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Equestrian Statue Of Charles IV Of Spain
The equestrian statue of Charles IV of Spain (also known as ''El Caballito'') is a bronze sculpture cast by Manuel Tolsá built between 1796 and 1803 in Mexico City, Mexico in honour of King Charles IV of Spain, then the last ruler of the New Spain (later Mexico). This statue has been displayed in different points of the city and is considered one of the finest achievements of Mr. Tolsá. It now resides in Plaza Manuel Tolsá. History The project was initiated by Miguel de la Grúa Talamanca, Marquis of Branciforte, who was Viceroy of the New Spain. Once he obtained permission for the monument, he appointed people to perform the work and construction began. To that end, he emptied the main plaza (the Plaza de la Constitución, or “Zocalo”) and erected an elliptical railing with four access gates. The pedestal for the statue was inaugurated with large and well-attended parties and bullfights on 8 December 1796. A temporary statue, constructed out of wood and gilded stucco, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manuel Tolsá
Manuel Vicente Tolsá Sarrión (Enguera, Valencia (autonomous community), Valencia, Spain, May 4, 1757 – Mexico City, December 24, 1816) was a prolific Neoclassicism, Neoclassical architect and sculptor in Spain and Mexico. He served as the first director of the Academy of San Carlos. Biography Tolsá studied at the Royal Academy of San Carlos in Valencia and the Royal Academy of San Fernando in Madrid. He was a student of José Puchol in sculpture and of Ribelles, Gascó and Gilabert in architecture. In Spain he was the sculptor of the king's chamber, minister of the Supreme Junta of Commerce, Minting and Mines, and an academic in San Fernando. In 1790 he was named director of sculpture at the recently created Academy of San Carlos in Mexico City. He sailed from Cádiz in February, 1791, bringing with him to New Spain, in accordance with the king's instructions, books, instruments of his profession, and plaster copies of classic sculptures from the Vatican Museum. He married ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucas Alamán
Lucas Ignacio Alamán y Escalada ( Guanajuato, New Spain, October 18, 1792 – Mexico City, Mexico, June 2, 1853) was a Mexican scientist, conservative statesman, historian, and writer. He came from an elite Guanajuato family and was well-traveled and highly educated. He was an eyewitness to the early fighting in the Mexican War of Independence when he witnessed the troops of insurgent leader Miguel Hidalgo y Costilla sack Guanajuato City an incident that informed his already conservative and antidemocratic thought He has been called the "arch-reactionary of the epoch...who sought to create a strong central government based on a close alliance of the army, the Catholic Church and the landed classes." He has been compared to Metternich, and was one of the prime voices advocating for the establishment of a monarchy in Mexico. According to historian Charles A. Hale, Alamán was "undoubtedly the major political and intellectual figure of independent Mexico until his death ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buildings And Structures In Mexico City
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bronze Sculptures In Mexico
Bronze is an alloy consisting primarily of copper, commonly with about 12–12.5% tin and often with the addition of other metals (including aluminium, manganese, nickel, or zinc) and sometimes non-metals, such as phosphorus, or metalloids such as arsenic or silicon. These additions produce a range of alloys that may be harder than copper alone, or have other useful properties, such as strength, ductility, or machinability. The archaeological period in which bronze was the hardest metal in widespread use is known as the Bronze Age. The beginning of the Bronze Age in western Eurasia and India is conventionally dated to the mid-4th millennium BCE (~3500 BCE), and to the early 2nd millennium BCE in China; elsewhere it gradually spread across regions. The Bronze Age was followed by the Iron Age starting from about 1300 BCE and reaching most of Eurasia by about 500 BCE, although bronze continued to be much more widely used than it is in modern times. Because historical artworks were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1803 Sculptures
Eighteen or 18 may refer to: * 18 (number), the natural number following 17 and preceding 19 * one of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * "18", by Anarbor from their 2013 studio album ''Burnout'' * "I'm Eighteen", by Alice Cooper commonly re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1803 In New Spain
Eighteen or 18 may refer to: * 18 (number), the natural number following 17 and preceding 19 * one of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * "18", by Anarbor from their 2013 studio album ''Burnout'' * "I'm Eighteen", by Alice Cooper commonly re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Equestrian Statue Of Marcus Aurelius
The ''Equestrian Statue of Marcus Aurelius'' (, ) is an ancient Roman equestrian statue on the Capitoline Hill, Rome, Italy. It is made of bronze and stands 4.24 m (13.9 ft) tall. Although the emperor is mounted, it exhibits many similarities to standing statues of Augustus. The original is on display in the Capitoline Museums, with the one now standing in the open air of the Piazza del Campidoglio being a replica made in 1981 when the original was taken down for restoration. Description The overall theme is one of power and divine grandeur—the emperor is over life-size and extends his hand in a gesture of adlocutio used by emperors when addressing their troops. Some historians assert that a conquered enemy was originally part of the sculpture (based on accounts from medieval times, including the ''Mirabilia Urbis Romae'', that suggest a small figure of a bound barbarian chieftain once cowered underneath the horse's front right leg). Such an image was meant to portray t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Evening
Evening is the period of a day that starts at the end of the afternoon and overlaps with the beginning of night. The exact times when evening begins and ends depend on location, time of year, and culture, but it is generally regarded as beginning when the Sun is low in the sky and lasting until the end of twilight. Depending on the speaker, it may start as early as 5 p.m. and to last until night. It may be used colloquially to include the last waning afternoon shortly before sunset. Etymology The word is derived from the Old English ''ǣfnung'', meaning 'the coming of evening, sunset, time around sunset', which originated from ''æfnian'', meaning "become evening, grow toward evening". The Old English ''æfnian'' originated from ''æfen'' (eve), which meant "the time between sunset and darkness", and was synonymous with even (Old English ''æfen''), which meant the end of the day. The use of "evening" dates from the mid 15th century. See also * Crepuscular – animals that a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museo Nacional De Arte
The Museo Nacional de Arte (MUNAL) ( en, National Museum of Art) is the Mexico, Mexican national art museum, located in the Centro (Mexico City), historical center of Mexico City. The museum is housed in a neoclassical building at No. 8 Tacuba, Col. Centro, Mexico City. It includes a large collection representing the history of Mexican art from the mid-sixteenth century to the mid 20th century. It is recognizable by Manuel Tolsá's large equestrian statue of Charles IV of Spain, who was the monarch just before Mexico gained its independence. It was originally in the Zocalo but it was moved to several locations, not out of deference to the king but rather to conserve a piece of art, according to the plaque at the base. It arrived at its present location in 1979. The institution The museum was founded in 1982 as the Museo Nacional de Arte, and re-inaugurated in 2000, after reopening its doors to the public as MUNAL after intense remodeling and technical upgrades to the facility. It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sebastián (sculptor)
Sebastián (born Enrique Carbajal González on November 16, 1947) is a Mexican sculptor best known for his monumental works of steel and/or concrete in both Mexico and abroad. These include a number of “gate” sculptures such as the Gran Puerta a México in Matamoros, Tamaulipas but his most famous sculpture is the “Caballito” located in downtown Mexico City. His works are found in various countries outside Mexico, such as Japan where two are now used as city symbols. Early life and career Sebastián was born Enrique Carbajal González on November 16, 1947 in Santa Rosalía de Camargo, Chihuahua in northern Mexico.''Sebastián.'' Mexico: Grupo Financiero Bital, 1996. He knew he wanted to be an artist since he was a small child. He lived in Chihuahua until he began studying in the Escuela Nacional de Artes Plásticas in Mexico City in 1964. When studying in Mexico City, he survived by working at restaurants and buying clothing to sell it for a profit in Chihuahua.Volpi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
El Caballito (Sebastián)
''El Caballito'', officially ''Cabeza de caballo'' ("horse's head"), is an outdoor tall steel sculpture by Sebastián (Enrique Carbajal) depicting a horse's head, installed along Mexico City's Paseo de la Reforma Paseo de la Reforma (translated as "Promenade of the Reform") is a wide avenue that runs diagonally across the heart of Mexico City. It was designed at the behest of Emperor Maximilian by Ferdinand von Rosenzweig during the era of the Secon ..., in Mexico. It was dedicated on January 15, 1992. Enrique Carbajal (Sebastian) created the El Caballito monument under the Olmec conception. The El Caballito was installed in front of the Torre del Caballito, a high office building. The monument had to replace the Equestrian statue of Carlos IV which was removed from there in 1979, and also had to be some kind of chimney that would dissipate the vapors from deep drainage but wouldn't adversely affect the image of the Paseo de la Reforma. See also * Glorieta del Cab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paseo De La Reforma
Paseo de la Reforma (translated as "Promenade of the Reform") is a wide avenue that runs diagonally across the heart of Mexico City. It was designed at the behest of Emperor Maximilian by Ferdinand von Rosenzweig during the era of the Second Mexican Empire and modeled after the great boulevards of Europe, such as the Ringstraße in Vienna and the Champs-Élysées in Paris. The planned grand avenue was to link the National Palace with the imperial residence, Chapultepec Castle, which was then on the southwestern edge of town. The project was originally named Paseo de la Emperatriz ("Promenade of the Empress") in honor of Maximilian's consort Empress Carlota. After the fall of the Empire and Maximilian's subsequent execution, the Restored Republic renamed the Paseo in honor of the La Reforma. It is now home to many of Mexico's tallest buildings such as the Torre Mayor and others in the Zona Rosa. More modern extensions continue the avenue at an angle to the old Paseo. To ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
