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Engine (Die Warzau Album)
''Engine'' is the third studio album by Die Warzau, released on February 28, 1995 by TVT Records, TVT and Wax Trax! Records. It was the band's first album in over two years and upon release was considered a masterpiece of industrial music. Reception William Cooper of AllMusic championed ''Engine'' as one of the greatest industrial albums of all times and a marked improvement over the band's previous output in both sonic and stylistic variety. He calling the album "a major leap forward for Die Warzau, as it contains some of its most hard-hitting (and surprisingly pop-friendly) material" and that "the mixture of moods and musical approach shows astonishing artistic depth." ''Alternative Press (music magazine), Alternative Press'' praised the Die Warzau, Die Warzau's musical craftmanship and careful attention to details, saying "with ''Engine'' they've achieved true mastery of the electronic craft" and "the skilled mixings of genres and styles is mere child's play for them." ''Option ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Warzau
Die Warzau (originally Die Warzau Synfony) was an American industrial music band formed in 1987 by Jim Marcus and Van Christie. History In the late 80s, Jim Marcus and Van Christie were working individually as performance artists. Christie had also been playing music with a band but found that he wanted to work with another musician that was into performance art, which led to collaboration with Marcus. The duo originally took the name "Die Warzau Synfony" as a reference to an orchestra composed of dissidents and Jews that played in Warsaw, Poland early in World War Two until, as the band put it, they were "censored to death." After releasing their first 12", "I've Got to Make Sense", the band dropped "Synfony" to become simply Die Warzau. Originally signed to Chris Parry's Fiction Records, the pair released their first album ''Disco Rigido'' in 1989. Singles from the album made the Dance Club Songs, Billboard dance charts, with "Welcome to America" spending six weeks on the ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nielsen Holdings
Nielsen Holdings plc is an American information, data and market measurement firm. Nielsen operates in over 100 countries and employs approximately 44,000 people worldwide. The company was listed on the New York Stock Exchange (NYSE) and used to be a component of the S&P 500. History Formation Nielsen was founded in 1923 by Arthur C. Nielsen, Sr., who invented an approach to measuring competitive sales results that made the concept of "market share" a practical management tool. The company was originally incorporated in the Netherlands and later was purchased on May 24, 2006, by a consortium of private equity firms. Merger and listing In January 2011, Nielsen consummated an initial public offering of common stock and, subsequently, started trading on the New York Stock Exchange under the symbol “NLSN”. On August 31, 2015, Nielsen N.V., a Dutch public company listed on the New York Stock Exchange, merged with Nielsen Holdings plc, by way of a cross-border merger under th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collier Books
Crowell-Collier Publishing Company was an American publisher that owned the popular magazines '' Collier's'', ''Woman's Home Companion'' and ''The American Magazine''. Crowell's subsidiary, P.F. Collier and Son, published ''Collier's Encyclopedia,'' the Harvard Classics, and general interest books. The company was founded by agricultural tool manufacturer P. P. Mast with a single magazine, ''Farm & Fireside (''later the ''Country Home'''')'' to sell farm tools and implements in 1877 in Springfield, Ohio. By 1881, Mast had relinquished control to John S. Crowell who expanded their company by purchasing ''Home Companion'' (later changing the name to ''Woman's Home Companion''). After P. P. Mast's death in 1898, Crowell obtained control of the company and established it as the Crowell Publishing Company. Crowell Publishing expanded their magazine holdings with ''The American Magazine'' in 1911 and the weekly '' Collier's'' in 1919. At one point Collier's weekly had over 1.25 millio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trouser Press
''Trouser Press'' was a rock and roll magazine started in New York in 1974 as a mimeographed fanzine by editor/publisher Ira Robbins, fellow fan of the Who Dave Schulps and Karen Rose under the name "Trans-Oceanic Trouser Press" (a reference to a song by the Bonzo Dog Doo-Dah Band and an acronymic play on the British TV show ''Top of the Pops)''. Publication of the magazine ceased in 1984. The unexpired portion of mail subscriptions was completed by ''Rolling Stone'' sister publication ''Record'', which itself folded in 1985. ''Trouser Press'' has continued to exist in various formats. History The magazine's original scope was British bands and artists (early issues featured the slogan "America's Only British Rock Magazine"). Initial issues contained occasional interviews with major artists like Brian Eno and Robert Fripp and extensive record reviews. After 14 issues, the title was shortened to simply ''Trouser Press'', and it gradually transformed into a professional magazine w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tony Fletcher
Tony Fletcher (born 27 April 1964) is a British music journalist best known for his biographies of drummer Keith Moon and the band R.E.M., and also as a show director for the Rock Academy in Woodstock. ''Jamming!'' Born in Yorkshire, England, Fletcher was inspired by the London punk rock movement and started a fanzine as a thirteen-year-old schoolboy which he named ''Jamming!''. Founded in 1977, the magazine began as a school-printed fanzine and in 1978, with the fifth issue featuring interviews with Paul Weller, Adam Ant and John Peel, adopted professional printing and wider distribution. From 1979-84, it was printed and partly distributed by Better Badges. Between 1978-83, ''Jamming!'' featured interviews with a range of artists that included Pete Townshend, Aztec Camera, Dexys Midnight Runners, the Damned, Delta 5, the Jam, Bill Nelson, Scritti Politti, the Selecter, the Beat, Dead Kennedys and more. In September 1983, ''Jamming!'' went bi-monthly, and later monthl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Techno
Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular. Much of the instrumentation in techno emphasizes the role of rhythm over other musical parameters. Techno tracks mainly progress over manipulation of timbral characteristics of synthesizer presets and, unlike forms of EDM that tend to be produced with synthesizer keyboards, techno does not always strictly adhere to the harmonic practice of Western music and such structures are often ignored in favor of timbr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Socialism
Socialism is a left-wing economic philosophy and movement encompassing a range of economic systems characterized by the dominance of social ownership of the means of production as opposed to private ownership. As a term, it describes the economic, political and social theories and movements associated with the implementation of such systems. Social ownership can be state/public, community, collective, cooperative, or employee. While no single definition encapsulates the many types of socialism, social ownership is the one common element. Different types of socialism vary based on the role of markets and planning in resource allocation, on the structure of management in organizations, and from below or from above approaches, with some socialists favouring a party, state, or technocratic-driven approach. Socialists disagree on whether government, particularly existing government, is the correct vehicle for change. Socialist systems are divided into non-market and market f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Music
House is a music genre characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by Disc jockey, DJs and music producers from Chicago metropolitan area, Chicago's underground Clubbing (subculture), club culture in the late 1970s, as DJs began altering disco songs to give them a more mechanical beat. House was pioneered by African Americans, African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other American cities such as New York City and became a worldwide phenomenon. House has had a large effect on pop music, especially dance music. It was incorporated by major international pop artists including Whitney Houston, Janet Jackson ("Together Again (Janet Jackson song), Together Again"), Kylie Minogue, Pet Shop Boys and Madonna ("Vogu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Jazz
Free jazz is an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians during this period believed that the bebop, hard bop, and modal jazz that had been played before them was too limiting. They became preoccupied with creating something new and exploring new directions. The term "free jazz" has often been combined with or substituted for the term "avant-garde jazz". Europeans tend to favor the term "free improvisation". Others have used "modern jazz", "creative music", and "art music". The ambiguity of free jazz presents problems of definition. Although it is usually played by small groups or individuals, free jazz big bands have existed. Although musicians and critics claim it is innovative and forward-looking, it draws on early styles of jazz and has been described as an attempt to return to primitive, often re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funk
Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African Americans in the mid-20th century. It de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first bea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Option (music Magazine)
''Option'' (subtitled ''Music Alternatives'', then ''Music Culture'') was a music magazine based in Los Angeles, California, US. It covered independent, underground and alternative music and multiple musical genres for an international subscription base. Its print run began in 1985 and ended in 1998. History Originally called ''OPtion'', it, along with ''Sound Choice'', were the dual successors to the earlier music magazine '' OP'', published by John Foster and the Lost Music Network and known for its diverse scope and the role it played in providing publicity to DIY musicians in the midst of the cassette culture. When Foster ended ''OP'' after only twenty-six issues, he held a conference, offering the magazine's resources to parties interested in carrying on; attendant journalist David Ciaffardini went on to start ''Sound Choice'', while Scott Becker, alongside Richie Unterberger, founded ''Option''. Whereas ''Sound Choice'' was described as a low-budget and "chaotic" publication ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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