English Musical Renaissance
The English Musical Renaissance was a hypothetical development in the late 19th and early 20th century, when British composers, often those lecturing or trained at the Royal College of Music, were said to have freed themselves from foreign musical influences, to have begun writing in a distinctively national idiom, and to have equalled the achievement of composers in mainland Europe. The idea gained considerable currency at the time, with support from prominent music critics, but from the latter part of the 20th century has been less widely propounded. Among the composers championed by proponents of the theory were Hubert Parry, Charles Villiers Stanford and Alexander Mackenzie. Writers who propounded the theory included Francis Hueffer and J A Fuller Maitland, while it received further promotion from the critics Frank Howes and Peter J. Pirie. Conception The term originated in an article by the critic Joseph Bennett in 1882. In his review in ''The Daily Telegraph'' of Hubert ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sterndale Bennett
Sir William Sterndale Bennett (13 April 18161 February 1875) was an English composer, pianist, conductor and music educator. At the age of ten Bennett was admitted to the London Royal Academy of Music (RAM), where he remained for ten years. By the age of twenty, he had begun to make a reputation as a concert pianist, and his compositions received high praise. Among those impressed by Bennett was the German composer Felix Mendelssohn, who invited him to Leipzig. There Bennett became friendly with Robert Schumann, who shared Mendelssohn's admiration for his compositions. Bennett spent three winters composing and performing in Leipzig. In 1837 Bennett began to teach at the RAM, with which he was associated for most of the rest of his life. For twenty years he taught there, later also teaching at Queen's College, London. Amongst his pupils during this period were Arthur Sullivan, Hubert Parry, and Tobias Matthay. Throughout the 1840s and 1850s he composed little, although he perfo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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George Grove
Sir George Grove (13 August 182028 May 1900) was an English engineer and writer on music, known as the founding editor of ''Grove's Dictionary of Music and Musicians''. Grove was trained as a civil engineer, and successful in that profession, but his love of music drew him into musical administration. When responsible for the regular orchestral concerts at the Crystal Palace, he wrote a series of programme notes from which eventually grew his musical dictionary. His interest in the music of Franz Schubert, which was neglected in England at that point in the nineteenth century, led him and his friend Arthur Sullivan to go to Vienna in search of undiscovered Schubert manuscripts. Their researches led to their discovery of the lost score of Schubert's ''Rosamunde'' music, several of his symphonies and other music in 1867, leading to a revival of interest in Schubert's work. Grove was the first director of the Royal College of Music, from its foundation in 1883 until his retireme ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Royal Academy Of Music
The Royal Academy of Music (RAM) in London, England, is the oldest conservatoire in the UK, founded in 1822 by John Fane and Nicolas-Charles Bochsa. It received its royal charter in 1830 from King George IV with the support of the first Duke of Wellington. Famous academy alumni include Sir Simon Rattle, Sir Harrison Birtwistle, Sir Elton John and Annie Lennox. The academy provides undergraduate and postgraduate training across instrumental performance, composition, jazz, musical theatre and opera, and recruits musicians from around the world, with a student community representing more than 50 nationalities. It is committed to lifelong learning, from Junior Academy, which trains musicians up to the age of 18, through Open Academy community music projects, to performances and educational events for all ages. The academy's museum houses one of the world's most significant collections of musical instruments and artefacts, including stringed instruments by Stradivari, Guarneri, an ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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John Dowland
John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", " Come again", "Flow my tears", " I saw my Lady weepe", " Now o now I needs must part" and " In darkness let me dwell", but his instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists. Career and compositions Very little is known of John Dowland's early life, but it is generally thought he was born in London; some sources even put his birth year as 1563. Irish historian W. H. Grattan Flood claimed that he was born in Dalkey, near Dublin, but no corroborating evidence has ever been found either for that or for Thomas Fuller's claim that he was born in Westminster. There is, however, one very clear piece of evidence pointing to Dublin as his place of origin: he dedic ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Thomas Morley
Thomas Morley (1557 – early October 1602) was an English composer, theorist, singer and organist of the Renaissance. He was one of the foremost members of the English Madrigal School. Referring to the strong Italian influence on the English madrigal, ''The New Grove Dictionary of Music and Musicians'' states that Morley was "chiefly responsible for grafting the Italian shoot on to the native stock and initiating the curiously brief but brilliant flowering of the madrigal that constitutes one of the most colourful episodes in the history of English music." Living in London at the same time as Shakespeare, Morley was the most famous composer of secular music in Elizabethan England. He and Robert Johnson are the composers of the only surviving contemporary settings of verse by Shakespeare. Morley was active in church music as a singer, composer and organist at St Paul's Cathedral. He was also involved in music publishing. From 1598 up to his death he held a printing patent (a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gervase Hughes
Gervase Alfred Booth Hughes (1 September 1905 – July 1984) was an English composer, conductor and writer on music. From 1926 to 1933, Hughes pursued a career as a conductor and chorus master, principally at the British National Opera Company, and also co-produced Shakespeare's plays, Shakespeare plays. He left the musical profession in 1933, raising a family and working first as an executive in a railway company and later running luxury European tours. From 1960 to 1972 he published a series of books on musical subjects, beginning with a study of the music of Arthur Sullivan, published in 1960. Biography Hughes was born in Birmingham, England, the son of Alfred Hughes, a university professor, and his wife Hester, ''née'' Booth.Gervase Hughe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Stuart Period
The Stuart period of British history lasted from 1603 to 1714 during the dynasty of the House of Stuart. The period ended with the death of Anne, Queen of Great Britain, Queen Anne and the accession of George I of Great Britain, King George I from the German House of Hanover. The period was plagued by internal and religious strife, and a large-scale civil war which resulted in the Execution of Charles I, execution of Charles I of England, King Charles I in 1649. The Interregnum (1649–1660), Interregnum, largely under the control of Oliver Cromwell, is included here for continuity, even though the Stuarts were in exile. The Cromwell regime collapsed and Charles II of England, Charles II had very wide support for his taking of the throne in 1660. His brother James II of England, James II was overthrown in 1689 in the Glorious Revolution. He was replaced by his Protestant daughter Mary II of England, Mary II and her Dutch husband William III of England, William III. Mary's siste ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tudor Period
The Tudor period occurred between 1485 and 1603 in History of England, England and Wales and includes the Elizabethan period during the reign of Elizabeth I until 1603. The Tudor period coincides with the dynasty of the House of Tudor in England that began with the reign of Henry VII of England, Henry VII (b. 1457, r. 14851509). Historian John Guy (historian), John Guy (1988) argued that "England was economically healthier, more expansive, and more optimistic under the Tudors" than at any time since the Roman occupation. Population and economy Following the Black Death and the agricultural depression of the late 15th century, the population began to increase. In 1520, it was around 2.3 million. By 1600 it had doubled to 4 million. The growing population stimulated economic growth, accelerated the commercialisation of agriculture, increased the production and export of wool, encouraged trade, and promoted the growth of London. The high wages and abundance of available land seen ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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English Folk Dance And Song Society
The English Folk Dance and Song Society (EFDSS, or pronounced 'EFF-diss') is an organisation that promotes English folk music and folk dance. EFDSS was formed in 1932 when two organisations merged: the Folk-Song Society and the English Folk Dance Society. Karpeles, Maud and Frogley, Alain (2007–2011)'English Folk Dance and Song Society' In: ''Grove Music Online'', Oxford Music Online. Retrieved 24 October 2011. . The EFDSS, a member-based organisation, was incorporated in 1935 and became a registered charity in 1963. History The Folk-Song Society, founded in London in 1898, focused on collecting and publishing folk songs, primarily of Britain and Ireland although there was no formal limitation. Participants included: Lucy Broadwood, Kate Lee, Cecil Sharp, Percy Grainger, Ralph Vaughan Williams, George Butterworth, George Gardiner, Henry Hammond, Anne Gilchrist, Mary Augusta Wakefield, and Ella Leather. The English Folk Dance Society was founded in 1911 by Cecil Sharp. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Folk Song
Folk music is a music genre that includes #Traditional folk music, traditional folk music and the Contemporary folk music, contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by Convention (norm), custom over a long period of time. It has been contrasted with popular music, commercial and art music, classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Frederick Delius
Delius, photographed in 1907 Frederick Theodore Albert Delius ( 29 January 1862 – 10 June 1934), originally Fritz Delius, was an English composer. Born in Bradford in the north of England to a prosperous mercantile family, he resisted attempts to recruit him to commerce. He was sent to Florida in the United States in 1884 to manage an orange plantation. He soon neglected his managerial duties and in 1886 returned to Europe. Having been influenced by African-American music during his short stay in Florida, he began composing. After a brief period of formal musical study in Germany beginning in 1886, he embarked on a full-time career as a composer in Paris and then in nearby Grez-sur-Loing, where he and his wife Jelka lived for the rest of their lives, except during the First World War. Delius's first successes came in Germany, where Hans Haym and other conductors promoted his music from the late 1890s. In Delius's native Britain, his music did not make regular appearances ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |