Epitaphios (liturgy)
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Epitaphios (liturgy)
The Epitaphios (Greek: Ἐπιτάφιος, ''epitáphios'', or Ἐπιτάφιον, ''epitáphion''; Slavonic: Плащаница, ''plashchanitsa''; Arabic: نعش, ''naash'') is a Christian religious icon, typically consisting of a large, embroidered and often richly adorned cloth, bearing an image of the dead body of Christ, often accompanied by his mother and other figures, following the Gospel account. It is used during the liturgical services of Good Friday and Holy Saturday in the Eastern Orthodox Churches and some Oriental Orthodox Churches as well as those Eastern Catholic Churches, which follow the Byzantine Rite. It also exists in painted or mosaic form, on wall or panel. The Epitaphios is also a common short form of the ''Epitáphios Thrēnos'', the "Lamentation upon the Grave" in Greek, which is the main part of the service of the Matins of Holy Saturday, served in Good Friday evening. Armenian Orthodox have also the tradition of the epitaphios. Their celeb ...
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Armenian Apostolic Church
, native_name_lang = hy , icon = Armenian Apostolic Church logo.svg , icon_width = 100px , icon_alt = , image = Էջմիածնի_Մայր_Տաճար.jpg , imagewidth = 250px , alt = , caption = Etchmiadzin Cathedral, the mother church of the Armenian Apostolic Church , abbreviation = , type = , main_classification = Eastern Christian , orientation = Oriental Orthodox , scripture = Septuagint, New Testament, Armenian versions , theology = Miaphysitism , polity = Episcopal , governance = Mother See of Holy Etchmiadzin , structure = , leader_title = Head , leader_name = Catholicos of All Armenians Karekin II , leader_title1 = , leader_name1 = , leader_title2 = , leader_name2 = , leader_title3 = , leader_name3 = , associations ...
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Lamentation Of Christ
The Lamentation of Christ is a very common subject in Christian art from the High Middle Ages to the Baroque. After Jesus was crucified, his body was removed from the cross and his friends mourned over his body. This event has been depicted by many different artists. Lamentation works are very often included in cycles of the ''Life of Christ'', and also form the subject of many individual works. One specific type of Lamentation depicts only Jesus' mother Mary cradling his body. These are known as Pietà (Italian for "pity"). Development of the depiction As the depiction of the Passion of Christ increased in complexity towards the end of the first millennium, a number of scenes were developed covering the period between the death of Jesus on the Cross and his being placed in his tomb. The accounts in the Canonical Gospels concentrate on the roles of Joseph of Arimathea and Nicodemus, but specifically mention Mary and Mary Magdalene as present. Scenes showing Joseph negotiating ...
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Nicodemus
Nicodemus (; grc-gre, Νικόδημος, Nikódēmos) was a Pharisee and a member of the Sanhedrin mentioned in three places in the Gospel of John: * He first visits Jesus one night to discuss Jesus' teachings (). * The second time Nicodemus is mentioned, he reminds his colleagues in the Sanhedrin that the law requires that a person be heard before being judged (). * Finally, Nicodemus appears after the Crucifixion of Jesus to provide the customary embalming spices, and assists Joseph of Arimathea in preparing the body of Jesus for burial (). An apocryphal work under his name—the Gospel of Nicodemus—was produced in the mid-4th century, and is mostly a reworking of the earlier Acts of Pilate, which recounts the Harrowing of Hell. Although there is no clear source of information about Nicodemus outside the Gospel of John, Ochser and Kohler (in an article in ''The Jewish Encyclopedia'') and some historians have speculated that he could be identical to Nicodemus ben Gurion ...
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Mary Magdalene
Mary Magdalene (sometimes called Mary of Magdala, or simply the Magdalene or the Madeleine) was a woman who, according to the four canonical gospels, traveled with Jesus as one of his followers and was a witness to crucifixion of Jesus, his crucifixion and Resurrection of Jesus, resurrection. She is mentioned by name twelve times in the canonical gospels, more than most of the Apostles in the New Testament, apostles and more than any other woman in the gospels, other than Jesus' family. Mary's epithet ''Magdalene'' may mean that she came from the town of Magdala, a fishing town on the western shore of the Sea of Galilee in Roman Judea. The Gospel of Luke Luke 8, chapter 8 lists Mary Magdalene as one of the women who traveled with Jesus and helped support his ministry "out of their resources", indicating that she was probably wealthy. The same passage also states that seven demons Exorcism, had been driven out of her, a statement which is repeated in Mark 16. In all the four can ...
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Joseph Of Arimathea
Joseph of Arimathea was, according to all four canonical gospels, the man who assumed responsibility for the burial of Jesus after his crucifixion. The historical location of Arimathea is uncertain, although it has been identified with several towns. A number of stories that developed during the Middle Ages connect him with Glastonbury, England and also with the Holy Grail legend. Gospel narratives describes him simply as a rich man and disciple of Jesus, but according to Joseph of Arimathea was "a respected member of the council, who was also himself looking for the kingdom of God"; adds that he "had not consented to their decision and action". According to , upon hearing of Jesus' death, this secret disciple of Jesus "asked Pilate that he might take away the body of Jesus, and Pilate gave him permission." Joseph immediately purchased a linen shroud () and proceeded to Golgotha to take the body of Jesus down from the cross. There, according to , Joseph and Nicodemus took t ...
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John The Evangelist
John the Evangelist ( grc-gre, Ἰωάννης, Iōánnēs; Aramaic: ܝܘܚܢܢ; Ge'ez: ዮሐንስ; ar, يوحنا الإنجيلي, la, Ioannes, he, יוחנן cop, ⲓⲱⲁⲛⲛⲏⲥ or ⲓⲱ̅ⲁ) is the name traditionally given to the author of the Gospel of John. Christians have traditionally identified him with John the Apostle, John of Patmos, and John the Presbyter, although this has been disputed by most modern scholars. Identity The Gospel of John refers to an otherwise unnamed "disciple whom Jesus loved", who "bore witness to and wrote" the Gospel's message.Theissen, Gerd and Annette Merz. The historical Jesus: a comprehensive guide. Fortress Press. 1998. translated from German (1996 edition). Chapter 2. Christian sources about Jesus. The author of the Gospel of John seemed interested in maintaining the internal anonymity of the author's identity, although interpreting the Gospel in the light of the Synoptic Gospels and considering that the author names ...
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Blessed Virgin Mary
Mary; arc, ܡܪܝܡ, translit=Mariam; ar, مريم, translit=Maryam; grc, Μαρία, translit=María; la, Maria; cop, Ⲙⲁⲣⲓⲁ, translit=Maria was a first-century Jewish woman of Nazareth, the wife of Joseph and the mother of Jesus. She is a central figure of Christianity, venerated under various titles such as virgin or queen, many of them mentioned in the Litany of Loreto. The Eastern and Oriental Orthodox, Church of the East, Catholic, Anglican, and Lutheran churches believe that Mary, as mother of Jesus, is the Mother of God. Other Protestant views on Mary vary, with some holding her to have considerably lesser status. The New Testament of the Bible provides the earliest documented references to Mary by name, mainly in the canonical Gospels. She is described as a young virgin who was chosen by God to conceive Jesus through the Holy Spirit. After giving birth to Jesus in Bethlehem, she raised him in the city of Nazareth in Galilee, and was in Jeru ...
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Theotokos
''Theotokos'' (Greek: ) is a title of Mary, mother of Jesus, used especially in Eastern Christianity. The usual Latin translations are ''Dei Genitrix'' or ''Deipara'' (approximately "parent (fem.) of God"). Familiar English translations are "Mother of God" or "God-bearer" – but these both have different literal equivalents in Greek, Μήτηρ Θεοῦ and Θεοφόρος ("Who gave birth to one who was God", "Whose child was God", respectively). The title has been in use since the 3rd century, in the Syriac tradition (as ) in the Liturgy of Mari and Addai (3rd century)''Addai and Mari, Liturgy of''. Cross, F. L., ed. ''The Oxford Dictionary of the Christian Church''. Oxford University Press. 2005. and the Liturgy of St James (4th century). The Council of Ephesus in AD 431 decreed that Mary is the ''Theotokos'' because Her Son Jesus is both God and man: one divine person from two natures (divine and human) intimately and hypostatically united. The title of Mother o ...
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Gospel
Gospel originally meant the Christian message ("the gospel"), but in the 2nd century it came to be used also for the books in which the message was set out. In this sense a gospel can be defined as a loose-knit, episodic narrative of the words and deeds of Jesus, culminating in his trial and death and concluding with various reports of his post-resurrection appearances. Modern scholars are cautious of relying on the gospels uncritically, but nevertheless, they provide a good idea of the public career of Jesus, and critical study can attempt to distinguish the original ideas of Jesus from those of the later authors. The four canonical gospels were probably written between AD 66 and 110. All four were anonymous (with the modern names added in the 2nd century), almost certainly none were by eyewitnesses, and all are the end-products of long oral and written transmission. Mark was the first to be written, using a variety of sources. The authors of Matthew and Luke both independently ...
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Descent From The Cross
The Descent from the Cross ( el, Ἀποκαθήλωσις, ''Apokathelosis''), or Deposition of Christ, is the scene, as depicted in art, from the Gospels' accounts of Joseph of Arimathea and Nicodemus taking Christ down from the cross after his crucifixion (). In Byzantine art the topic became popular in the 9th century, and in the West from the 10th century. The Descent from the Cross is the 13th Station of the Cross, and is also the sixth of the Seven Sorrows of the Blessed Virgin Mary. Other figures not mentioned in the Gospels who are often included in depictions of this subject include John the Evangelist, who is sometimes depicted supporting a fainting Mary (as in the work below by Rogier van der Weyden), and Mary Magdalene. The Gospels mention an undefined number of women as watching the crucifixion, including The Three Marys, (Mary Salome being mentioned in ), and also that the Virgin Mary and Mary Magdalene saw the burial (). These and further women and unnamed male ...
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