Energique
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Energique
''Energique'' is the second studio album by English electronic music group Bizarre Inc, released on 1992. It features singles such as "Playing with Knives", "Plutonic", " I'm Gonna Get You", " Took My Love" and "Love in Motion". Critical reception Richard Smith from ''Melody Maker'' wrote, " Bizarre Inc have become one of the leading exponents of dragging the underground overground by making music that's as safe as house gets. But it still thrills. Putting the fun, though perhaps not the funk, back into the functional ''Energique'' is an often exhilarating exercise in expertise." Mandi James from '' NME'' said, "What ''Energique'' ultimately confirms is that Bizarre Inc are unsung heroes of a scene which has moved well and truly overground." Another editor, Ian McCann, complimented the album as "excellent", adding, "Here are the singles that filled floors and fields throughout 1991, plus a pile of newer tunes to match: 'Raise Me', X-Static', 'Playing with Knives', the mighty 'Pl ...
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I'm Gonna Get You (Bizarre Inc Song)
"I'm Gonna Get You" is a 1992 song by English electronic music group Bizarre Inc, featuring collaborative lead vocals by English singer Angie Brown. It was the second single from the group's second studio album, ''Energique'' (1992). It contains lyrics from the Jocelyn Brown song " Love's Gonna Get You", and a sample from "Brass Disk" by Dupree. "I'm Gonna Get You" proved to be a hit on the UK Singles Chart in October 1992, peaking at number three and later being certified silver by the British Phonographic Industry for sales in excess of 200,000 copies, and it also reached the number-three position in the Netherlands in January 1993. The track failed to reach the top 40 on the US ''Billboard'' Hot 100, but did top the ''Billboard'' Hot Dance Club Songs chart as well as the Canadian '' RPM'' Dance/Urban chart. Background English singer and songwriter Angie Brown was introduced to Bizarre Inc through her agent and was asked to do some session work with them. The group ...
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Bizarre Inc
Bizarre Inc were an English techno group. Formed in 1989 as a duo between English DJs Dean Meredith and Mark "Aaron" Archer (not to be confused with the film producer of the same name), they later re-formed as a trio consisting of Meredith, Andrew Meecham, and Carl Turner in 1990. Career The group formed as Meredith and Archer linked to start an acid-house/techno project under 'Blue Chip Records'. A label owned by former Wigan Casino DJ Kev Roberts. The first releases were (and still are) only available on 12'' vinyl: "It's Time to Get Funky" (BLUE C14R), later shortened to "Time to Get Funky" (BLUE C14RR); and the 6-track debut album ''Technological'', both written and produced by Meredith and Archer. By 1990, Archer left Meredith to work as producer and writer with different house and techno projects, a greater part of which were for Network Records. He was also known as DJ Nex for a long time; later on he released material under names such as Mr. Nex, O.P.D., Xen Mantra, ...
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Took My Love
"Took My Love" is a song by English electronic music group Bizarre Inc, featuring guest lead vocals by English singer Angie Brown. It was released in February 1993 as the third single from the group's second studio album, '' Energique'' (1992). The single went to number 19 on the UK Singles Chart and number-one for two weeks on the US ''Billboard'' Dance Club Songs chart. It was also number-one in Canada, peaking at the top of the ''RPM'' Dance/Urban chart for six weeks. Critical reception Ned Raggett from AllMusic stated that singer Angie Brown "does another good vocal turn on the I'm Gonna Get You (Bizarre Inc song)">I'm Gonna Get You"similarly-arranged" song. In his weekly UK chart commentary, James Masterton wrote, "The decision of the techno duo to get themselves a guest vocalist with a real voice reaped obvious dividends when "I'm Gonna Get You" hit No.3 back in October. The new single is basically more of the same, following a proper song structure but still a track to st ...
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Playing With Knives
"Playing with Knives" is a song by British electronic dance music group Bizarre Inc. It was their second single released through Vinyl Solution (their fourth single overall), as well as their second single to be written and produced as a trio. It is also the first single from their debut full-length album, '' Energique'' (1992). The song originally reached number 43 in the UK Singles Chart in March 1991. It was re-released later the same year and peaked at number four in the UK charts. In 1999, the song was released for a third time, charting at a peak of number 30. Critical reception Ned Raggett from AllMusic found that the song "has a wonderful squelching lead hook, leading into the mid-song shift to vocals and piano effortlessly." Larry Flick from ''Billboard'' noted that it "spills industrial/acid keyboard noises on top of a fast-paced house groove". He added, "Nice contrast comes via occasional disco strings and diva wailing. Totally wild." James Hamilton from ''Music Week ...
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Philadelphia Inquirer
''The Philadelphia Inquirer'' is a daily newspaper headquartered in Philadelphia, Pennsylvania. The newspaper's circulation is the largest in both the U.S. state of Pennsylvania and the Delaware Valley metropolitan region of Southeastern Pennsylvania, South Jersey, Delaware, and the northern Eastern Shore of Maryland, and the 17th largest in the United States as of 2017. Founded on June 1, 1829 as ''The Pennsylvania Inquirer'', the newspaper is the third longest continuously operating daily newspaper in the nation. It has won 20 Pulitzer Prizes . ''The Inquirer'' first became a major newspaper during the American Civil War. The paper's circulation dropped after the Civil War's conclusion but then rose again by the end of the 19th century. Originally supportive of the Democratic Party, ''The Inquirers political orientation eventually shifted toward the Whig Party and then the Republican Party before officially becoming politically independent in the middle of the 20th centu ...
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Techno
Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular. Much of the instrumentation in techno emphasizes the role of rhythm over other musical parameters. Techno tracks mainly progress over manipulation of timbral characteristics of synthesizer presets and, unlike forms of EDM that tend to be produced with synthesizer keyboards, techno does not always strictly adhere to the harmonic practice of Western music and such structures are often ignored in favor of timbr ...
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Funk
Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African Americans in the mid-20th century. It de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first bea ...
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House Music
House is a music genre characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by Disc jockey, DJs and music producers from Chicago metropolitan area, Chicago's underground Clubbing (subculture), club culture in the late 1970s, as DJs began altering disco songs to give them a more mechanical beat. House was pioneered by African Americans, African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other American cities such as New York City and became a worldwide phenomenon. House has had a large effect on pop music, especially dance music. It was incorporated by major international pop artists including Whitney Houston, Janet Jackson ("Together Again (Janet Jackson song), Together Again"), Kylie Minogue, Pet Shop Boys and Madonna ("Vogu ...
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Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect units to ...
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New Musical Express
''New Musical Express'' (''NME'') is a British music, film, gaming, and culture website and brand. Founded as a newspaper in 1952, with the publication being referred to as a 'rock inkie', the NME would become a magazine that ended up as a free publication, before becoming an online brand which includes its website and radio stations. As a 'rock inkie', ''NME'' was the first British newspaper to include a singles chart, adding that feature in the edition of 14 November 1952. In the 1970s, it became the best-selling British music newspaper. From 1972 to 1976, it was particularly associated with gonzo journalism then became closely associated with punk rock through the writings of Julie Burchill, Paul Morley, and Tony Parsons. It started as a music newspaper, and gradually moved toward a magazine format during the 1980s and 1990s, changing from newsprint in 1998. The magazine's website NME.com was launched in 1996, and became the world's biggest standalone music site, with ...
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Techno
Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular. Much of the instrumentation in techno emphasizes the role of rhythm over other musical parameters. Techno tracks mainly progress over manipulation of timbral characteristics of synthesizer presets and, unlike forms of EDM that tend to be produced with synthesizer keyboards, techno does not always strictly adhere to the harmonic practice of Western music and such structures are often ignored in favor of timbr ...
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Melody Maker
''Melody Maker'' was a British weekly music magazine, one of the world's earliest music weeklies; according to its publisher, IPC Media, the earliest. It was founded in 1926, largely as a magazine for dance band musicians, by Leicester-born composer, publisher Lawrence Wright; the first editor was Edgar Jackson. In January 2001, it was merged into "long-standing rival" (and IPC Media sister publication) ''New Musical Express''. 1950s–1960s Originally the ''Melody Maker'' (''MM'') concentrated on jazz, and had Max Jones, one of the leading British proselytizers for that music, on its staff for many years. It was slow to cover rock and roll and lost ground to the ''New Musical Express'' (''NME''), which had begun in 1952. ''MM'' launched its own weekly singles chart (a top 20) on 7 April 1956, and an LPs charts in November 1958, two years after the ''Record Mirror'' had published the first UK Albums Chart. From 1964, the paper led its rival publications in terms of approac ...
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