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Epic Of Gilgamesh
The ''Epic of Gilgamesh'' () is an epic poetry, epic poem from ancient Mesopotamia, and is regarded as the earliest surviving notable literature and the second oldest religious text, after the Pyramid Texts. The literary history of Gilgamesh begins with five Sumerian language, Sumerian poems about Bilgamesh (Sumerian for "Gilgamesh"), king of Uruk, dating from the Third Dynasty of Ur (). These independent stories were later used as source material for a combined epic in Akkadian language, Akkadian. The first surviving version of this combined epic, known as the "Old Babylonian" version, dates back to the 18th century BC and is titled after its incipit, ''Shūtur eli sharrī'' ("Surpassing All Other Kings"). Only a few clay tablet, tablets of it have survived. The later Standard Babylonian version compiled by Sîn-lēqi-unninni dates from the 13th to the 10th centuries BC and bears the incipit ''Sha naqba īmuru'' ("He who Saw the Abyss", in unmetaphoric terms: "He who Sees the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deluge (mythology)
A flood myth or a deluge myth is a myth in which a great flood, usually sent by a deity or deities, destroys civilization, often in an act of divine retribution. Parallels are often drawn between the flood waters of these myths and the primaeval waters which appear in certain creation myths, as the flood waters are described as a measure for the cleansing of humanity, in preparation for rebirth. Most flood myths also contain a culture hero, who "represents the human craving for life". The flood-myth motif occurs in many cultures, including the Mesopotamian flood stories, Native American in North America, the Genesis flood narrative, ''manvantara-sandhya'' in Hinduism, and Deucalion and Pyrrha in Greek mythology. Mythologies One example of a flood myth is the ''Epic of Gilgamesh''. Many scholars believe that this account was copied from the Akkadian '' Atra-Hasis'', which dates to the 18th century BCE. In the Gilgamesh flood myth, the highest god, Enlil, decides ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Library Of Ashurbanipal
The Royal Library of Ashurbanipal, named after Ashurbanipal, the last great king of the Assyrian Empire, is a collection of more than 30,000 clay tablets and fragments containing texts of all kinds from the 7th century BC, including texts in various languages. Among its holdings was the famous ''Epic of Gilgamesh''. Ashurbanipal's Library gives modern historians information regarding people of the ancient Near East. In his '' Outline of History'', H. G. Wells calls the library "the most precious source of historical material in the world." The materials were found in the archaeological site of Kouyunjik (ancient Nineveh, capital of Assyria) in northern Mesopotamia. The site is in modern-day northern Iraq, near the city of Mosul.Polastron, Lucien X.: "Books On Fire: The Tumultuous Story Of The World's Great Libraries" 2007, pp. 2–3, Thames & Hudson Ltd, LondonMenant, Joachim"La bibliothèque du palais de Ninive"1880, Paris: E. Leroux Discovery The library is an archaeolog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heracles
Heracles ( ; grc-gre, Ἡρακλῆς, , glory/fame of Hera), born Alcaeus (, ''Alkaios'') or Alcides (, ''Alkeidēs''), was a divine hero in Greek mythology, the son of Zeus and Alcmene, and the foster son of Amphitryon.By his adoptive descent through Amphitryon, Heracles receives the epithet Alcides, as "of the line of Alcaeus", father of Amphitryon. Amphitryon's own, mortal son was Iphicles. He was a great-grandson and half-brother (as they are both sired by the god Zeus) of Perseus, and similarly a half-brother of Dionysus. He was the greatest of the Greek heroes, the ancestor of royal clans who claimed to be Heracleidae (), and a champion of the Olympian order against chthonic monsters. In Rome and the modern West, he is known as Hercules, with whom the later Roman emperors, in particular Commodus and Maximian, often identified themselves. The Romans adopted the Greek version of his life and works essentially unchanged, but added anecdotal detail of their own, so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilgamesh In Popular Culture
The ''Epic of Gilgamesh'' has directly inspired many manifestations of literature, art, music, and popular culture, as identified by Theodore Ziolkowski in the book ''Gilgamesh Among Us: Modern Encounters With the Ancient Epic'' (2011). It was only during and after the First World War that the first reliable translations of the epic appeared that reached a wide audience, and it was only after the Second World War that the epic of Gilgamesh began to make itself felt more broadly in a variety of genres. In the years following World War II, Gilgamesh, formerly an obscure figure known only by a few scholars, gradually became increasingly popular with modern audiences. The ''Epic of Gilgamesh''s existential themes made it particularly appealing to German authors in the years following the war. In his 1947 existentialist novel '' Die Stadt hinter dem Strom'', the German novelist Hermann Kasack adapted elements of the epic into a metaphor for the aftermath of the destruction of World War ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilgamesh Flood Myth
The Gilgamesh flood myth is a flood myth in the ''Epic of Gilgamesh''. Many scholars believe that the flood myth was added to Tablet XI in the "standard version" of the Gilgamesh Epic by an editor who used the flood story from the Epic of Atrahasis. A short reference to the flood myth is also present in the much older Sumerian Gilgamesh poems, from which the later Babylonian versions drew much of their inspiration and subject matter. History Gilgamesh's supposed historical reign is believed to have been approximately 2700 BC, shortly before the earliest known written stories. The discovery of artifacts associated with Aga and Enmebaragesi of Kish, two other kings named in the stories, has lent credibility to the historical existence of Gilgamesh. The earliest Sumerian Gilgamesh poems date from as early as the Third dynasty of Ur (2100–2000 BC). One of these poems mentions Gilgamesh’s journey to meet the flood hero, as well as a short version of the flood story. The earliest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utnapishtim
Ut-napishtim or Uta-na’ishtim (in the ''Epic of Gilgamesh''), Atra-Hasis, Ziusudra ( Sumerian), Xisuthros (''Ξίσουθρος'', in Berossus) ( akk, ) is a character in ancient Mesopotamian mythology. He is tasked by the god Enki (Akkadian: Ea) to create a giant ship to be called ''Preserver of Life'' in preparation of a giant flood that would wipe out all life. The character appears in the ''Epic of Gilgamesh'' and is recognized as the inspiration for Noah in the Book of Genesis. Story Ut-napishtim is tasked by the god Enki to abandon his worldly possessions and create a giant ship to be called ''Preserver of Life''. In ''Erra and Išum'', Marduk is said to have been the originator of the flood and the Seven Sages. The ''Preserver of Life'' was made of solid timber, so that the rays of Shamash (the sun) would not shine in, and of equal dimensions in length and width. The design of the ship was supposedly drawn on the ground by Enki, and the frame of the ark, which was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siduri
Siduri, or more accurately Šiduri (Shiduri), is a character in the ''Epic of Gilgamesh''. She is described as an alewife. The oldest preserved version of the composition to contain the episode involving her leaves her nameless, and in the later standard edition compiled by Sîn-lēqi-unninni her name only appears in a single line. She is named Naḫmazulel or Naḫmizulen in the preserved fragments of Hurrian and Hittite translations. It has been proposed that her name in the standard edition is derived from an epithet applied to her by the Hurrian translator, ''šiduri'', "young woman." An alternate proposal instead connects it with the Akkadian personal name Šī-dūrī, "she is my protection." In all versions of the myth in which she appears, she offers advice to the hero, but the exact contents of the passage vary. Possible existence of Biblical and Greek reflections of the Šiduri passage is a subject of scholarly debate. In other contexts, the epithet ''šiduri'' could ref ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bull Of Heaven
In ancient Mesopotamian mythology, the Bull of Heaven is a mythical beast fought by the hero Gilgamesh. The story of the Bull of Heaven has two different versions: one recorded in an earlier Sumerian poem and a later version in the standard Akkadian ''Epic of Gilgamesh''. In the Sumerian poem, the Bull is sent to attack Gilgamesh by the goddess Inanna for reasons that are unclear. The more complete Akkadian account comes from Tablet VI of the ''Epic of Gilgamesh'', in which Gilgamesh refuses the sexual advances of the goddess Ishtar, the East Semitic equivalent of Inanna, leading the enraged Ishtar to demand the Bull of Heaven from her father Anu, so that she may send it to attack Gilgamesh in Uruk. Anu gives her the Bull and she sends it to attack Gilgamesh and his companion, the hero Enkidu, who slay the Bull together. After defeating the Bull, Enkidu hurls the Bull's right thigh at Ishtar, taunting her. The slaying of the Bull results in the gods condemning Enkidu to dea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ishtar
Inanna, also sux, 𒀭𒊩𒌆𒀭𒈾, nin-an-na, label=none is an ancient Mesopotamian goddess of love, war, and fertility. She is also associated with beauty, sex, divine justice, and political power. She was originally worshiped in Sumer under the name "Inanna", and later by the Akkadians, Babylonians, and Assyrians under the name Ishtar, (occasionally represented by the logogram ). She was known as the "Queen of Heaven" and was the patron goddess of the Eanna temple at the city of Uruk, which was her main cult center. She was associated with the planet Venus and her most prominent symbols included the lion and the eight-pointed star. Her husband was the god Dumuzid (later known as Tammuz) and her , or personal attendant, was the goddess Ninshubur (who later became conflated with the male deities Ilabrat and Papsukkal). Inanna was worshiped in Sumer at least as early as the Uruk period ( 4000 BCE – 3100 BCE), but she had little cult activity before the conques ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Humbaba
In Ancient Mesopotamian religion, Humbaba ( Assyrian spelling), also spelled Huwawa ( Sumerian spelling) and surnamed ''the Terrible'', was a monstrous giant of immemorial age raised by Utu, the Sun / justice / truth god. Humbaba was the guardian of the Cedar Forest, where the gods lived, by the will of the god Enlil, who: "assigned umbabaas a terror to human beings." Gilgamesh and Enkidu defeated this great enemy. Description : "When he looks at someone, it is the look of death." : "Humbaba's roar is a flood, : his mouth is death and his breath is fire! : A hundred leagues away he can hear any ustling?in his forest! : Who would go down into his forest!" In various examples, his face is scribed in a single coiling line like that of the coiled entrails of men and beasts, from which omens might be read. Another description from Georg Burckhardt's translation of the ''Epic of Gilgamesh'' says, : "he had the paws of a lion and : a body covered in thorny scales; : his feet had t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cedar Forest
The Cedar Forest ( Sumerian: 𒄑𒂞𒄑 𒌁giš eren giš tir) is the glorious realm of the gods of Mesopotamian mythology. It is guarded by the demigod Humbaba and was once entered by the hero Gilgamesh who dared cut down trees from its virgin stands during his quest for fame. The Cedar Forest is described in Tablets 4{{ndash6 of the ''Epic of Gilgamesh''. Earlier Sumerian versions of the ''Epic of Gilgamesh'' say that Gilgamesh traveled east, presumably, to the Zagros mountains of Iran (ancient Elam) to the cedar forest, yet the later more extensive Babylonian examples place the cedar forests west in Lebanon.''Archaeology and the Homeric Epic'', Susan Sherratt, John Bennett. Oxbow Books, 2017. P127 In the ''Epic of Gilgamesh'' Tablet 4 Tablet four tells the story of the journey to the Cedar Forest. On each day of the six-day journey, Gilgamesh prays to Shamash; in response to these prayers, Shamash sends Gilgamesh oracular dreams during the night. The first is not pres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shamhat
Shamhat ( akk, , Šamḫat; also called Shamkat in the old Babylonian version of Gilgamesh") is a female character who appears in Tablets I and II of the Epic of Gilgamesh and is mentioned in Tablet VII. She is a sacred prostitute who plays a significant role in bringing the wild man Enkidu into contact with civilization. In the epic Shamhat plays the integral role in Tablet I, of taming the wild man Enkidu, who was created by the gods as the rival to the mighty Gilgamesh. Shamhat was a sacred temple prostitute or ''harimtu''.Ditmore, Melissa Hope (ed), ''Encyclopedia of Prostitution and Sex Work, Volume 1'', Greenwood Publishing Group, 2006, pp.34-5. She was asked to use her attractiveness to tempt Enkidu from the wild, and his 'wildness', civilizing him through continued sacred love-making. She was brought to a water source where Enkidu had been spotted and exposed herself to Enkidu. He enjoyed Shamhat for "six days and seven nights" (a fragment found in 2015 and read in 2018, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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