Environment Five
''Environment Five'' is the fifth in The Future Sound of London The Future Sound of London (often abbreviated FSOL) is a British electronic music duo composed of Garry Cobain and Brian Dougans. They have been described as a "boundary-pushing" electronic act, covering techno, ambient, house music, trip ho ...'s "Environments" series of albums, released on 8 September 2014 on CD, on vinyl and as a download. According to the band's website, the album features only new material. Track listing # "Point of Departure" (6:28) # "Source of Uncertainty" (1:53) # "Image of the Past" (4:29) # "Beings of Light" (2:54) # "In Solitude We Are Least Alone" (8:05) # "Viewed From Below The Surface" (3:14) # "Multiples" (1:10) # "Dying While Being Held" (2:53) # "Machines of the Subconscious" (2:56) # "Dark and Lonely Waters" (2:11) # "Somatosensory" (5:19) # "The Dust Settles" (4:16) # "Moments of Isolation" (7:00) Pre-release and limited time post-release purchases came with a three-son ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Electronica
Electronica is both a broad group of electronic-based music styles intended for listening rather than strictly for dancing and a music scene that started in the early 1990s in the United Kingdom. In the United States, the term is mostly used to refer to electronic music generally. History Early 1990s: origins and UK scene The original wide-spread use of the term "electronica" derives from the influential English experimental techno label New Electronica, which was one of the leading forces of the early 1990s introducing and supporting dance-based electronic music oriented towards home listening rather than dance-floor play, although the word "electronica" had already begun to be associated with synthesizer generated music as early as 1983, when a "UK Electronica Festival" was first held. At that time electronica became known as "electronic listening music", also becoming more or less synonymous to ambient techno and intelligent techno, and was considered distinct from other em ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ambient Music
Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It may lack net composition, beat, or structured melody.The Ambient Century by Mark Prendergast, Bloomsbury, London, 2003. It uses textural layers of sound that can reward both passive and active listening and encourage a sense of calm or contemplation. The genre is said to evoke an "atmospheric", "visual",Prendergast, M. ''The Ambient Century''. 2001. Bloomsbury, USA or "unobtrusive" quality. Nature soundscapes may be included, and the sounds of acoustic instruments such as the piano, strings and flute may be emulated through a synthesizer. The genre originated in the 1960s and 1970s, when new musical instruments were being introduced to a wider market, such as the synthesizer. It was presaged by Erik Satie's furniture music and styles such as musique concrète, minimal music, and German electronic music, but was prominently named and popularized by British mu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Intelligent Dance Music
Intelligent dance music (commonly abbreviated as IDM) is a style of electronic music originating in the early 1990s, defined by idiosyncratic experimentation rather than specific genre constraints.''"…the label 'IDM' (for avant-garde, 'intelligent dance music') seems to be based more on an association with individualistic experimentation than on a particular set of musical characteristics."'' Butler, M.J., ''Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music'', Indiana University Press, 2006, (p. 80). It emerged from the culture and sound palette of electronic and rave music styles such as ambient techno, acid house, Detroit techno and breakbeat;''"The electronic listening music of the nineties is a prime example of an art form derived from and stimulated by countless influences. Partisan analyses of this music claim a baffling variety of prime sources (Detroit techno, New York electro + Chicago acid, Eno + Bowie, Cage + Reich, Gary Numan + Tange ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Future Sound Of London
The Future Sound of London (often abbreviated FSOL) is a British electronic music duo composed of Garry Cobain and Brian Dougans. They have been described as a "boundary-pushing" electronic act, covering techno, ambient, house music, trip hop, psychedelia, and dub. While keeping an enigmatic image and releasing music under many aliases, the band found commercial success with singles "Papua New Guinea" (1991), "Cascade" (1993), and albums '' Lifeforms'' (1994) and ''Dead Cities'' (1996). In recent years, the duo has become more candid with their fanbase online. History Formation Garry Cobain and Brian Dougans met in the mid-1980s while studying electronics at university in Manchester, England. Dougans had already been making electronic music, working between Glasgow and Manchester, when the pair first began working together in local clubs. In 1988, Dougans embarked on a project for a graphic studio ''Stakker'', which resulted with a single "Stakker Humanoid" that reached ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Environments 4
''Environments 4'' is the fourth in The Future Sound of London The Future Sound of London (often abbreviated FSOL) is a British electronic music duo composed of Garry Cobain and Brian Dougans. They have been described as a "boundary-pushing" electronic act, covering techno, ambient, house music, trip h ...'s "Environments" series of albums, released on 30 April 2012. Track listing # "The Wheel of Life" (3:57) # "No Man's Land" (1:15) # "River Delta" (4:09) # "Supercontinents" (2:01) # "Sediment" (2:52) # "Architektur" (5:12) # "Murmurations" (6:27) # "Sunsets" (3:30) # "Photosynthesis" (2:34) # "Stand a Little Less Between Me and the Sun" (1:42) # "Fibrillation" (5:43) # "Long Day" (2:41) # "Vast Landscape" (5:21) # "Clear Light of Reality" (2:37) # "Plough" (Bonus Track) (4:28) References 2012 albums The Future Sound of London albums {{2010s-electronic-album-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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2014 Albums
The following is a list of albums, EPs, and mixtapes released in 2014. These albums are (1) original, i.e. excluding reissues, remasters, and compilations of previously released recordings, and (2) notable, defined as having received significant coverage from reliable sources independent of the subject. For additional information about bands formed, reformed, disbanded, or on hiatus, for deaths of musicians, and for links to musical awards, see 2014 in music. First quarter January February March Second quarter April May June Third quarter July August September Fourth quarter October November December References {{DEFAULTSORT:2014 albums Albums An album is a collection of audio recordings issued on compact disc (CD), vinyl, audio tape, or another medium such as digital distribution. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records coll ... 2014 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |