|
Endgame (opera)
''Fin de partie'' is a one-act opera by György Kurtág, set to a French-language libretto adapted by the composer from the play ''Endgame'' (French title: ''Fin de partie'') by Samuel Beckett, with the inclusion of a setting of Beckett's English-language poem "Roundelay" at the start of the opera. Kurtág fully titled this work, his first opera, ''Samuel Beckett: Fin de partie: scènes et monologues, opéra en un acte''. Kurtág dedicated the opera to the memory of "''mon professeur'' Ferenc Farkas and of ''mon ami ": qui, dans ma jeunesse, m'ont appri (sic) l'essentiel sur l'opéra'' ho, in my youth, taught me the essentials of opera History The Teatro alla Scala, Milan, commissioned the opera, and staged the premiere on 15 November 2018. The director of the premiere production was Pierre Audi, with set and costume designs by , and lighting design by Urs Schönebaum. The premiere production was a joint production between La Scala and Dutch National Opera (DNO), Amsterdam. The D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Endgame (play)
''Endgame'', by Samuel Beckett, is an absurdist, tragicomic one-act play about a blind, paralyzed, domineering elderly man, his geriatric parents and his doddering, dithering, harried, servile companion in an abandoned shack in a post-apocalyptic wasteland who mention their awaiting some unspecified “end” which seems to be the end of their relationship, death, and the end of the actual play itself. Much of the play’s content consists of terse, back and forth dialogue between the characters reminiscent of bantering, along with trivial stage actions; the plot is held together by the development of a grotesque story-within-a-story the character Hamm is writing. An aesthetically profound part of the play is the way the story-within-story and the actual play come to an end at roughly the same time. The play’s title refers to chess and frames the characters as acting out a losing battle with each other or their fate. It was originally written in French (entitled ''Fin de partie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Markus Stenz
Markus Stenz (born 28 February 1965, Bad Neuenahr-Ahrweiler, Rhineland-Palatinate) is a German conductor. He studied at the Hochschule für Musik Köln with Volker Wangenhein and at Tanglewood with Leonard Bernstein and Seiji Ozawa. Stenz has served as Artistic Director of the Montepulciano Festival (1989–1995), and Principal Conductor of the London Sinfonietta (1994–1998). In Australia, from 1998 to 2004, he was Artistic Director and Chief Conductor of the Melbourne Symphony Orchestra (MSO), which he took on their first European tour in 2000. Stenz is known for his championing of contemporary composers, which included the appointment of Brett Dean as the MSO's composer-in-residence in 2001. Stenz was Principal Conductor of the Gürzenich Orchestra (Gürzenich-Kapellmeister) from 2003 to 2014. During his tenure, beginning in October 2005, concerts of the Gürzenich Orchestra have been recorded live on their own label "GO live!" and made available within 5 minutes of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas Based On Plays
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera World Premieres At La Scala
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western culture#Music, Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2018 Operas
Eighteen or 18 may refer to: * 18 (number), the natural number following 17 and preceding 19 * one of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * "18", by Anarbor from their 2013 studio album '' Burnout'' * "I'm Eighteen", by Alice Cooper commonly r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By György Kurtág
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography * Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space * Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones * Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alex Ross (music Critic)
Alex Ross (born January 12, 1968) is an American music critic and author who specializes in classical music. A staff member of ''The New Yorker'' magazine since 1996, his extensive writings include performance and record reviews, industry updates, cultural commentary and historical narratives in the realm of classical music. He has written three well-received books: '' The Rest Is Noise: Listening to the Twentieth Century'' (2007), ''Listen to This'' (2011), and ''Wagnerism: Art and Politics in the Shadow of Music'' (2020). A graduate of Harvard University and student of composer Peter Lieberson, from 1992 to 1996 Ross was a critic for ''The New York Times''. He has received wide acclaim for his publications; ''The Rest Is Noise'' was a finalist for the 2008 Pulitzer Prize for General Nonfiction, and his other awards and honors include a MacArthur Fellowship and the Belmont Prize. He maintains a popular classical music blog, ''The Rest is Noise''. Life and career Alex Ross w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fiona Maddocks
Fiona Maddocks is a British music critic and author who specializes in classical music. Described as "one of the UK's leading writers and commentators on classical music", Maddocks has been chief music critic of ''The Observer'' since 2010. She held a central role in founding three media companies: ''BBC Music Magazine'', Channel 4 and ''The Independent''. Previously arts feature writer for the ''Evening Standard'', Maddocks has also written for ''The Guardian'' and ''The Times''. Her publications include a survey on the Medieval composer Hildegard of Bingen, a collection of interviews with Harrison Birtwistle, an anthology of 100 pieces recommended pieces, and a guide to 20th-century classical music. Life and career Fiona Maddocks was born in London, studied English literature at Cambridge University and then attended the Royal College of Music. In 1997, she succeeded Andrew Porter as the chief chief music critic of ''The Observer''. She stayed there until 2002, leaving due t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hilary Summers
Hilary Summers is a Welsh lyric contralto. She was trained at Reading University, the Royal Academy of Music, and the National Opera Studio in London. She has performed on soundtracks such as '' The Lord of the Rings: The Two Towers'', '' The Libertine'', and ''The Hitchhiker's Guide to the Galaxy''. She has created roles for composers Péter Eötvös and Elliott Carter, and is known to have a close working relationship with Michael Nyman. She created the leading role of the Art Banker in Nyman's opera ''Facing Goya''. In 2000 she performed the role of Mars in the first modern revival of Giovanni Legrenzi's ''La divisione del mondo'' at the Schwetzingen Festival. Her discography includes, for Chandos, Handel's ''Partenope'' and ''Semele''. She sang the Sorceress in ''Dido and Aeneas'' at the Opéra-Comique The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called "countertenors". The Italian terms "contralto" and "alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard to factors ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
