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Ensoniq PARIS Digital Audio Workstation
Ensoniq Corp. was an American electronics manufacturer, best known throughout the mid-1980s and 1990s for its musical instruments, principally samplers and synthesizers. Company history In spring 1983, former MOS Technology engineers Robert "Bob" Yannes, Bruce Crockett, Charles Winterble, David Ziembicki, and Al Charpentier formed Peripheral Visions. The team had designed the Commodore 64, and hoped to build another computer. To raise funds, Peripheral Visions agreed to build a computer keyboard for the Atari 2600, but the video game crash of 1983 canceled the project and Commodore sued the new company, claiming that it owned the keyboard project. Renaming itself as Ensoniq, the new company instead designed a music synthesizer. Ensoniq grew rapidly over the next few years with the success of the Mirage and the ESQ-1. The plant in Great Valley, Pennsylvania employed nearly 200 people and housed the manufacturing facility. A number of successful products followed which al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ensoniq Logo
Ensoniq Corp. was an American electronics manufacturer, best known throughout the mid-1980s and 1990s for its musical instruments, principally samplers and synthesizers. Company history In spring 1983, former MOS Technology engineers Robert "Bob" Yannes, Bruce Crockett, Charles Winterble, David Ziembicki, and Al Charpentier formed Peripheral Visions. The team had designed the Commodore 64, and hoped to build another computer. To raise funds, Peripheral Visions agreed to build a computer keyboard for the Atari 2600, but the video game crash of 1983 canceled the project and Commodore sued the new company, claiming that it owned the keyboard project. Renaming itself as Ensoniq, the new company instead designed a music synthesizer. Ensoniq grew rapidly over the next few years with the success of the Mirage and the ESQ-1. The plant in Great Valley, Pennsylvania employed nearly 200 people and housed the manufacturing facility. A number of successful products followed which al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ensoniq Mirage DSK
Ensoniq Corp. was an American electronics manufacturer, best known throughout the mid-1980s and 1990s for its musical instruments, principally Sampler (musical instrument), samplers and synthesizers. Company history In spring 1983, former MOS Technology engineers Robert Yannes, Robert "Bob" Yannes, Bruce Crockett, Charles Winterble, David Ziembicki, and Al Charpentier formed Peripheral Visions. The team had designed the Commodore 64, and hoped to build another computer. To raise funds, Peripheral Visions agreed to build a computer keyboard for the Atari 2600, but the video game crash of 1983 canceled the project and Commodore sued the new company, claiming that it owned the keyboard project. Renaming itself as Ensoniq, the new company instead designed a music synthesizer. Ensoniq grew rapidly over the next few years with the success of the Mirage and the ESQ-1. The plant in Great Valley, Pennsylvania employed nearly 200 people and housed the manufacturing facility. A number ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ensoniq VFX (angled)
The Ensoniq VFX Synth was initially released as a performance type synthesizer in 1989. It was soon followed by the release of the VFX-SD, which included some updated waveforms (drum waves), a 24-track sequencer and a floppy drive. Both models were equipped with the Ensoniq Signal Processing (ESP) chip for 24-bit effects. The VFX-SD also included two AUX outs, which allowed for a total of 4 outputs from the synth for more routing flexibility. The initial models were 21-voice polyphony, and in latter models of the VFX-SD (I/II) and the SD-1, the polyphony was 32. There were many features that caused this synth line to be popular. Some of these were: #The sound of the synth itself. #The performance capabilities for live use. #The versatility of the sequencer (in the VFX-SD and SD-1). Synthesis types The VFX employed 3 types of synthesis: Transwave Wavetable Synthesis, Sample playback and Subtractive Synthesis. The Transwaves gave the VFX a unique sound as the only other inst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Off The Record (Dixie Dregs Album)
Off the record may refer to: * Off the record (journalism), a communication that may not be publicly disclosed Arts, entertainment, and media Books * '' Off the Record: The Private Papers of Harry S. Truman'', a 1980 book edited by historian Robert Hugh Ferrell * ''Off the Record: Picking Up the Pieces After Losing My Dream Job at the White House'', a 2020 book by Madeleine Westerhout Music Albums * ''Off the Record'' (Karl Bartos album), 2013 * ''Off the Record'' (Neil Innes album), 1982 * ''Off the Record'' (Sweet album), 1977 * ''Off the Record'', by Paul van Dyk, 2022 * ''Off the Record'', an EP by Jesse McCartney, 2005 * ''Off the Record'', an EP by Torae, 2011 Songs * "Off the Record" (My Morning Jacket song), 2005 * "Off the Record" (Tinchy Stryder song), 2011 * "Off the Record", a song written by George M. Cohan, appearing in the 1942 film ''Yankee Doodle Dandy'' * "Off the Record", a song by Hieroglyphics from the album ''3rd Eye Vision'' Television * ''Off the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dixie Dregs
The Dixie Dregs is an American rock band from Augusta, Georgia. Formed in 1970, the band's performance consists entirely of instrumentals that fuse elements of diverse genres such as rock, classical music, country, jazz and bluegrass into an eclectic sound that is difficult to categorize. Recognized for their virtuoso playing, the Dixie Dregs were identified with the southern rock, progressive rock and jazz fusion scenes of the 1970s. In 1975, the band recorded their demo album ''The Great Spectacular'' and self-released it in the following year in a limited pressing. The demo soon garnered attention from record labels, including Capricorn Records, with whom the Dixie Dregs would sign in 1976, and three albums were released for the label: ''Free Fall'' (1977), ''What If'' (1978) and ''Night of the Living Dregs'' (1979); the latter album, which was split between studio and live recordings, was nominated for a Grammy Award for Best Rock Instrumental Performance, and each of the b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Random-access Memory
Random-access memory (RAM; ) is a form of computer memory that can be read and changed in any order, typically used to store working Data (computing), data and machine code. A Random access, random-access memory device allows data items to be read (computer), read or written in almost the same amount of time irrespective of the physical location of data inside the memory, in contrast with other direct-access data storage media (such as hard disks, CD-RWs, DVD-RWs and the older Magnetic tape data storage, magnetic tapes and drum memory), where the time required to read and write data items varies significantly depending on their physical locations on the recording medium, due to mechanical limitations such as media rotation speeds and arm movement. RAM contains multiplexer, multiplexing and demultiplexing circuitry, to connect the data lines to the addressed storage for reading or writing the entry. Usually more than one bit of storage is accessed by the same address, and RAM ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Data Storage Device
Data storage is the recording (storing) of information (data) in a storage medium. Handwriting, phonographic recording, magnetic tape, and optical discs are all examples of storage media. Biological molecules such as RNA and DNA are considered by some as data storage. Recording may be accomplished with virtually any form of energy. Electronic data storage requires electrical power to store and retrieve data. Data storage in a digital, machine-readable medium is sometimes called ''digital data''. Computer data storage is one of the core functions of a general-purpose computer. Electronic documents can be stored in much less space than paper documents. Barcodes and magnetic ink character recognition (MICR) are two ways of recording machine-readable data on paper. Recording media A recording medium is a physical material that holds information. Newly created information is distributed and can be stored in four storage media–print, film, magnetic, and optical–and seen or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japan
Japan ( ja, 日本, or , and formally , ''Nihonkoku'') is an island country in East Asia. It is situated in the northwest Pacific Ocean, and is bordered on the west by the Sea of Japan, while extending from the Sea of Okhotsk in the north toward the East China Sea, Philippine Sea, and Taiwan in the south. Japan is a part of the Ring of Fire, and spans Japanese archipelago, an archipelago of List of islands of Japan, 6852 islands covering ; the five main islands are Hokkaido, Honshu (the "mainland"), Shikoku, Kyushu, and Okinawa Island, Okinawa. Tokyo is the Capital of Japan, nation's capital and largest city, followed by Yokohama, Osaka, Nagoya, Sapporo, Fukuoka, Kobe, and Kyoto. Japan is the List of countries and dependencies by population, eleventh most populous country in the world, as well as one of the List of countries and dependencies by population density, most densely populated and Urbanization by country, urbanized. About three-fourths of Geography of Japan, the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sample-based Synthesis
Sample-based synthesis is a form of audio synthesis that can be contrasted to either subtractive synthesis or additive synthesis. The principal difference with sample-based synthesis is that the seed waveforms are sampled sounds or instruments instead of fundamental waveforms such as sine and saw waves used in other types of synthesis. History Before digital recording became practical, instruments such as the Welte (1930s), phonogene (1950s) and the Mellotron (1960s) used analog optical disks or analog tape decks to play back sampled sounds. When sample-based synthesis was first developed, most affordable consumer synthesizers could not record arbitrary samples, but instead formed timbres by combining pre-recorded samples from ROM before routing the result through analog or digital filters. These synthesizers and their more complex descendants are often referred to as ROMplers. Sample-based instruments have been used since the Computer Music Melodian, the Fairlight CMI an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ensoniq ESQ-1
Ensoniq ESQ-1 is a 61-key, velocity sensitive, eight-note polyphony (instrument), polyphonic and multitimbral synthesizer released by Ensoniq in 1985. It was marketed as a "digital wave synthesizer" but was an early Music Workstation. Although its voice generation is typically subtractive synthesis, subtractive in much the same fashion as most analog synthesizers that preceded it, its electronic oscillators, oscillators are neither voltage controlled oscillator, voltage nor "digitally controlled oscillator, digitally controlled", but true digital oscillators, provided by a custom Ensoniq Table-lookup synthesis, wavetable chip. The signal path includes analog resonant low-pass low pass filter, filters and an analog amplifier. The synth also features a fully functional, if crude by modern standards, 8-track MIDI music sequencer, sequencer that can run either its internal sounds, external MIDI equipment, or both, with a capacity of 24,000 notes (expandable via cartridges). It provide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E-mu Emulator
The Emulator is a series of digital sampling synthesizers using floppy disk storage, manufactured by E-mu Systems from 1981 until 2002. Though not the first commercial sampler, the Emulator was among the first to find wide use among ordinary musicians, due to its relatively low price and fairly contained size, which allowed for its use in live performances. It was also innovative in its integration of computer technology. The samplers were discontinued in 2002. Impetus E-mu Systems was founded in 1971 and began business as a manufacturer of microprocessor chips, digital scanning keyboards and components for electronic instruments. Licensing this technology gave E-mu ample funds to invest in research and development, and it began to develop boutique synthesizers for niche markets, including a series of modular synthesizers and the high-end Audity system. In 1979, founders Scott Wedge and Dave Rossum saw the Fairlight CMI and the Linn LM-1 at a convention, inspiring them to de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fairlight CMI
The Fairlight CMI (short for Computer Musical Instrument) is a digital synthesizer, sampler, and digital audio workstation introduced in 1979 by Fairlight. — with links to some Fairlight history and photos It was based on a commercial licence of the Qasar M8 developed by Tony Furse of Creative Strategies in Sydney, Australia. It was one of the earliest music workstations with an embedded sampler and is credited for coining the term sampling in music. It rose to prominence in the early 1980s and competed with the Synclavier from New England Digital. History Origins: 1971–1979 In the 1970s, Kim Ryrie, then a teenager, had an idea to develop a build-it-yourself analogue synthesizer, the ETI 4600, for the magazine he founded, ''Electronics Today International'' (ETI). Ryrie was frustrated by the limited number of sounds that the synthesizer could make. After his classmate, Peter Vogel, graduated from high school and had a brief stint at university in 1975, Ryrie asked ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
