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Ernest Van Dyck
Ernest Van Dyck (2 April 1861 – 31 August 1923) was a Belgian dramatic tenor who was closely identified with the Wagnerian repertoire. Forbes, Elizabeth. Ernest arie HubertVan Dyck. In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. Biography A native of Antwerp, where he was educated in a Jesuit school, Van Dyck studied both law and philosophy in Leuven before deciding to become an opera singer. The notary under whom he was studying introduced him to the conductor Joseph Dupont. He became a journalist, working for '' Le Courrier de l'Escaut'' in Antwerp and " La Patrie" in Paris. l'Art Lyrique Français website: Ernest VAN DYCK page. accessed 14 February 2015. From his arrival in Paris and debut at the |
Van Dyck 2
A van is a type of road vehicle used for transporting goods or people. Depending on the type of van, it can be bigger or smaller than a pickup truck and SUV, and bigger than a common car. There is some varying in the scope of the word across the different English-speaking countries. The smallest vans, microvans, are used for transporting either goods or people in tiny quantities. Mini MPVs, compact MPVs, and MPVs are all small vans usually used for transporting people in small quantities. Larger vans with passenger seats are used for institutional purposes, such as transporting students. Larger vans with only front seats are often used for business purposes, to carry goods and equipment. Specially-equipped vans are used by television stations as mobile studios. Postal services and courier companies use large step vans to deliver packages. Word origin and usage Van meaning a type of vehicle arose as a contraction of the word caravan. The earliest records of a van as a vehicl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karlsruhe
Karlsruhe ( , , ; South Franconian: ''Kallsruh'') is the third-largest city of the German state (''Land'') of Baden-Württemberg after its capital of Stuttgart and Mannheim, and the 22nd-largest city in the nation, with 308,436 inhabitants. It is also a former capital of Baden, a historic region named after Hohenbaden Castle in the city of Baden-Baden. Located on the right bank of the Rhine near the French border, between the Mannheim/ Ludwigshafen conurbation to the north and Strasbourg/Kehl to the south, Karlsruhe is Germany's legal center, being home to the Federal Constitutional Court (''Bundesverfassungsgericht''), the Federal Court of Justice (''Bundesgerichtshof'') and the Public Prosecutor General of the Federal Court of Justice (''Generalbundesanwalt beim Bundesgerichtshof''). Karlsruhe was the capital of the Margraviate of Baden-Durlach (Durlach: 1565–1718; Karlsruhe: 1718–1771), the Margraviate of Baden (1771–1803), the Electorate of Baden (1803–1806), th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sprechgesang
(, "spoken singing") and (, "spoken voice") are expressionist vocal techniques between singing and speaking. Though sometimes used interchangeably, ''Sprechgesang'' is directly related to the operatic ''recitative'' manner of singing (in which pitches are sung, but the articulation is rapid and loose like speech), whereas ''Sprechstimme'' is closer to speech itself (because it does not emphasise any particular pitches). Sprechgesang ''Sprechgesang'' is more closely aligned with the long-used musical techniques of ''recitative'' or ''parlando'' than is ''Sprechstimme''. Where the term is employed in this way, it is usually in the context of the late Romantic German operas or "music dramas" that were composed by Richard Wagner and others in the 19th century. Thus, ''Sprechgesang'' is often merely a German alternative to ''recitative''. ''Sprechstimme'' The earliest compositional use of the technique was in the first version of Engelbert Humperdinck's 1897 melodrama ''Königs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bayreuth Festival
The Bayreuth Festival (german: link=no, Bayreuther Festspiele) is a music festival held annually in Bayreuth, Germany, at which performances of operas by the 19th-century German composer Richard Wagner are presented. Wagner himself conceived and promoted the idea of a special festival to showcase his own works, in particular his monumental cycle and ''Parsifal''. Performances take place in a specially designed theatre, the Bayreuth Festspielhaus. Wagner personally supervised the design and construction of the theatre, which contained many architectural innovations to accommodate the huge orchestras for which Wagner wrote as well as the composer's particular vision about the staging of his works. The Festival has become a pilgrimage destination for Wagnerians and classical-music enthusiasts. Origins The origins of the Festival itself lie rooted in Richard Wagner's interest in establishing his financial independence. A souring of the relationship with his patron, Ludwig II o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parsifal
''Parsifal'' ( WWV 111) is an opera or a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is loosely based on the 13th-century Middle High German epic poem ''Parzival'' of the ''Minnesänger'' Wolfram von Eschenbach, recounting the story of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail. Wagner conceived the work in April 1857, but did not finish it until 25 years later. In composing it he took advantage of the particular acoustics of his Bayreuth Festspielhaus. ''Parsifal'' was first produced at the second Bayreuth Festival in 1882. The Bayreuth Festival maintained a monopoly on ''Parsifal'' productions until 1903, when the opera was performed at the Metropolitan Opera in New York. Wagner described ''Parsifal'' not as an opera, but as (a festival play for the consecration of the stage). At Bayreuth a tradition has arisen that audiences do not applaud at the end of the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felix Mottl
right Felix Josef von Mottl (between 29 July/29 August 1856 – 2 July 1911) was an Austrian conductor and composer. He was regarded as one of the most brilliant conductors of his day. He composed three operas, of which ''Agnes Bernauer'' (Weimar, 1880) was the most successful, as well as a string quartet and numerous songs and other music. His orchestration of Richard Wagner's "Wesendonck Lieder" is still the most commonly performed version. He was also a teacher, and his pupils included Ernest van Dyck and Wilhelm Petersen. Career Mottl was born in Unter Sankt Veit, today Hietzing, Vienna in 1856. His date of birth has been reported variously as 29 July, 24 August, and 29 August. After early voice training at the Löwenburg Konvikt, a training school for the Imperial Court Chapel, he had a successful career at the Vienna Conservatory. He was soon recognized as a gifted conductor of Wagner's music, assisted Hans Richter in preparing the first complete Ring Cycle at Bayreuth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lohengrin (opera)
''Lohengrin'', WWV 75, is a Romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. The story of the eponymous character is taken from medieval German romance, notably the ''Parzival'' of Wolfram von Eschenbach, and its sequel ''Lohengrin'', itself inspired by the epic of ''Garin le Loherain''. It is part of the Knight of the Swan legend. The opera has inspired other works of art. King Ludwig II of Bavaria named his castle Neuschwanstein Castle after the Swan Knight. It was King Ludwig's patronage that later gave Wagner the means and opportunity to complete, build a theatre for, and stage his epic cycle ''Der Ring des Nibelungen''. He had discontinued composing it at the end of Act II of ''Siegfried'', the third of the ''Ring'' tetralogy, to create his radical chromatic masterpiece of the late 1850s, ''Tristan und Isolde'', and his lyrical comic opera of the mid-1860s, '' Die Meistersinger von Nürnberg''. The most popular and recognizabl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Premiere
A première, also spelled premiere, is the debut (first public presentation) of a play, film, dance, or musical composition. A work will often have many premières: a world première (the first time it is shown anywhere in the world), its first presentation in each country, and an online première (the first time it is published on the Internet). When a work originates in a country that speaks a different language from that in which it is receiving its national or international première, it is possible to have two premières for the same work in the same country—for example, the play ''The Maids'' by the French dramatist Jean Genet received its British première (which also happened to be its world première) in 1952, in a production given in the French language. Four years later, it was staged again, this time in English, which was its English-language première in Britain. History Raymond F. Betts attributes the introduction of the film premiere to showman Sid Grauman, who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Éden-Théâtre
The Éden-Théâtre was a large theatre (4,000 seats) in the rue Boudreau, Paris, built at the beginning of the 1880s by the architects William Klein and Albert Duclos (1842–1896) in a style influenced by orientalism. It was demolished in 1895. History Éden-Théâtre Inspired by Moghol architecture, it was inaugurated on 7 January 1883 with the ballet ''Excelsior!'' with music by Romualdo Marenco, and this was followed in subsequent years by other spectacular ballets. The theatre witnessed the single performance of the first Paris production of Wagner's ''Lohengrin'', on 3 May 1887 (in French) with Ernest van Dyck and Fidès Devriès, conducted by Charles Lamoureux, which aroused enormous opposition among the Parisian public. This was followed in 1888 by ''La fille de Madame Angot'' with Anna Judic and Jeanne Granier and ''Le petit duc'' with José Dupuis and Granier. The four-act version of ''Orphée aux enfers'' with Christian and Granier, a revival of ''Excelsior!' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincent D'Indy
Paul Marie Théodore Vincent d'Indy (; 27 March 18512 December 1931) was a French composer and teacher. His influence as a teacher, in particular, was considerable. He was a co-founder of the Schola Cantorum de Paris and also taught at the Paris Conservatoire. His students included Albéric Magnard, Albert Roussel, Arthur Honegger, Darius Milhaud, and Erik Satie, as well as Cole Porter. D'Indy studied under composer César Franck, and was strongly influenced by Franck's admiration for German music. At a time when nationalist feelings were high in both countries (circa the Franco-Prussian War of 1871), this brought Franck into conflict with other musicians who wished to separate French music from German influence. Life Paul Marie Théodore Vincent d'Indy was born in Paris into an aristocratic family of royalist and Catholic persuasion. He had piano lessons from an early age from his paternal grandmother, who passed him on to Antoine François Marmontel and Louis Diémer."Indy, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otto Goldschmidt
Otto Moritz David Goldschmidt (21 August 1829 – 24 February 1907) was a German composer, conductor and pianist, known for his piano concertos and other piano pieces. He married the "Swedish Nightingale", soprano Jenny Lind. Life Goldschmidt was born in Hamburg, Germany, and his parents were salesman Moritz David Goldschmidt and women's rights activist Johanna Goldschmidt. He had seven siblings, and his wealthy and well-educated parents belonged to the community of liberal Reform Jews in Germany. Since his mother was musically gifted – an excellent singer, pianist, violinist and harpist – she focused on the musical education of her children. Goldschmidt attended the Conservatory in Leipzig from 1843 to 1846 where he studied under Hans von Bülow, Felix Mendelssohn and Moritz Hauptmann. From Mendelssohn, Goldschmidt received this student certificate: "Mr. Goldschmidt has developed a fine talent for piano playing in gratifying manner and also has shown not insignificant talen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Walküre
(; ''The Valkyrie''), WWV 86B, is the second of the four music dramas that constitute Richard Wagner's ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on 26 June 1870, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus on 14 August 1876. As the ''Ring'' cycle was conceived by Wagner in reverse order of performance, ''Die Walküre'' was the third of the four texts to be written, although Wagner composed the music in performance sequence. The text was completed by July 1852, and the music by March 1856. Wagner largely followed the principles related to the form of musical drama, which he had set out in his 1851 essay ''Opera and Drama'' under which the music would interpret the text emotionally, reflecting the feelings and moods behind the work, using a system of recurring leitmotifs to represent people, ideas, and situations rather than the conv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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