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Engine (Jinn)
is the second mini studio album by the rock band Jinn Jinn ( ar, , ') – also Romanization of Arabic, romanized as djinn or Anglicization, anglicized as genies (with the broader meaning of spirit or demon, depending on sources) – are Invisibility, invisible creatures in early Arabian mytho .... It was released on July 14, 2010. Track listing # :52# :18# :50# :02# :17#"Optimist" :31 References {{Authority control Jinn (band) albums 2010 albums ...
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Jinn (band)
Jinn () is a 4-member Japanese rock band. They are part of Sony Music Entertainment Japan's Palm Beach record label. History The members of Jinn all attended the same high school, and formed the band in Tokyo in the summer of 2003. In March 2004, the band recorded a demo CD, , with 500 copies selling out quickly. l After that in 2005, the band recorded a mini album, . In August 2006, the single was released, which was featured as the final opening theme to the ''Blood+'' anime series. On November 22 the same year, Jinn also released another single, . In 2007, Jinn performed the second opening theme to the Sunrise anime series '' Code Geass: Lelouch of the Rebellion'', , which was released on January 31, 2007. Their first full album, , was released on February 28, 2007. Their second album, ''Qualia'' was released on February 6, 2008. A mini album was released July 2010 entitled 'Engine'. After 2 years, they returned with 2 singles:Mugen No Hikari/Blue Scale and Rizing. On June ...
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J-pop
J-pop ( ja, ジェイポップ, ''jeipoppu''; often stylized as J-POP; an abbreviated form of "Japanese popular music"), natively also known simply as , is the name for a form of popular music that entered the musical mainstream of Japan in the 1990s. Modern J-pop has its roots in traditional music of Japan, and significantly in 1960s pop and rock music. J-pop replaced ''kayōkyoku'' ("Lyric Singing Music", a term for Japanese popular music from the 1920s to the 1980s) in the Japanese music scene. J-rock bands such as Happy End fused the Beatles and Beach Boys-style rock with Japanese music in the 1960s1970s. J-country had popularity during the international popularity of Westerns in the 1960s1970s as well, and it still has appeal due to the work of musicians like Charlie Nagatani and venues including Little Texas, Tokyo. J-rap became mainstream with producer Nujabes and his work on ''Samurai Champloo'', Japanese pop culture is often seen with anime in hip hop. Other trends ...
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Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ...
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Qualia (album)
is the second major studio album by the indie rock band Jinn Jinn ( ar, , ') – also Romanization of Arabic, romanized as djinn or Anglicization, anglicized as genies (with the broader meaning of spirit or demon, depending on sources) – are Invisibility, invisible creatures in early Arabian mytho .... It was released on February 6, 2008. Track listing # :52#" Vuena Vista" :11#"Route 18" :39# :08# :23# :14# :00# :09# :16# :57# :30 Jinn (band) albums 2008 albums {{2000s-pop-album-stub ...
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Jinn (band) Albums
Jinn ( ar, ), also romanized as djinn or anglicized as genies, are invisible creatures in early pre-Islamic Arabia and later in Islamic culture and beliefs. Like humans, they are accountable for their deeds and can be either believers (Muslims) or disbelievers (''kafir''), depending on whether they accept God's guidance. Since jinn are neither innately evil nor innately good, Islam acknowledged spirits from other religions and could adapt them during its expansion. Jinn are not a strictly Islamic concept; they may represent several pagan beliefs integrated into Islam. To assert a strict monotheism and the Islamic concept of ''tawhid'' (oneness of God), Islam denies all affinities between the jinn and God, thus placing the jinn parallel to humans, also subject to God's judgment and afterlife. The Quran condemns the pre-Islamic Arabian practice of worshipping or seeking protection from them. Although usually invisible, jinn are supposed to be composed of thin and subtle bodies ...
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