jazz fusion on '' Caravanserai'' (1972), ''Welcome'' (1973), and ''Borboletta'' (1974). Santana reached a new peak of commerc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
No One To Depend On
"No One to Depend On" is a song by Latin rock band Santana, from their 1971 album, ''Santana III''. The main melody of the song is taken from "Spanish Grease", first recorded by Willie Bobo in 1965. It was written by Mike Carabello, Coke Escovedo, and Gregg Rolie. Background It is the second track on the first side of the LP album and was released as its second single. The song is very instrumentally based, with numerous bass and guitar riffs and a long instrumental introduction. The vocals start after 56 seconds. At the start of the song, a man can be heard saying something in Spanish. It is commonly believed to be the Spanish phrase, "Salpica Micaela," said by José "Chepito" Areas himself to the other musicians about the style (rhythm or "feel") to play the song. The song is famous for its "call and response" passage between the guitar and the bass. In a 50-year retrospective on the album and the song ''No One to Depend On'', Glide Magazine opined; ' Chart performance The si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Evil Ways
"Evil Ways" is a song made famous by Mexican-American rock band Santana from their 1969 self-titled debut album. It was written by Clarence "Sonny" Henry and originally recorded by jazz percussionist Willie Bobo on his 1967 album ''Bobo Motion''. Alongside Santana's release in 1969, "Evil Ways" was also recorded by the band The Village Callers. The lyrics of the song are written in simple verse form. Released as a single in late 1969, it became Santana's first top 40 and top 10 hit in the US, peaking at #9 on the ''Billboard'' Hot 100 the week of March 21, 1970. Gregg Rolie performs the lead vocals and plays a Hammond organ solo in the middle section. The double-time coda includes a guitar solo performed by Carlos Santana, who also does the backing vocals. Notable covers and samples Johnny Mathis released the song as a single in 1970. It made the ''Cash Box'' survey at number 118, and also appeared on MOR music surveys in ''Billboard'' (#30) and ''Record World''. Jazz saxopho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milt Jackson
Milton Jackson (January 1, 1923 – October 9, 1999), nicknamed "Bags", was an American jazz vibraphonist, usually thought of as a bebop player, although he performed in several jazz idioms. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with hard bop and post-bop players. A very expressive player, Jackson differentiated himself from other vibraphonists in his attention to variations on harmonics and rhythm. He was particularly fond of the twelve-bar blues at slow tempos. On occasion, Jackson also sang and played piano. Biography Jackson was born on January 1, 1923, in Detroit, Michigan, United States, the son of Manley Jackson and Lillie Beaty Jackson. Like many of his contemporaries, he was surrounded by music from an early age, particularly that of religious meetings: "Everyone wants to know where I got that funky style. Well, it came from church. The music I heard was open, relaxed, imprompt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Turrentine
Stanley William Turrentine (April 5, 1934 – September 12, 2000) was an American jazz tenor saxophonist. He began his career playing R&B for Earl Bostic and later soul jazz recording for the Blue Note label from 1960, touched on jazz fusion during a stint on CTI in the 1970s. He was described by critic Steve Huey as "renowned for his distinctively thick, rippling tone ndearthy grounding in the blues." In the 1960s Turrentine was married to organist Shirley Scott, with whom he frequently recorded, and he was the younger brother of trumpeter Tommy Turrentine, with whom he also recorded. Biography Turrentine was born in Pittsburgh's Hill District, United States, into a musical family. His father, Thomas Turrentine Sr., was a saxophonist with Al Cooper's Savoy Sultans, his mother played stride piano, and his older brother Tommy Turrentine was a trumpet player. He began his prolific career with blues and rhythm and blues bands, and was at first greatly influenced by Illinois Jacq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rush (band)
Rush was a Canadian rock band formed in 1968 in Toronto, that was comprised primarily of Geddy Lee (bass, vocals), Alex Lifeson (guitar), and Neil Peart (drums, percussion, lyricist). The band formed in Toronto in 1968 by Lifeson, drummer John Rutsey, and bass guitarist/vocalist Jeff Jones, who was immediately replaced by Lee. After Lee joined, the band went through several lineup configurations before arriving at its classic power trio lineup with the addition of Peart in July 1974, who replaced Rutsey four months after the release of their 1974 self-titled debut album; this lineup remained intact for the remainder of the band's career. Rush achieved commercial success in the 1970s with '' Fly by Night'' (1975), '' 2112'' (1976), ''A Farewell to Kings'' (1977) and '' Hemispheres'' (1978). The band's popularity continued throughout the 1980s and 1990s, with albums charting highly in Canada, the US and the UK, including '' Permanent Waves'' (1980), '' Moving Pictures'' (1981) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
