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English Horn Concerto
A number of concertos and concertante works have been written for cor anglais, cor anglais (English horn) and string, wind, chamber, or full orchestra. English horn concertos appeared about a century later than oboe solo pieces, mostly because until halfway through the 18th century different instruments (the taille de hautboisvox humanaand the oboe da caccia) had the role of the tenor or alto instrument in the oboe family. The modern English horn was developed from the oboe da caccia in the 1720s, probably in Silesia. The earliest known English horn concertos were written in the 1770s, mostly by prominent oboists of the day, such as Giuseppe Ferlendis, Ignaz Malzat (and his non-oboist brother Johann Michael Malzat) and Joseph Lacher. Few of these works have survived. Among the oldest extant English horn concertos are those by Josef Fiala (a period transcription of a piece originally for viola da gamba) and Anton Milling. It is known that Milling's concerti were performed in 1782 b ...
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Concerto
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three- movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g. presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann Sebastia ...
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Louis Applebaum
Louis Applebaum (April 3, 1918April 19, 2000) was a Canadian film score composer, administrator, and conductor. Early life He was born in Toronto, Ontario, and studied at the Toronto Conservatory of Music with Leo Smith and the University of Toronto with Boris Berlin, Healey Willan and Ernest MacMillan. He also studied composition privately in New York. Film composition Applebaum composed approximately 250 film scores for the National Film Board of Canada (NFB) between 1942 and 1960, serving as its music director from 1942 to 1948, then as a consultant from 1949 to 1953. His NFB credits include ''Royal Journey'' (1951), ''The Stratford Adventure'' (1954) and '' Paddle to the Sea'' (1966). He was nominated, along with co-composer Ann Ronell, for an Academy Award for the score of the 1945 war film, ''The Story of G.I. Joe''. He won a 1968 Canadian Film Award for his non-feature music score of ''Athabasca''. He won a 1989 Gemini Award in the category Best Original Music Sc ...
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Warren Benson
Warren Benson (January 26, 1924 – October 6, 2005) was an American composer. His compositions consist mostly of music for wind instruments and percussion. His most notable piece is titled ''The Leaves Are Falling''. Biography Benson was born in Detroit in 1924, and was a graduate of Cass Technical High School. He was a professional performer by the age of 14, when he played timpani in the Detroit Symphony Orchestra under Ormandy, Reiner, Goossens, Bernstein, and others while an undergraduate at the University of Michigan. From 1950 to 1952, Benson was awarded two successive Fulbright grants to teach at Anatolia College in Salonika, Greece. There he established a five-year bilingual music curriculum and organized the Anatolia College Chorale, the first scholastic co-educational choral group in that country. After 14 years at Ithaca College (where, in 1953, he organized the first touring percussion ensemble in the eastern United States – and the second worldwide), Benson became ...
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Ortwin Benninghoff
Hardwin von Grätz (french: Hardouin de Graes), better known in English as Ortwin ( la, Ortuinus Gratius; 1475 – 22 May 1542), was a German humanist scholar and theologian. Ortwin was born in Holtwick (now in the District of Coesfeld, Westphalia) and died in Cologne, Germany. He was raised by his uncle, Johannes von Grätz, in Deventer. In 1501 he left to pursue philosophical studies at the University of Cologne. After joining Kyuk Burse, Ortwin became licensed in 1505, attained Masters level in 1506, and became an Art Professor in 1507. He supplemented his salary by proofing documents for the Quentell printing house and wrote introductions and poetic dedications in the volumes of classical authors of the Middle Ages. Ortwin was a follower of Hegius and Peter of Ravenna, a Humanist, and boasted many prominent intellectual friends. Because Ortwin sided with the Cologne University theologians and the Dominicans during the Reuchlin controversy, he found himself the su ...
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Vincenzo Benatti
Vincenzo is an Italian male given name, derived from the Latin name Vincentius (the verb ''vincere'' means to win or to conquer). Notable people with the name include: Art *Vincenzo Amato (born 1966), Italian actor and sculptor * Vincenzo Bellavere (c.1540-1541 – 1587), Italian composer *Vincenzo Bellini (1801–1835), Italian composer *Vincenzo Camuccini (1771–1844), Italian academic painter *Vincenzo Catena (c. 1470 – 1531), Italian painter *Vincenzo Cerami (1940–2013), Italian screenwriter *Vincenzo Consolo (1933–2012), Italian writer * Vincenzo Coronelli (1650–1718), Franciscan friar, cosmographer, cartographer, publisher, and encyclopedist *Vincenzo Crocitti (1949–2010), Italian cinema and television actor *Vincenzo Dimech (1768–1831), Maltese sculptor * Vincenzo Galilei (1520–1591), composer, lutenist, and music theorist, father of Galileo *Vincenzo Marra (born 1972), Italian filmmaker *Vincenzo Migliaro (1858–1938), Italian painter *Vincenzo Natali ...
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Arnold Bax
Sir Arnold Edward Trevor Bax, (8 November 1883 – 3 October 1953) was an English composer, poet, and author. His prolific output includes songs, choral music, chamber pieces, and solo piano works, but he is best known for his orchestral music. In addition to a series of symphonic poems, he wrote seven symphonies and was for a time widely regarded as the leading British symphonist. Bax was born in the London suburb of Streatham to a prosperous family. He was encouraged by his parents to pursue a career in music, and his private income enabled him to follow his own path as a composer without regard for fashion or orthodoxy. Consequently, he came to be regarded in musical circles as an important but isolated figure. While still a student at the Royal Academy of Music Bax became fascinated with Ireland and Celtic culture, which became a strong influence on his early development. In the years before the First World War he lived in Ireland and became a member of Dublin literary ...
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Siegfried Barchet
Siegfried is a German-language male given name, composed from the Germanic elements ''sig'' "victory" and ''frithu'' "protection, peace". The German name has the Old Norse cognate ''Sigfriðr, Sigfrøðr'', which gives rise to Swedish ''Sigfrid'' (hypocorisms ''Sigge, Siffer''), Danish/Norwegian ''Sigfred''. In Norway, ''Sigfrid'' is given as a feminine name.nordicnames.de
official statistics at Statistisk Sentralbyrå, National statistics office of Norway, http://www.ssb.no; Statistiska Centralbyrån, National statistics office of Sweden, http://www.scb.se/ The name is medieval and was borne by the legendary dragon-slayer also known as . It did survive in marginal use into the modern period, but after 1876 it enjoyed renewed popularity ...
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Jeanne Barbillion
Jeanne Marie Louise Barbillion (12 October 1895 – 8 August 1992) was a French pianist, violinist, and composer. Life Born in Paris, Barbillion attended the Schola Cantorum de Paris from the age of 8. She was a pupil of Vincent d'Indy (who nicknamed her "the Chameleon") who gave her orchestration lessons, and Berthe Duranton. In the late 1910s, she performed as a violinist with Vincent d'Indy in pieces by Nicola Porpora, Franz Schubert and Vincent d'Indy.. In the 1920s, she created the Barbillion Quartet, in collaboration with Denise Vidaillet, Edwige Bergeron, Madeleine Portier, and Marcel Vernet.. She composed and created several of her works for her quartet, (''La tristesse de Pan'', 13 March 1926) for example). In the 1940s, Barbillion taught chamber music at the . In 1972, she took part in a day in homage to Charles Fourier, for whom she composed a ''Hymne sylvestre'' for mixed choir and mezzo-soprano, ''Scènes champêtres'' for piano four hands, and ''En forêt'' f ...
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Matthias Bamert
Matthias Bamert (born July 5, 1942 in Ersigen, Canton of Bern) is a Swiss composer and conductor. In addition to studies in Switzerland, Bamert studied music in Darmstadt and in Paris, with Pierre Boulez and Karlheinz Stockhausen, and their influences can be detected in his own compositions from the 1970s. He spent the years 1965 to 1969 as principal oboist with the Salzburg Mozart Orchestra, but then switched to conducting. Bamert's conducting career began in North America as an apprentice to George Szell and later as Assistant Conductor to Leopold Stokowski, and Resident Conductor of the Cleveland Orchestra under Lorin Maazel. He was music director of the Swiss Radio Orchestra from 1977 to 1983. Bamert was Principal Guest Conductor of the Royal Scottish National Orchestra and Director of the Glasgow contemporary music festival Musica Nova from 1985 to 1990. He has conducted the world premieres of works by composers such as Toru Takemitsu, John Casken, James MacMillan and Wolfga ...
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Carlos Baguer
Carlos (or Carles) Baguer (March 1768 – 29 February 1808) was a Spanish classical era composer and organist. Life and career Baguer was born in Barcelona in March 1768 and received his first musical training from his uncle, Francesc Mariner, who was composer and organist in the cathedral in Barcelona. He became deputy organist to Mariner in 1786 and replaced him when his uncle died in 1789, a position he held until his own death. Although Baguer was ordained a priest, he resigned this position in 1801. He died in Barcelona in 1808, on the same day that French troops occupied Barcelona during the Peninsular War. His students include Mateu Ferrer (who replaced Baguer as organist of the cathedral), Ramon Carnicer (between 1806 and 1808) and possibly Bernat Bertran. He was one of the most important musical figures in Catalonia at the time and was known as a virtuosic performer and improviser on the organ. Works Perhaps Baguer's most important works are his nineteen symphonies, whi ...
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