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Emmett Berry
Emmett Berry (July 23, 1915 – June 22, 1993) was an American jazz trumpeter. Berry was born in Macon, Georgia, United States. He began to study classical trumpet in Georgia, but by 18 had switched to jazz and moved to New York City. He became a member of Fletcher Henderson's band and later replaced Roy Eldridge as soloist. In the 1940s, he worked in Eldridge's Little Jazz Trumpet Ensemble. He also played in Count Basie's band. He is known as an accompanist for Billie Holiday, was in the photograph known as '' A Great Day in Harlem'', and the special '' The Sound of Jazz''. He died in Cleveland, Ohio on June 22, 1973. Discography With Buck Clayton * ''Songs for Swingers'' (Columbia, 1959) * ''Cat Meets Chick'' (Columbia, 1956) * ''One for Buck'' (Columbia, 1962) * '' Copenhagen Concert'' (SteepleChase, 1979) With Johnny Hodges * ''Memories of Ellington'' (Norgran, 1954) * '' Castle Rock'' (Norgran, 1955) * ''Dance Bash'' (Norgran, 1955) * ''In a Tender Mood'' (Norgran, 195 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castle Rock (album)
''Castle Rock'' is an album recorded by American jazz saxophonist Johnny Hodges featuring performances recorded in 1951 and 1952 and released on the Norgran label.Norgran Records Catalog: 1000 series accessed February 16, 2016 accessed February 16, 2016 Reception The site awarded the album 3 stars out of 5 and noted "Hodges was evidently trying to make somewhat of a break from his established sound with this recordi ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmond Hall
Edmond Hall (May 15, 1901 – February 11, 1967) was an American jazz clarinetist and bandleader. Over his career, Hall worked extensively with many leading performers as both a sideman and bandleader and is possibly best known for the 1941 chamber jazz song "Profoundly Blue". Biography Early life Born in Reserve, Louisiana, United States, about 40 miles west of New Orleans on the Mississippi River, Hall and his siblings were born into a musical family. His father, Edward Blainey Hall, and mother, Caroline Duhe, had eight children, Priscilla (1893), Moretta (1895), Viola (1897), Robert (1899), Edmond (1901), Clarence (1903), Edward (1905) and Herbert (1907). His father, Edward, played the clarinet in the Onward Brass Band, joined by Edmond's maternal uncles, Jules Duhe on trombone, Lawrence Duhe on clarinet, and Edmond Duhe on guitar. The Hall brothers, Robert, Edmond, and Herbert, all became clarinetists, but Edmond was first taught guitar by his uncle Edmond. When Hall picke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
World Statesman
''World Statesman'' is an album by trumpeter Dizzy Gillespie, recorded in 1956 and released on the Norgran label.Dizzy Gillespie discography accessed March 26, 2012 The album was reissued as part of the 2CD compilation '' Birks Works: The Verve Big Band Sessions''.Yanow, S ''Birks Works'' Allmusic Review accessed March 26, 2012 Reception The review states: "This set introduced t ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizzy Gillespie
John Birks "Dizzy" Gillespie (; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop's most prominent symbols. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote, "Dizzy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bobby Donaldson
Robert Stanley "Bobby" Donaldson (November 29, 1922, Boston – 1971) was an American jazz and R&B drummer. After playing locally in the early 1940s, Donaldson played with Russell Procope while serving in the Army in New York City. In 1946–47 Donaldson worked with Cat Anderson, and following this played with Edmond Hall, Andy Kirk, Lucky Millinder, Buck Clayton, Red Norvo, and Sy Oliver/Louis Armstrong. He was a prolific session musician for much of the 1950s and 1960s, playing with Helen Merrill, Ruby Braff, Mel Powell, Benny Goodman, Count Basie, Bobby Jaspar, Herbie Mann, André Hodeir, Kenny Burrell, Lonnie Johnson, Frank Wess, Willis Jackson, and Johnny Hodges. Early in his career he played with the Boston Symphony. Discography As leader *''Dixieland New York'' (World Wide, 1958) *''Dixieland Jazz Party'' (Savoy, 1959) *''Jazz Unlimited'' (Jazz Unlimited 1961) As sideman *Mildred Anderson, ''No More in Life'' (Prestige Bluesville, 1961) *Count Basie, ''A Night at Cou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruby Braff
Reuben "Ruby" Braff (March 16, 1927 – February 9, 2003) was an American jazz trumpeter and cornetist. Jack Teagarden was once asked about him on the Garry Moore television show and described Ruby as "the Ivy League Louis Armstrong". Braff was born in Boston, Massachusetts, United States. He was renowned for working in an idiom ultimately derived from the playing of Louis Armstrong and Bix Beiderbecke. He began playing in local clubs in the 1940s. In 1949, he was hired to play with the Edmond Hall Orchestra at the Savoy Cafe of Boston. He relocated to New York in 1953 where he was much in demand for band dates and recordings. He resided in Harwich, Massachusetts and died of complications from emphysema, heart failure, and glaucoma on February 9, 2003, in Chatham, Massachusetts. He had spent a good part of his life living in the Riverdale section of The Bronx, New York City. Discography As leader/co-leader * ''Buck Meets Ruby'' (Vanguard, 1954) with Buck Clayton * ''Jazz a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sidney Bechet
Sidney Bechet (May 14, 1897 – May 14, 1959) was an American jazz saxophonist, clarinetist, and composer. He was one of the first important soloists in jazz, and first recorded several months before trumpeter Louis Armstrong. His erratic temperament hampered his career, and not until the late 1940s did he earn wide acclaim. Bechet spent much of his later life in France. Biography Early life Bechet was born in New Orleans in 1897 to a middle-class Creole of color family. Bechet's father Omar was both a shoemaker and a flute player, and all four of his brothers were musicians as well. His older brother, Leonard Victor Bechet, was a full-time dentist and a part-time trombonist and bandleader. Bechet learned and mastered several musical instruments that were kept around the house (he began on the cornet), mostly by teaching himself; he decided to specialize in the clarinet (which he played almost exclusively until about 1919). At the age of six, he started to perform w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Night At Count Basie's
''A Night at Count Basie's'' is a live album by vocalist Joe Williams recorded at Count Basie's nightclub in Harlem in 1956 and released on the Vanguard label. , accessed November 14, 2016 Reception The review by Buce Eder stated " This may possibly have been, as claimed, the first authorized commercial recording ever done from a neighborhood bar (complete with the sounds of telephones, cash registers, etc., in the distant background), and the results are priceless ... The sound is remarkably clean and sharp, which makes the fact that the band was incredibly "on" that night even more appreciated". Track listi ...
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Jump For Joy (Cannonball Adderley Album)
''Jump for Joy'' (1958) is the final album by jazz saxophonist Cannonball Adderley released on the EmArcy Records, EmArcy label and featuring Adderley with an orchestra arranged by Bill Russo.Cannonball Adderley discography accessed 19 October 2009 Reception The Allmusic review by Stewart Mason states: "Something of a companion album to the earlier ''Julian Cannonball Adderley and Strings'', ''Jump for Joy'' sounds like it could be outtakes from the same sessions in terms of its orchestral-quality arrangements, but this is very much its own album. Jump for Joy is Adderley's reinterpretation, circa 1958, of a Duke Ellington stage musical from 1941.... Hearing Adderley's often thrilling, always well-constructed alto sax improvisations over tunes like the standard 'I ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cannonball Adderley
Julian Edwin "Cannonball" Adderley (September 15, 1928August 8, 1975) was an American jazz alto saxophonist of the hard bop era of the 1950s and 1960s. Adderley is perhaps best remembered for the 1966 soul jazz single "Mercy, Mercy, Mercy", which was written for him by his keyboardist Joe Zawinul and became a major crossover hit on the pop and R&B charts. A cover version by the Buckinghams, who added lyrics, also reached No. 5 on the charts. Adderley worked with Miles Davis, first as a member of the Davis sextet, appearing on the seminal records ''Milestones'' (1958) and '' Kind of Blue'' (1959), and then on his own 1958 album '' Somethin' Else''. He was the elder brother of jazz trumpeter Nat Adderley, who was a longtime member of his band. Early life and career Julian Edwin Adderley was born on September 15, 1928, in Tampa, Florida to high school guidance counselor and cornet player Julian Carlyle Adderley and elementary school teacher Jessie Johnson. Elementary school cla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Rushing
James Andrew Rushing (August 26, 1901 – June 8, 1972) was an American singer and pianist from Oklahoma City, Oklahoma, U.S., best known as the featured vocalist of Count Basie's Orchestra from 1935 to 1948. Rushing was known as " Mr. Five by Five" and was the subject of an eponymous 1942 popular song that was a hit for Harry James and others; the lyrics describe Rushing's rotund build: "he's five feet tall and he's five feet wide". He joined Walter Page's Blue Devils in 1927 and then joined Bennie Moten's band in 1929. He stayed with the successor Count Basie band when Moten died in 1935. Rushing said that his first time singing in front of an audience was in 1924. He was playing piano at a club when the featured singer, Carlyn Williams, invited him to do a vocal. "I got out there and broke it up. I was a singer from then on," he said. Rushing was a powerful singer who had a range from baritone to tenor. He has sometimes been classified as a blues shouter. He could project ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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