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Envelope Detector
An envelope detector (sometimes called a peak detector) is an electronic circuit that takes a (relatively) high-frequency amplitude modulated signal as input and provides an output, which is the demodulated ''envelope'' of the original signal. Circuit operation The capacitor in the circuit above stores charge on the rising edge and releases it slowly through the resistor when the input signal amplitude falls. The diode in series rectifies the incoming signal, allowing current flow only when the positive input terminal is at a higher potential than the negative input terminal. General considerations Most practical envelope detectors use either half-wave or full-wave rectification of the signal to convert the AC audio input into a pulsed DC signal. Filtering is then used to smooth the final result. This filtering is rarely perfect and some "ripple" is likely to remain on the envelope follower output, particularly for low frequency inputs such as notes from a bass instrum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amplitude Modulation
Amplitude modulation (AM) is a modulation technique used in electronic communication, most commonly for transmitting messages with a radio wave. In amplitude modulation, the amplitude (signal strength) of the wave is varied in proportion to that of the message signal, such as an audio signal. This technique contrasts with angle modulation, in which either the frequency of the carrier wave is varied, as in frequency modulation, or its phase, as in phase modulation. AM was the earliest modulation method used for transmitting audio in radio broadcasting. It was developed during the first quarter of the 20th century beginning with Roberto Landell de Moura and Reginald Fessenden's radiotelephone experiments in 1900. This original form of AM is sometimes called double-sideband amplitude modulation (DSBAM), because the standard method produces sidebands on either side of the carrier frequency. Single-sideband modulation uses bandpass filters to eliminate one of the sidebands and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diode Detector
A crystal radio receiver, also called a crystal set, is a simple radio receiver, popular in the early days of radio. It uses only the power of the received radio signal to produce sound, needing no external power. It is named for its most important component, a crystal detector, originally made from a piece of crystalline mineral such as galena. This component is now called a diode. Crystal radios are the simplest type of radio receiver and can be made with a few inexpensive parts, such as a wire for an antenna, a coil of wire, a capacitor, a crystal detector, and earphones (because a crystal set has insufficient power for a loudspeaker). However they are passive receivers, while other radios use an amplifier powered by current from a battery or wall outlet to make the radio signal louder. Thus, crystal sets produce rather weak sound and must be listened to with sensitive earphones, and can receive stations only within a limited range of the transmitter. The rectifying prop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Level Compression
Dynamic range compression (DRC) or simply compression is an audio signal processing operation that reduces the volume of loud sounds or amplifies quiet sounds, thus reducing or ''compressing'' an audio signal's dynamic range. Compression is commonly used in sound recording and reproduction, broadcasting, live sound reinforcement and in some instrument amplifiers. A dedicated electronic hardware unit or audio software that applies compression is called a compressor. In the 2000s, compressors became available as software plugins that run in digital audio workstation software. In recorded and live music, compression parameters may be adjusted to change the way they affect sounds. Compression and limiting are identical in process but different in degree and perceived effect. A limiter is a compressor with a high ratio and, generally, a short attack time. Types There are two types of compression, downward and upward. Both downward and upward compression ''reduce'' the dynamic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amplitude
The amplitude of a periodic variable is a measure of its change in a single period (such as time or spatial period). The amplitude of a non-periodic signal is its magnitude compared with a reference value. There are various definitions of amplitude (see below), which are all functions of the magnitude of the differences between the variable's extreme values. In older texts, the phase of a periodic function is sometimes called the amplitude. Definitions Peak amplitude & semi-amplitude For symmetric periodic waves, like sine waves, square waves or triangle waves ''peak amplitude'' and ''semi amplitude'' are the same. Peak amplitude In audio system measurements, telecommunications and others where the measurand is a signal that swings above and below a reference value but is not sinusoidal, peak amplitude is often used. If the reference is zero, this is the maximum absolute value of the signal; if the reference is a mean value (DC component), the peak amplitude is the maximu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demodulate
Demodulation is extracting the original information-bearing signal from a carrier wave. A demodulator is an electronic circuit (or computer program in a software-defined radio) that is used to recover the information content from the modulated carrier wave. There are many types of modulation so there are many types of demodulators. The signal output from a demodulator may represent sound (an analog audio signal), images (an analog video signal) or binary data (a digital signal). These terms are traditionally used in connection with radio receivers, but many other systems use many kinds of demodulators. For example, in a modem, which is a contraction of the terms modulator/demodulator, a demodulator is used to extract a serial digital data stream from a carrier signal which is used to carry it through a telephone line, coaxial cable, or optical fiber. History Demodulation was first used in radio receivers. In the wireless telegraphy radio systems used during the first 3 deca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modulation Index
The modulation index (or modulation depth) of a modulation scheme describes by how much the modulated variable of the carrier signal varies around its unmodulated level. It is defined differently in each modulation scheme. * Amplitude modulation index * Frequency modulation index * Phase modulation index {{SIA ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Overmodulation
Overmodulation is the condition that prevails in telecommunication when the instantaneous level of the modulating signal exceeds the value necessary to produce 100% modulation of the carrier. In the sense of this definition, it is almost always considered a fault condition. In layman's terms, the signal is going "off the scale". Overmodulation results in spurious emissions by the modulated carrier, and distortion of the recovered modulating signal. This means that the envelope of the output waveform is distorted. Although overmodulation is sometimes considered permissible, it should not occur in practice; a distorted waveform envelope will result in a distorted output signal of the receiving medium. References See also * Clipping (audio) * Overshoot (signal) * Automatic gain control Automatic gain control (AGC) is a closed-loop feedback regulating circuit in an amplifier or chain of amplifiers, the purpose of which is to maintain a suitable signal amplitude at its output, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Product Detector
A product detector is a type of demodulator used for AM and SSB signals. Rather than converting the envelope of the signal into the decoded waveform like an envelope detector, the product detector takes the product of the modulated signal and a local oscillator, hence the name. A product detector is a frequency mixer. Product detectors can be designed to accept either IF or RF frequency inputs. A product detector which accepts an IF signal would be used as a demodulator block in a superheterodyne receiver, and a detector designed for RF can be combined with an RF amplifier and a low-pass filter into a direct-conversion receiver. A simple product detector The simplest form of product detector mixes (or heterodynes) the RF or IF signal with a locally derived carrier (the Beat Frequency Oscillator, or BFO) to produce an audio frequency copy of the original audio signal and a mixer product at twice the original RF or IF frequency. This high-frequency component can then be fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Superheterodyne Receiver
A superheterodyne receiver, often shortened to superhet, is a type of radio receiver that uses frequency mixing to convert a received signal to a fixed intermediate frequency (IF) which can be more conveniently processed than the original carrier frequency. It was long believed to have been invented by US engineer Edwin Armstrong, but after some controversy the earliest patent for the invention is now credited to French radio engineer and radio manufacturer Lucien Lévy. Virtually all modern radio receivers use the superheterodyne principle; except those software-defined radios using ''direct sampling''. History Heterodyne Early Morse code radio broadcasts were produced using an alternator connected to a spark gap. The output signal was at a carrier frequency defined by the physical construction of the gap, modulated by the alternating current signal from the alternator. Since the output frequency of the alternator was generally in the audible range, this produces an audible ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Band-pass Filter
A band-pass filter or bandpass filter (BPF) is a device that passes frequencies within a certain range and rejects (attenuates) frequencies outside that range. Description In electronics and signal processing, a filter is usually a two-port circuit or device which removes frequency components of a signal (an alternating voltage or current). A band-pass filter allows through components in a specified band of frequencies, called its ''passband'' but blocks components with frequencies above or below this band. This contrasts with a high-pass filter, which allows through components with frequencies above a specific frequency, and a low-pass filter, which allows through components with frequencies below a specific frequency. In digital signal processing, in which signals represented by digital numbers are processed by computer programs, a band-pass filter is a computer algorithm that performs the same function. The term band-pass filter is also used for optical filters, sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Low-pass Filter
A low-pass filter is a filter that passes signals with a frequency lower than a selected cutoff frequency and attenuates signals with frequencies higher than the cutoff frequency. The exact frequency response of the filter depends on the filter design. The filter is sometimes called a high-cut filter, or treble-cut filter in audio applications. A low-pass filter is the complement of a high-pass filter. In optics, high-pass and low-pass may have different meanings, depending on whether referring to frequency or wavelength of light, since these variables are inversely related. High-pass frequency filters would act as low-pass wavelength filters, and vice versa. For this reason it is a good practice to refer to wavelength filters as ''short-pass'' and ''long-pass'' to avoid confusion, which would correspond to ''high-pass'' and ''low-pass'' frequencies. Low-pass filters exist in many different forms, including electronic circuits such as a hiss filter used in audio, anti-aliasing fil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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