English Bach Festival
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English Bach Festival
The English Bach Festival was an annual UK classical music festival which ran from 1963 to 2009. It was founded by the Greek-born harpsichordist and singer Lina Lalandi (1920–2012) and the English musicologist Jack Westrup who were co-directors during the festival's early years in Oxford. In 1971, Lalandi became the sole director and the festival was primarily based in London. The festival's early programmes had been largely based on Bach's music—the St John Passion conducted by Karl Richter was a highlight of one of the early festivals. However, from the outset the festival also presented music by modern composers. Lalandi wrote in 1963 that the festival would also include "20th-century composers whose way of thinking is nearer to ach'sthan to that of the Romantic age." The first festival focused on Bach's early cantatas, including two of his secular cantatas staged in costume, but also presented the world premiere of Nikos Skalkottas's Unaccompanied Violin Sonata. Stravinsk ...
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List Of Classical Music Festivals
The following is an incomplete list of classical music festivals – music festivals focused on classical music. Classical music is art music produced or rooted in the traditions of Western music (both liturgical and secular), and has long been played at festival-like settings. It encompasses a broad span of time from roughly the 11th century to the present day. The major time divisions of classical music are as follows: the early music period, which includes the Medieval (500–1400) and the Renaissance (1400–1600) era, played at early music festivals; the common practice period, which includes the Baroque (1600–1750), Classical (1750–1830), and Romantic eras (1804–1910), which included opera festivals and choral festivals; and the 20th century (1901–2000) which includes the modern (1890–1930) that overlaps from the late 19th-century, the high modern (mid 20th-century), and contemporary classical music festivals or postmodern (1975–2000) eras, the last of which ov ...
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Historically Informed Performance
Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of Western classical music, classical music, which aims to be faithful to the approach, manner and style of the musical era in which a work was originally conceived. It is based on two key aspects: the application of the stylistic and technical aspects of performance, known as performance practice; and the use of #Early instruments, period instruments which may be reproductions of historical instruments that were in use at the time of the original composition, and which usually have different timbre and temperament (music), temperament from their modern equivalents. A further area of study, that of changing listener expectations, is increasingly under investigation. Given no Sound recording and reproduction, sound recordings exist of music before the late 19th century, historically informed performance is largely derived from Musicology, music ...
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Classical Music Festivals In England
Classical may refer to: European antiquity *Classical antiquity, a period of history from roughly the 7th or 8th century B.C.E. to the 5th century C.E. centered on the Mediterranean Sea *Classical architecture, architecture derived from Greek and Roman architecture of classical antiquity *Classical mythology, the body of myths from the ancient Greeks and Romans *Classical tradition, the reception of classical Greco-Roman antiquity by later cultures *Classics, study of the language and culture of classical antiquity, particularly its literature *Classicism, a high regard for classical antiquity in the arts Music and arts *Classical ballet, the most formal of the ballet styles *Classical music, a variety of Western musical styles from the 9th century to the present *Classical guitar, a common type of acoustic guitar *Classical Hollywood cinema, a visual and sound style in the American film industry between 1927 and 1963 * Classical Indian dance, various codified art forms whose theo ...
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Music Festivals Established In 1963
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz the p ...
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The Musical Times
''The Musical Times'' is an academic journal of classical music edited and produced in the United Kingdom and currently the oldest such journal still being published in the country. It was originally created by Joseph Mainzer in 1842 as ''Mainzer's Musical Times and Singing Circular'', but in 1844 he sold it to Joseph Alfred Novello (who also founded ''The Musical World'' in 1836), and it was published monthly by the Novello and Co. (also owned by Alfred Novello at the time).. It first appeared as ''The Musical Times and Singing Class Circular'', a name which was retained until 1903. From the very beginning, every issue - initially just eight pages - contained a simple piece of choral music (alternating secular and sacred), which choral society members subscribed to collectively for the sake of the music. Its title was shortened to its present name from January 1904. Even during World War II it continued to be published regularly, making it the world's oldest continuously publ ...
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The Guardian
''The Guardian'' is a British daily newspaper. It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers ''The Observer'' and ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. Since 2018, the paper's main news ...
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Banqueting House
In English architecture, mainly from the Tudor period onwards, a banqueting house is a separate pavilion-like building reached through the gardens from the main residence, whose use is purely for entertaining, especially eating. Or it may be built on the roof of a main house, as in many 16th-century prodigy houses. It may be raised for additional air or a vista, with a simple kitchen below, as at Hampton Court Palace and Wrest Park, and it may be richly decorated, but it normally contains no bedrooms, and typically a single grand room apart from any service spaces. The design is often ornamental, if not downright fanciful, and some are also follies, as in Paxton's Tower. There are usually plenty of windows, as appreciating the view was a large part of their purpose. Often they are built on a slope, so that from the front, only the door to the main room can be seen; the door to the servants' spaces underneath was hidden at the back (Wrest Park). The Banqueting House, Gibside is ...
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Alceste (Handel)
''Alceste'' ("Alcides"; HWV 45, HG 46b, HHA I/30) is a masque, semi-opera or incidental music by George Frideric Handel (or Georg Friederich Händel in German). It was the only complete theater project ever attempted by Handel, and he composed the music when he was nearly 65. Alceste was planned in a prodigal collaboration between the businessman John Rich, the famous scenographer Servandoni and the theater author Tobias George Smollett (1721-1771) (who wrote a now lost play with the same title (Alceste), based on the homonymous tragedy of Euripides) and possibly included song lyrics by Handel's frequent collaborator Thomas Morell (1703-1784), which was rehearsed at Covent Garden Theatre but never performed. Notes by the librettist Thomas Morell suggest that the play may have been canceled due to Handel's incidental music being considered too difficult for the cast. However, it seems that John Rich may have simply decided that an adaptation of a Euripides drama would be a ver ...
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L'Orfeo
''L'Orfeo'' ( SV 318) (), sometimes called ''La favola d'Orfeo'' , is a late Renaissance/early Baroque ''favola in musica'', or opera, by Claudio Monteverdi, with a libretto by Alessandro Striggio. It is based on the Greek legend of Orpheus, and tells the story of his descent to Hades and his fruitless attempt to bring his dead bride Eurydice back to the living world. It was written in 1607 for a court performance during the annual Carnival at Mantua. While Jacopo Peri's ''Dafne'' is generally recognised as the first work in the opera genre, and the earliest surviving opera is Peri's '' Euridice'', ''L'Orfeo'' is the earliest that is still regularly performed. By the early 17th century the traditional intermedio—a musical sequence between the acts of a straight play—was evolving into the form of a complete musical drama or "opera". Monteverdi's ''L'Orfeo'' moved this process out of its experimental era and provided the first fully developed example of the new genre. After i ...
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Platée
''Platée'' is an opera in a prologue and three acts by Jean-Philippe Rameau with a libretto by Adrien-Joseph Le Valois d'Orville. Rameau bought the rights to the libretto ''Platée ou Junon jalouse'' (''Plataea, or Juno Jealous'') by Jacques Autreau (1657–1745) and had d'Orville modify it. The ultimate source of the story is a myth related by the Greek writer Pausanias in his ''Guide to Greece''. Rameau's first attempt at comic opera, the plot concerns an ugly water nymph who believes that Jupiter, the king of the gods, is in love with her. The work was initially called a ''ballet bouffon'', though it was later styled a ''comédie lyrique'', putting it in the same category as Rameau's ''Les Paladins''. It was written for the celebrations of the wedding of Louis, Dauphin of France, son of King Louis XV, to the Infanta María Teresa Rafaela of Spain, who, according to contemporary sources, like the title character was no beauty. Instead of getting the composer into trouble, the e ...
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Telemaco (Gluck)
''Telemaco, ossia L'isola di Circe'' (''Telemachus, or Circe's Island'') is an operatic ''dramma per musica'' in two acts by Christoph Willibald Gluck. The Italian libretto was written by Marco Coltellini after Carlo Sigismondo Capece's libretto for Scarlatti's 1718 opera '' Telemaco''. The opera was written for the wedding of the Emperor (to be) Joseph II and Princess Maria Josepha of Bavaria. Performance history The first performance was at the Burgtheater in Vienna on 30 January 1765. Roles References Notes Sources *Hayes, Jeremy: "''Telemaco''" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was publ ... (London, 1992) *Moratto, Lucia''Fra tradizione e riforma: il Telemaco di Coltellini e Gluck'' pp. 30–39, rod ...
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The Independent
''The Independent'' is a British online newspaper. It was established in 1986 as a national morning printed paper. Nicknamed the ''Indy'', it began as a broadsheet and changed to tabloid format in 2003. The last printed edition was published on Saturday 26 March 2016, leaving only the online edition. The newspaper was controlled by Tony O'Reilly's Irish Independent News & Media from 1997 until it was sold to the Russian oligarch and former KGB Officer Alexander Lebedev in 2010. In 2017, Sultan Muhammad Abuljadayel bought a 30% stake in it. The daily edition was named National Newspaper of the Year at the 2004 British Press Awards. The website and mobile app had a combined monthly reach of 19,826,000 in 2021. History 1986 to 1990 Launched in 1986, the first issue of ''The Independent'' was published on 7 October in broadsheet format.Dennis Griffiths (ed.) ''The Encyclopedia of the British Press, 1422–1992'', London & Basingstoke: Macmillan, 1992, p. 330 It was produc ...
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