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Ernest Scared Stupid
''Ernest Scared Stupid'' is a 1991 American comedy horror film directed by John Cherry and starring Jim Varney. It is the fifth film to feature the character Ernest P. Worrell. In the film, Ernest unwittingly unleashes an evil troll upon a small town on Halloween night and helps the local children fight back. It was shot in Nashville, Tennessee like its predecessors ''Dr. Otto and the Riddle of the Gloom Beam'', ''Ernest Goes to Camp'', ''Ernest Saves Christmas'', and ''Ernest Goes to Jail''. Due to its modest gross of $14,143,280 at the U.S. box office, Disney opted not to continue the franchise, making this the fourth and final Ernest film to be released under the Disney label, Touchstone Pictures. The next film in the series, ''Ernest Rides Again'', was independently distributed, was a box office bomb and was the final Ernest film to be released theatrically. Subsequent Ernest films were made for the straight-to-video market. Its opening credits feature a montage of clips fr ...
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John Alvin
John Henry Alvin (November 24, 1948 – February 6, 2008) was an American cinematic artist and painter who illustrated many movie posters. Alvin created posters and key art for more than 135 films, beginning with the poster for Mel Brooks' ''Blazing Saddles'' (1974). His style of art became known as ''Alvinesque'' by friends and colleagues in the entertainment industry. Alvin's work includes the movie posters for ''E.T. the Extra-Terrestrial'', ''Blade Runner'', ''Gremlins'', ''The Goonies'', ''The Color Purple (1985 film), The Color Purple'', ''The Little Mermaid (1989 film), The Little Mermaid'', ''Batman Returns'', ''Beauty and the Beast (1991 film), Beauty and the Beast'', ''Aladdin (1992 Disney film), Aladdin'', ''The Lion King'', ''Space Jam'', ''The Emperor's New Groove'', ''Harry Potter and the Philosopher's Stone (film), Harry Potter and the Philosopher's Stone'', and ''Looney Tunes: Back in Action''. He also created the anniversary posters for ''Star Wars''. Early li ...
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Ernest Rides Again
''Ernest Rides Again'' is a 1993 American comedy film written and directed by John Cherry and starring Jim Varney. The sixth film to feature the character Ernest P. Worrell, the fifth in the ''Ernest'' series. The plot follows Ernest and a history professor as they discover a long-lost Revolutionary War cannon and must protect it from others who want the precious jewels hidden inside. Plot synopsis Lovable know-it-all knucklehead Ernest P. Worrell, who is working as a janitor at a local college, discovers an antique metal plate near a construction site. Ernest shows it to Dr. Melon, a university professor who believes that it came from a giant Revolutionary War cannon called "Goliath" (named after the legendary biblical giant). Dr. Melon had previously been ridiculed by his peers for theorizing that the real Crown Jewels of England were stolen during the Revolutionary War and were actually hidden inside the long-lost cannon. They begin to search for the artifact near the c ...
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Battle Beyond The Sun
''Battle Beyond the Sun'' is the English-dubbed and re-edited U.S. version of '' Nebo Zovyot'', a 1959 Soviet science fiction film. Roger Corman acquired the Soviet film for US distribution and hired a young film-school student named Francis Ford Coppola to Americanize it.Gary A. Smith, ''The American International Pictures Video Guide'', McFarland 2009 p 19-20 It is still a tale of the "space race", of two nations competing to become the first to land a spacecraft on the planet Mars, but switches the competing nations, via the dubbing, from the USSR and the USA to the fictional future countries of North Hemis and South Hemis. The names of not only the Soviet characters, but also their performers, and the crew credits as well, were altered on the screen to American-sounding names in order to further disguise the film's origins: thus Soviet stars Aleksandr Shvorin and Ivan Pereverzev became "Andy Stewart" and "Edd Perry", and Soviet directors Mikhail Karyukov and Aleksandr Kozy ...
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The Killer Shrews
''The Killer Shrews'' is a 1959 American independent science fiction film directed by Ray Kellogg, and produced by Ken Curtis and Gordon McLendon. The story follows a group of researchers who are trapped in their remote island compound overnight by a hurricane and find themselves under siege by their abnormally large and venomous mutant test subjects. The film stars James Best, Ingrid Goude, Curtis, McLendon, Baruch Lumet and "Judge" Henry Dupree. Shot outside of Dallas, Texas, it was produced back-to-back with ''The Giant Gila Monster''. Now in the public domain, the film has been issued multiple DVD releases and was lampooned in the fourth season of ''Mystery Science Theater 3000''. Plot Captain Thorne Sherman and first mate Rook Griswold deliver supplies by ship to a research compound on a remote island. The station inhabitants (consisting of scientist Marlowe Craigis, his research assistant Radford Baines, Marlowe's daughter Ann, her fiancé Jerry Farrel, and a servant Mar ...
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The Giant Gila Monster
''The Giant Gila Monster'' is a 1959 science fiction horror film directed by Ray Kellogg and produced by Ken Curtis. This low-budget B-movie starred Don Sullivan, a veteran of several low budget monster and zombie films, and Lisa Simone, the French contestant for the 1957 Miss Universe, as well as comedic actor Shug Fisher and KLIF disc jockey Ken Knox. The effects included a live Mexican beaded lizard (not an actual Gila monster) filmed on a scaled-down model landscape. Plot The movie opens with a young couple, Pat (Grady Vaughn) and Liz (Yolanda Salas), parked in a bleak, rural locale overlooking a ravine. A giant Gila monster attacks the car, sending it into the ravine and killing the couple. Later, several friends of the couple assist the local sheriff ( Fred Graham) in his search for the missing teens. Chase Winstead (Sullivan), a young mechanic and hot rod racer, locates the crashed car in the ravine and finds evidence of the giant lizard. However, it is only when th ...
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The Hideous Sun Demon
''The Hideous Sun Demon'' (sometimes billed as ''The Sun Demon'', or in the UK as ''Blood on His Lips'') is a 1958 American science fiction horror film produced, directed, and cowritten by Robert Clarke, who also starred in the title role. It also stars Patricia Manning, Nan Peterson, Patrick Whyte, and Fred La Porta. The film focuses on a scientist (portrayed by Clarke) who is exposed to a radioactive isotope and soon finds out that it comes with horrifying consequences. The film was inspired by the financial success of '' The Astounding She-Monster'', in which Clarke had starred earlier that year. The crew was made up of University of Southern California film students, while the cast consisted of unknowns in addition to Clarke's family and friends. Shooting took place under three different cinematographers over 12 consecutive weekends. Originally budgeted at $10,000, the film ended up costing $50,000. Distributed by Clarke's own Pacific International Pictures, ''The Hideous Sun ...
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Missile To The Moon
''Missile to the Moon'' is a 1958 independently made American black-and-white science fiction film drama, produced by Marc Frederic, directed by Richard E. Cunha, that stars Richard Travis, Cathy Downs, and K. T. Stevens. The film was distributed by Astor Pictures and is a remake of an earlier Astor Pictures-distributed film, ''Cat-Women of the Moon'' (1953). ''Missile to the Moon'' was released in late 1958 as a double feature with Cunha's ''Frankenstein's Daughter''. A spaceship blasts off from Earth with five aboard, but one of them is secretly a Moon man returning home. He dies by accident during the trip to Luna. What the remaining four find waiting for them when they arrive on the Moon is well beyond their expectations: huge rock creatures, giant lunar spiders, and a cave-dwelling civilization made up of beautiful women. Plot Two escaped convicts, Gary ( Tommy Cook) and Lon (Gary Clarke), are discovered hiding aboard a rocket by scientist Dirk Green (Michael Whalen), w ...
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The Screaming Skull
''The Screaming Skull'' is a 1958 independently made American black-and-white horror film, produced by John Kneubuhl and directed by Alex Nicol, starring John Hudson, Peggy Webber, Russ Conway, Tony Johnson, and Nicol. ''The Screaming Skull'' marked Nicol's directorial debut; he decided to try it because he felt that he was not acting in the roles which he wanted. The film was distributed by American International Pictures as a double feature in different markets with either ''Earth vs. the Spider'' or ''Terror from the Year 5000''. The film's storyline concerns a newlywed woman who believes she is being haunted by the ghost of her new husband's previous wife. The simplistic musical score centres on the dies irae. Plot Over a scene of an opening coffin, a narrator explains that the film's climax is so terrifying that it may kill the viewer, while reassuring the audience that should they die of fright they will receive a free burial service. Inside the coffin is a card that ...
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The Brain From Planet Arous
''The Brain from Planet Arous'' is a 1957 independently made American black-and-white science fiction film, produced by Jacques R. Marquette, directed by Nathan H. Juran, that stars John Agar, Joyce Meadows, and Robert Fuller. Distributed briefly by Howco International in late 1957, the film appeared in 1958 on a double feature with ''Teenage Monster''. The storyline features themes of alien possession and world domination by an alien named Gor. Another alien, Vol, has been sent to Earth to capture the criminal Gor and return him to their home world. Plot An outer space terrorist from a planet named Arous, a brain-shaped creature named Gor (Dale Tate), arrives on Earth and possesses young scientist Steve March (Agar). Gor proceeds to use his vast, destructive powers to bend the world to his will, threatening to wipe out the capital city of any nation that dares to defy him. Meanwhile, Vol (Tate), another brain creature from Arous, arrives and eventually inhabits the body o ...
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Phantom From Space
''Phantom from Space'' is a 1953 independently made American black-and-white science fiction film produced and directed by W. Lee Wilder that stars Ted Cooper, Noreen Nash, Dick Sands, and Burt Wenland. The original screenplay was written by William Raynor and Myles Wilder. Working with most of the same crew, this was one of several early 1950s films made by Wilder and son Myles on a financing-for-distribution basis with United Artists and, on occasion, RKO Radio Pictures. Plot Federal Communications Commission (FCC) investigators arrive in the San Fernando Valley after what appears to be a flying saucer crash, causing massive interference with tele-radio transmissions. During their investigation, they receive eyewitness reports of what appears to be a man dressed in a bizarre outfit, which appears to be radioactive and thus a public threat. Their investigation uncovers that the man is actually a humanoid creature from outer space, who is invisible without his spacesuit. They ...
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White Zombie (film)
''White Zombie'' is a 1932 American pre-Code horror film independently produced by Edward Halperin and directed by Victor Halperin. The screenplay by Garnett Weston, based on ''The Magic Island'' by William Seabrook, is about a young woman's transformation into a zombie at the hands of an evil voodoo master. Bela Lugosi stars as the zombie master "Murder" Legendre, with Madge Bellamy appearing as his victim. Other cast members include Joseph Cawthorn, Robert W. Frazer, John Harron, Brandon Hurst, and George Burr MacAnnan. Large portions of ''White Zombie'' were shot on the Universal Studios lot, borrowing many props and scenery from other horror films of the era. The film opened in New York to negative reception, with reviewers criticizing the film's over-the-top story and weak acting. While the film made a substantial financial profit as an independent feature, it proved less popular than other horror films of the time. ''White Zombie'' is considered the first feature lengt ...
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Science Fiction Film
Science fiction (or sci-fi) is a film genre that uses speculative, fictional science-based depictions of phenomena that are not fully accepted by mainstream science, such as extraterrestrial lifeforms, spacecraft, robots, cyborgs, interstellar travel, time travel, or other technologies. Science fiction films have often been used to focus on political or social issues, and to explore philosophical issues like the human condition. The genre has existed since the early years of silent cinema, when Georges Melies' '' A Trip to the Moon'' (1902) employed trick photography effects. The next major example (first in feature length in the genre) was the film ''Metropolis'' (1927). From the 1930s to the 1950s, the genre consisted mainly of low-budget B movies. After Stanley Kubrick's landmark '' 2001: A Space Odyssey'' (1968), the science fiction film genre was taken more seriously. In the late 1970s, big-budget science fiction films filled with special effects became popular with audie ...
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