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Es Woll Uns Gott Genädig Sein
"" (''May God be gracious to us'', or more literally: ''May God want to be merciful to us'') is a Lutheran hymn, with words written by Martin Luther based on the Psalm 67. The hymn in three stanzas of nine lines each was first published in Wittenberg in 1524. Its best known hymn tune, Zahn No. 7247, was published in Strasbourg in 1524. Heinrich Schütz and Johann Sebastian Bach wrote settings of the hymn. It was translated to English and has appeared in dozens of hymnals. History Luther wrote in a letter to Georg Spalatin, around the end of 1523, about the importance of writing "Deutsche Psalmen" (German psalms). Trying to win Spalatin for collaboration, he specifies: Luther wrote "" as a paraphrase of in three stanzas of nine lines each. It was first printed in Wittenberg in 1524, first in a leaflet together with "Aus tiefer Not schrei ich zu dir”, a paraphrase of Psalm 130. It appeared then in Luther's ''Ein weyse Christliche Messe zu halten und zum Tisch Gottis zu ...
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List Of Hymns By Martin Luther
The reformer Martin Luther, a prolific hymnodist, regarded music and especially hymns in German as important means for the development of faith. Luther wrote songs for occasions of the liturgical year ( Advent, Christmas, Purification, Epiphany, Easter, Pentecost, Trinity), hymns on topics of the catechism (Ten Commandments, Lord's Prayer, creed, baptism, confession, Eucharist), paraphrases of psalms, and other songs. Whenever Luther went out from pre-existing texts, here listed as "text source" (bible, Latin and German hymns), he widely expanded, transformed and personally interpreted them. Luther worked on the tunes, sometimes modifying older tunes, in collaboration with Johann Walter. Hymns were published in the ''Achtliederbuch'', in Walter's choral hymnal ''Eyn geystlich Gesangk Buchleyn ' ("A spiritual song booklet"), sometimes called First Wittenberg Hymnal and ' (Choir hymnal), was the first German hymnal for choir, published in Wittenberg in 1524 by Johann Walter ...
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Psalm 130
Psalm 130 is the 130th psalm of the Book of Psalms, one of the penitential psalms and one of 15 psalms that begin with the words "A song of ascents" (Shir Hama'alot). The first verse is a call to God in deep sorrow, from "out of the depths" or "out of the deep", as it is translated in the King James Version of the Bible and the Coverdale translation (used in the Book of Common Prayer) respectively. In Latin, it is known as De profundis. In the slightly different numbering system used in the Greek Septuagint version of the Bible, and in the Latin Vulgate, this psalm is Psalm 129. The New American Bible Revised Edition (2010) divides the psalm into two parts: verses 1-4 are a cry for mercy; verses 5-8 are a model expression of trust in God. The psalm forms a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies. It is paraphrased in hymns such as Martin Luther's "Aus tiefer Not schrei ich zu dir" in German. The psalm has often been set to music, b ...
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Lutheran Hymns Based On Psalms
Lutheranism is one of the largest branches of Protestantism, identifying primarily with the theology of Martin Luther, the 16th-century German monk and reformer whose efforts to reform the theology and practice of the Catholic Church launched the Protestant Reformation. The reaction of the government and church authorities to the international spread of his writings, beginning with the ''Ninety-five Theses'', divided Western Christianity. During the Reformation, Lutheranism became the state religion of numerous states of northern Europe, especially in northern Germany, Scandinavia and the then-Livonian Order. Lutheran clergy became civil servants and the Lutheran churches became part of the state. The split between the Lutherans and the Roman Catholics was made public and clear with the 1521 Edict of Worms: the edicts of the Diet (assembly), Diet condemned Luther and officially banned citizens of the Holy Roman Empire from defending or propagating his ideas, subjecting advocates ...
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16th-century Hymns In German
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ...
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Bertelsmann
Bertelsmann SE & Co. KGaA () is a German private multinational conglomerate corporation based in Gütersloh, North Rhine-Westphalia, Germany. It is one of the world's largest media conglomerates, and is also active in the service sector and education. Bertelsmann was founded as a publishing house by Carl Bertelsmann in 1835. After World War II, Bertelsmann, under the leadership of Reinhard Mohn, went from being a medium-sized enterprise to a major conglomerate, offering not only books but also television, radio, music, magazines and services. Its principal divisions include the RTL Group, Penguin Random House, BMG, Arvato, the Bertelsmann Printing Group, the Bertelsmann Education Group and Bertelsmann Investments. Bertelsmann is an unlisted and capital market-oriented company, which remains primarily controlled by the Mohn family. History 1835 to 1933 The nucleus of the corporation is the ''C. Bertelsmann Verlag'', a publishing house established on July 1, 1835 by ...
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Die Melodien Der Deutschen Evangelischen Kirchenlieder (Zahn, Johannes)
A Lutheran chorale is a musical setting of a Lutheran hymn, intended to be sung by a congregation in a German Protestant Church service. The typical four-part setting of a chorale, in which the sopranos (and the congregation) sing the melody along with three lower voices, is known as a ''chorale harmonization''. Lutheran hymns Starting in 1523, Martin Luther began translating worship texts into German from the Latin. He composed melodies for some hymns himself, such as "Ein feste Burg ist unser Gott" ("A Mighty Fortress Is Our God"), and even a few harmonized settings. For other hymns he adapted Gregorian chant melodies used in Catholic worship to fit new German texts, sometimes using the same melody more than once. For example, he fitted the melody of the hymn "Veni redemptor gentium" to three different texts, " Verleih uns Frieden gnädiglich", "Erhalt uns, Herr, bei deinem Wort", and "Nun komm, der Heiden Heiland". The first Lutheran hymns were published in 1524. These inclu ...
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Emmanuel Music
Emmanuel Music is a Boston-based collective group of singers and instrumentalists founded in 1970 by Craig Smith. It was created specifically to perform the complete cycle of over 200 sacred cantatas of J. S. Bach in the liturgical setting for which they were intended, an endeavor twice completed and a tradition which continues today. Over the years, Emmanuel Music has garnered critical and popular acclaim through its presentations of large-scale and operatic works by Bach, Handel, Schubert, and Mozart as well as its in-depth exploration of the complete vocal, piano, and chamber works of Debussy, Brahms, Schubert, Schumann, and currently, Beethoven. A unique aspect of Emmanuel performances is its selection of vocal and instrumental soloists from a corps of musicians who have long been associated with the group. Emmanuel Music has given rise to renowned musicians at the local, national, and international level; its long-standing association with Pulitzer Prize-winning composer John H ...
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Arthur Tozer Russell
Arthur Tozer Russell (1806–1874) was an English clergyman known as a hymnwriter. Life The elder son of Thomas Russell, he was born at Northampton on 20 March 1806. He received his early education at St. Saviour's School, Southwark, and Merchant Taylors' School, London. Having read some of the writings of Thomas Belsham, he wished to qualify for the Unitarian ministry. Belsham got him support at Hackney College, with a view to his entrance as a divinity student at Manchester College, York. His exhibition was temporarily withdrawn; but he entered Manchester College, on the Hackney foundation, in September 1822, under the name of Cloutt (his father's alternative surname), among his fellow-entrants being Robert Brook Aspland and James Martineau. At the annual examination, 30 July 1824, he delivered a Latin oration, under the name of Russell. He then left York, without finishing his course. John Kenrick, his classics tutor at Manchester College, York, wrote (1 June 1824) that Rus ...
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Die Himmel Erzählen Die Ehre Gottes, BWV 76
Johann Sebastian Bach composed the church cantata (), 76 in Leipzig for the second Sunday after Trinity of the liturgical year and first performed it on 6 June 1723. Bach composed the cantata at a decisive turning point in his career. Moving from posts in the service of churches and courts to the town of Leipzig on the first Sunday after Trinity, 30 May 1723, he began the project of composing a new cantata for every occasion of the liturgical year. He began his first annual cycle of cantatas ambitiously with , in an unusual layout of 14 movements in two symmetrical parts, to be performed before and after the sermon. , performed a week later, has the same structure. The unknown poet begins his text with a quotation from Psalm 19 and refers to both prescribed readings from the New Testament, the parable of the great banquet as the Gospel, and the First Epistle of John. Bach scored Part I with a trumpet as a symbol of God's Glory. In Part II, performed after the sermon and durin ...
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Thomaskantor
(Cantor at St. Thomas) is the common name for the musical director of the , now an internationally known boys' choir founded in Leipzig in 1212. The official historic title of the Thomaskantor in Latin, ', describes the two functions of cantor and director. As the cantor, he prepared the choir for service in four Lutheran churches, Thomaskirche (St. Thomas), Nikolaikirche (St. Nicholas), Neue Kirche (New Church) and Peterskirche (St. Peter). As director, he organized music for city functions such as town council elections and homages. Functions related to the university took place at the Paulinerkirche. Johann Sebastian Bach was the most famous , from 1723 to 1750. Position Leipzig has had a university dating back to 1409, and is a commercial center, hosting a trade fair first mentioned in 1165. It has been mostly Lutheran since the Reformation. The position of Thomaskantor at Bach's time has been described as "one of the most respected and influential musical offices of P ...
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Becker Psalter
The ''Becker Psalter'' is a German metrical psalter authored by the Leipzig theologian Cornelius Becker and first published by Jakob Apel in Leipzig in 1602 under the title ''Der Psalter Davids Gesangweis''. Several composers set the psalms contained in the volume, notably Heinrich Schütz, whose four-part chorales were published in 1628 and revised and expanded in 1661. Content Becker included in his Psalter earlier Lutheran paraphrases of psalms, such as "Aus tiefer Not schrei ich zu dir", "Ach Gott, vom Himmel sieh darein", " Erbarm dich mein", "Ein feste Burg ist unser Gott" and "An Wasserflüssen Babylon". The 1602 publication, titled ''Der Psalter Dauids Gesangweis'', was without melodies and meant to be sung to the tunes of other well-known Lutheran hymns. Schütz Heinrich Schütz welcomed the theological intentions of Becker's metrical versions of the psalms, and wrote four-part settings which he published in 1628 as '' Psalmen Davids: Hiebevorn in Teutzsche Reimen gebrac ...
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Christ Unser Herr Zum Jordan Kam
"" ("Christ our Lord came to the Jordan") is a Lutheran hymn about baptism by Martin Luther, written in 1541 and published in 1543. It has been set in many musical compositions, including cantatas and chorale preludes by Johann Sebastian Bach. History of the hymn text Luther wrote the hymn focused on baptism as part of his teaching about Lutheran concepts, possibly as the last hymn he wrote. Luther held sermons about baptism in the Easter week of 1540; it seems likely that he wrote the hymn in that context. It is closely connected to Luther's teaching about baptism in his Small Catechism, reflecting the structure of his questions and answers. Several later publications refer to the year 1541 as a first publication as a broadsheet, which did not survive. The hymn appeared in 1543, summarized "A Spiritual Song of our Holy Baptism, which is a fine summary of What it is? Who established it? What are its benefits?" (""). In the Lutheran liturgy, the hymn was related to the feast day ...
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