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English Art Song
The composition of art song in England and English-speaking countries has a long history, beginning with lute song in the late 16th century and continuing today. English Art song in the 17th Century The composition of polyphony, polyphonic music was at its peak in the late 16th century. By that time, however, the lute started to gain popularity, and was very common among educated people by 1600. The Italians were trying to recapture a simpler vocal style, to mimic Greek models. Giulio Caccini and the Florentine Camerata developed the monody, for solo voice with lute accompaniment, around 1600. Caccini traveled around Europe, other countries begin developing their own solo songs with lute, especially the English composers. John Dowland (1563–1626) and Thomas Campion (1567–1620) emerged as the best-known and most respected of the composers of lute song. Later in the 17th century, Henry Purcell (1659–95) composed many solo songs for his semi-operas, and his songs are also gene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Song
An art song is a Western vocal music composition, usually written for one voice with piano accompaniment, and usually in the classical art music tradition. By extension, the term "art song" is used to refer to the collective genre of such songs (e.g., the "art song repertoire").Meister, ''An Introduction to the Art Song'', pp. 11–17. An art song is most often a musical setting of an independent poem or text, "intended for the concert repertory" "as part of a recital or other relatively formal social occasion". While many pieces of vocal music are easily recognized as art songs, others are more difficult to categorize. For example, a wordless vocalise written by a classical composer is sometimes considered an art song and sometimes not. Other factors help define art songs: *Songs that are part of a staged work (such as an aria from an opera or a song from a musical) are not usually considered art songs.Kimball, p. xiv However, some Baroque arias that "appear with great frequ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Jones (composer)
Robert Jones (c. 1577 – 1617) was an English lutenist and composer, the most prolific of the English lute song composers (along with Thomas Campion). He received the degree of B.Mus from Oxford in 1597 (St. Edmund Hall). He ran a school in London. Records show that he had a patent (monopoly) to train children for the Queen's Revels between 1610–1615. In 1610, he collaborated with Philip Rosseter to present plays at the Whitefriars theatre. He was recorded as a Gentleman of the Chapel Royal in 1612. He published five volumes of simple and melodious lute songs, and one of madrigals; he also contributed to ''The Triumphs of Oriana'' and Leighton's ''Teares''. His 27 madrigals are mostly to texts about birds – birds merry, sweet, shrill, crowing or melancholic. William Shakespeare quoted his song, 'Farewell, dear love', in ''Twelfth Night.'' The date and place of Jones's death are not known. Known publications * ''The First Booke of Songes and Ayres'', 1600, dedicated to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Arne
Thomas Augustine Arne (; 12 March 17105 March 1778) was an English composer. He is best known for his patriotic song "Rule, Britannia!" and the song "A-Hunting We Will Go", the latter composed for a 1777 production of ''The Beggar's Opera'', which has since become popular as a folk song and a nursery rhyme. Arne was a leading British theatre composer of the 18th century, working at the West End's Drury Lane and Covent Garden. He wrote many operatic entertainments for the London theatres and pleasure gardens, as well as concertos, sinfonias, and sonatas. Early life Arne was born on March 12th, 1710 in Covent Garden and baptised at St Paul's, Covent Garden. Arne's father and grandfather were both upholsterers and both held office in the Worshipful Company of Upholders of the City of London. His grandfather fell on hard times and died in the debtors' prison of Marshalsea. His father earned enough money not only to rent 31 King Street, a large house in Covent Garden, but also t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Carey (musician)
Henry Carey (c. 26 August 1687 – 5 October 1743) was an English poet, dramatist and songwriter. He is remembered as an anti- Walpolean satirist and also as a patriot. Several of his melodies continue to be sung today, and he was widely praised in the generation after his death. Because he worked in anonymity, selling his own compositions to others to pass off as their own, contemporary scholarship can only be certain of some of his poetry, and a great deal of the music he composed was written for theatrical incidental music. However, under his own name and hand, he was a prolific songwriter and balladeer, and he wrote the lyrics for almost all of these songs. Further, he wrote numerous operas and plays. His life is illustrative of the professional author in the early 18th century. Without inheritance or title or governmental position, he wrote for all of the remunerative venues, and yet he also kept his own political point of view and was able to score significant points ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Croft
William Croft (baptised 30 December 1678 – 14 August 1727) was an English composer and organist. Life Croft was born at the Manor House, Nether Ettington, Warwickshire. He was educated at the Chapel Royal under the instruction of John Blow, and remained there until 1698. Two years after this departure, he became organist of St. Anne's Church, Soho and he became an organist and 'Gentleman extraordinary' at the Chapel Royal. He shared that post with his friend Jeremiah Clarke.Dennis Shrock In 1700, Croft, in collaboration with "an Italian Master", probably Gottfried Finger, published six sonatas for violin, flute, harpsichord and viol, in the newly fashionable Italian style. In 1707, he took over the Master of the Children of the Chapel Royal post, which had been left vacant by the suicide of Jeremiah Clarke. The following year, Croft succeeded Blow (who had lately died) as organist of Westminster Abbey. He composed works for the funeral of Queen Anne (1714) and for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Friedrich Haendel 6
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Georg may refer to: * ''Georg'' (film), 1997 *Georg (musical), Estonian musical * Georg (given name) * Georg (surname) * , a Kriegsmarine coastal tanker See also * George (other) George may refer to: People * George (given name) * George (surname) * George (singer), American-Canadian singer George Nozuka, known by the mononym George * George Washington, First President of the United States * George W. Bush, 43rd President ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, and organ concertos. Handel received his training in Halle (Saale), Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and Handel's Naturalisation Act 1727, became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphony, polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aria
In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, 'Aria del Gran Duca'). By the early 16th century it was in common use as meaning a simple setting of strophic poetry; me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer must per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas D'Urfey
Thomas d'Urfey (a.k.a. Tom Durfey; 165326 February 1723) was an English writer and wit. He wrote plays, songs, jokes, and poems. He was an important innovator and contributor in the evolution of the ballad opera. Life D'Urfey was born in Devonshire and began his professional life as a scrivener, but quickly turned to the theatre. In personality, he was considered so affable and amusing that he could make friends with nearly everyone, including such disparate characters as Charles II of England and his brother James II, and in all layers of society. D'Urfey lived in an age of self-conscious elitism and anti-egalitarianism, a reaction against the "leveling" tendencies of the previous Puritan reign during the Interregnum. D'Urfey participated in the Restoration's dominant atmosphere of social climbing: he claimed to be of French Huguenot descent, though he might not have been; and he added an apostrophe to the plain English name Durfey when he was in his 30s. He wrote 500 songs, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Playford
John Playford (1623–1686/7) was a London bookseller, publisher, minor composer, and member of the Stationers' Company, who published books on music theory, instruction books for several instruments, and psalters with tunes for singing in churches. He is perhaps best known today for his publication of ''The English Dancing Master'' in 1651. Biography Playford was born in Norwich, the younger son of John Playford. He served an apprenticeship in London with publisher John Benson from 1639/40 to 1647, after which he remained in the capital, opening a shop in the porch of Temple Church. Playford was clerk to the church, and probably resided with his wife Hannah over the shop until 1659. He was, it appears (from the title-pages of his publications) temporarily in partnership with John Benson in 1652, and with Zachariah Watkins in 1664 and 1665. Under the Commonwealth (1649–60), and for some years of Charles II's reign, Playford almost monopolised the business of music pu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Lawes
Henry Lawes (1596 – 1662) was the leading English songwriter of the mid-17th century. He was elder brother of fellow composer William Lawes. Life Henry Lawes (baptised 5 January 1596 – 21 October 1662),Ian Spink, "Lawes, Henry," ''Grove Music Online / Oxford Music Online'' accessed 18 October 2019. the elder son of Thomas Lawes (died 1640) and Lucris Lawes (born Shephard)Philip H. Highfill, Jr., Kalman A. Burnim, and Edward A. Langhans (eds), ''A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers & Other Stage Personnel in London, 1660–1800'' (Carbondale, Ill.: Southern Illinois University Press, 1984), vol. 9, p. 168.Highfill et al do not give authority for this was born at Dinton, near Wilton, Wiltshire, just before 5 January 1596. Around 1602 Thomas, a church musician, moved to Salisbury as lay vicar and the family took up residence in the Close. Henry's three brothers, born in Salisbury, were also able musicians: William, Thomas (1608 – 1666) an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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