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Ensoniq Soundscape Elite
The Soundscape Elite was Ensoniq's high-end Industry Standard Architecture, ISA PC sound card offering. It offers the highest MIDI quality of any PC sound card Ensoniq produced. The board is an evolution of the company's previous Ensoniq Soundscape S-2000, Soundscape S-2000. The Soundscape ELITE was launched in March 1995. Google Groups, April 2, 1995. Overview 
The card's layout is quite similar to the Soundscape S-2000, and uses the same synthesizer chips and codecs. Cha ...
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Ensoniq
Ensoniq Corp. was an American electronics manufacturer, best known throughout the mid-1980s and 1990s for its musical instruments, principally Sampler (musical instrument), samplers and synthesizers. Company history In spring 1983, former MOS Technology engineers Robert Yannes, Robert "Bob" Yannes, Bruce Crockett, Charles Winterble, David Ziembicki, and Al Charpentier formed Peripheral Visions. The team had designed the Commodore 64, and hoped to build another computer. To raise funds, Peripheral Visions agreed to build a computer keyboard for the Atari 2600, but the video game crash of 1983 canceled the project and Commodore sued the new company, claiming that it owned the keyboard project. Renaming itself as Ensoniq, the new company instead designed a music synthesizer. Ensoniq grew rapidly over the next few years with the success of the Mirage and the ESQ-1. The plant in Great Valley, Pennsylvania employed nearly 200 people and housed the manufacturing facility. A number ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motorola 68EC000
The Motorola 68000 (sometimes shortened to Motorola 68k or m68k and usually pronounced "sixty-eight-thousand") is a 16/32-bit complex instruction set computer (CISC) microprocessor, introduced in 1979 by Motorola Semiconductor Products Sector. The design implements a 32-bit instruction set, with 32-bit registers and a 16-bit internal data bus. The address bus is 24 bits and does not use memory segmentation, which made it easier to program for. Internally, it uses a 16-bit data arithmetic logic unit (ALU) and two more 16-bit ALUs used mostly for addresses, and has a 16-bit external data bus. For this reason, Motorola termed it a 16/32-bit processor. As one of the first widely available processors with a 32-bit instruction set, and running at relatively high speeds for the era, the 68k was a popular design through the 1980s. It was widely used in a new generation of personal computers with graphical user interfaces, including the Macintosh 128K, Amiga, Atari ST, and X68000. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compact Disc
The compact disc (CD) is a Digital media, digital optical disc data storage format that was co-developed by Philips and Sony to store and play digital audio recordings. In August 1982, the first compact disc was manufactured. It was then released in October 1982 in Japan and branded as ''Compact Disc Digital Audio, Digital Audio Compact Disc''. The format was later adapted (as CD-ROM) for general-purpose data storage. Several other formats were further derived, including write-once audio and data storage (CD-R), rewritable media (CD-RW), Video CD (VCD), Super Video CD (SVCD), Photo CD, Picture CD, Compact Disc-Interactive (CD-i) and Enhanced Music CD. Standard CDs have a diameter of and are designed to hold up to 74 minutes of uncompressed stereo digital audio or about 650 mebibyte, MiB of data. Capacity is routinely extended to 80 minutes and 700 mebibyte, MiB by arranging data more closely on the same sized disc. The Mini CD has various diameters ranging from ; t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MPU 401
The MPU-401, where ''MPU'' stands for MIDI Processing Unit, is an important but now obsolete interface for connecting MIDI-equipped electronic music hardware to personal computers. It was designed by Roland Corporation, which also co-authored the MIDI standard. Design Released around 1984, the original MPU-401 was an external breakout box providing MIDI IN/MIDI OUT/MIDI THRU/TAPE IN/TAPE OUT/MIDI SYNC connectors, for use with a separately-sold interface card/cartridge ("MPU-401 interface kit") inserted into a computer system. For this setup, the following "interface kits" were made: * MIF-APL: For the Apple II. * MIF-C64: For the Commodore 64. * MIF-FM7: For the Fujitsu FM7. * MIF-IPC: For the IBM PC/IBM XT. It turned out not to work reliably with 286 and faster processors. Early versions of the actual PCB had IF-MIDI/IBM as a silk screen. * MIF-IPC-A: For the IBM AT, works with PC and XT as well. * Xanadu MUSICOM IFM-PC: For the IBM PC / IBM XT / IBM AT. This was a third p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joystick
A joystick, sometimes called a flight stick, is an input device consisting of a stick that pivots on a base and reports its angle or direction to the device it is controlling. A joystick, also known as the control column, is the principal control device in the cockpit of many civilian and military aircraft, either as a centre stick or side-stick. It often has supplementary switches to control various aspects of the aircraft's flight. Joysticks are often used to control video games, and usually have one or more push-buttons whose state can also be read by the computer. A popular variation of the joystick used on modern video game consoles is the analog stick. Joysticks are also used for controlling machines such as cranes, trucks, underwater unmanned vehicles, wheelchairs, surveillance cameras, and zero turning radius lawn mowers. Miniature finger-operated joysticks have been adopted as input devices for smaller electronic equipment such as mobile phones. Aviation Joystic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ensoniq Signal Processor
The Ensoniq ESP was used in many of the company's musical instruments and on their Soundscape Elite PC ISA sound card. It was used to enhance the synthesizer's audio samples with digital effects, enhancing the realism of the overall sound. The ESP chip was a custom digital signal processor (DSP) chip with over 75,000 transistors. It had an instruction set that was optimized for manipulating audio data, which has typical sample rates of between 10 kHz and 50 kHz. The ESP was capable of creating a wide range of digital effects including reverb, delay, echo, flanging, chorusing, harmonizing, equalization, and distortion, and was capable of generating multiple effects simultaneously. The ESP was a VLSI device designed in a 1.0 micrometre double-metal CMOS process. The multiplicity and flexibility of the data paths in the ESP allowed many DSP operations to be accomplished in a minimum number of microinstructions steps. Its nominal instruction cycle was 250 ns, yielding pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MT-32
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MT3 may refer to: * Melatonin receptor 1C * Metallothionein-3 * Montana Highway 3 Montana Highway 3 (MT 3) is a highway in central Montana extending north from Billings to Great Falls. Route description At its southern end, MT 3 begins at I-90 in Billings and travels northwest to US 12 near Lavina – this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
General MIDI
General MIDI (also known as GM or GM 1) is a standardized specification for electronic musical instruments that respond to MIDI messages. GM was developed by the American MIDI Manufacturers Association (MMA) and the Japan MIDI Standards Committee (JMSC) and first published in 1991. The official specification is available in English from the MMA, bound together with the MIDI 1.0 specification, and in Japanese from the Association of Musical Electronic Industry (AMEI). GM imposes several requirements beyond the more abstract MIDI 1.0 specification. While MIDI 1.0 by itself provides a communications protocol which ensures that different instruments can interoperate at a fundamental level — for example, that pressing keys on a MIDI keyboard will cause an attached MIDI sound module to play musical notes — GM goes further in two ways. First, GM requires that all compliant MIDI instruments meet a certain minimal set of features, such as being able to play at least 24 notes simultan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Corporation
is a Japanese manufacturer of electronic musical instruments, electronic equipment, and software. It was founded by Ikutaro Kakehashi in Osaka on 18 April 1972. In 2005, its headquarters relocated to Hamamatsu in Shizuoka Prefecture. It has factories in Malaysia, Taiwan, Japan, and the United States. As of 31 March 2010, it employed 2,699 people. In 2014, it was subject to a management buyout by its CEO, Junichi Miki, supported by Taiyo Pacific Partners. Roland has manufactured numerous instruments that have had lasting impacts on music, such as the Juno-106 synthesizer, TB-303 bass synthesizer, and TR-808 and TR-909 drum machines. It was also instrumental in the development of MIDI, a standardized means of synchronizing electronic instruments manufactured by different companies. In 2016, ''Fact'' wrote that Roland had arguably had more influence on electronic music than any other company. History 1970s Having created Ace Electronic Industries Inc in 1960, Ikutaro Kakeh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Data Compression
In information theory, data compression, source coding, or bit-rate reduction is the process of encoding information using fewer bits than the original representation. Any particular compression is either lossy or lossless. Lossless compression reduces bits by identifying and eliminating statistical redundancy. No information is lost in lossless compression. Lossy compression reduces bits by removing unnecessary or less important information. Typically, a device that performs data compression is referred to as an encoder, and one that performs the reversal of the process (decompression) as a decoder. The process of reducing the size of a data file is often referred to as data compression. In the context of data transmission, it is called source coding; encoding done at the source of the data before it is stored or transmitted. Source coding should not be confused with channel coding, for error detection and correction or line coding, the means for mapping data onto a signal. C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyphony
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony. Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is opposed to " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sample-based Synthesis
Sample-based synthesis is a form of audio synthesis that can be contrasted to either subtractive synthesis or additive synthesis. The principal difference with sample-based synthesis is that the seed waveforms are sampled sounds or instruments instead of fundamental waveforms such as sine and saw waves used in other types of synthesis. History Before digital recording became practical, instruments such as the Welte (1930s), phonogene (1950s) and the Mellotron (1960s) used analog optical disks or analog tape decks to play back sampled sounds. When sample-based synthesis was first developed, most affordable consumer synthesizers could not record arbitrary samples, but instead formed timbres by combining pre-recorded samples from ROM before routing the result through analog or digital filters. These synthesizers and their more complex descendants are often referred to as ROMplers. Sample-based instruments have been used since the Computer Music Melodian, the Fairlight CMI an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
