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Emma Howson
Emma Howson (28 March 1844 – 28 May 1928) was an Australian opera singer and actress primarily known as the creator of the principal soprano role of Josephine in the Gilbert and Sullivan comic opera ''H.M.S. Pinafore''. She began her operatic career in Australia as a teen. In her early 20s Howson's family moved to America, where she played leading roles in opera, Victorian burlesque, other dramatic forms, and on the concert stage. After vocal studies in Italy, she continued her career in England where, in 1878, she joined Richard D'Oyly Carte's company to originate the role of Josephine. In the early 1880s, she returned to the US where she continued to perform and, within a decade, retired to teach music. Early life and career Howson was born in Hobart Town, Tasmania, and performed as a child in concerts with her father, Frank (a baritone and conductor) and her brothers. She was the niece of opera singer Emma Albertazzi (also born Emma Howson). Her father, with his tenor ...
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Emma Howson
Emma Howson (28 March 1844 – 28 May 1928) was an Australian opera singer and actress primarily known as the creator of the principal soprano role of Josephine in the Gilbert and Sullivan comic opera ''H.M.S. Pinafore''. She began her operatic career in Australia as a teen. In her early 20s Howson's family moved to America, where she played leading roles in opera, Victorian burlesque, other dramatic forms, and on the concert stage. After vocal studies in Italy, she continued her career in England where, in 1878, she joined Richard D'Oyly Carte's company to originate the role of Josephine. In the early 1880s, she returned to the US where she continued to perform and, within a decade, retired to teach music. Early life and career Howson was born in Hobart Town, Tasmania, and performed as a child in concerts with her father, Frank (a baritone and conductor) and her brothers. She was the niece of opera singer Emma Albertazzi (also born Emma Howson). Her father, with his tenor ...
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Kurt Gänzl
Kurt-Friedrich Gänzl (born 15 February 1946) is a New Zealand writer, historian and former casting director and singer best known for his books about musical theatre. After a decade-long playwriting, acting and singing career, and a second career as a casting director of West End shows, Gänzl became one of the world's most important chroniclers of musical theatre history."Kurt Gänzl"
Theatre Heritage Australia, 2 September 2020
According to Christophe Mirambeau of Canal Académie, "Kurt Gänzl is an institution. No one interested in musicals and operetta can ignore that. He is the world reference – with some few others, like ,

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The Marriage Of Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of ...
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Oberon (Weber)
''Oberon, or The Elf-King's Oath'' ( J. 306) is a 3-act romantic opera with spoken dialogue composed in 1825–26 by Carl Maria von Weber. The only English opera ever set by Weber, the libretto by James Robinson Planché was based on the German poem ''Oberon'' by Christoph Martin Wieland, which itself was based on the epic romance ''Huon de Bordeaux'', a French medieval tale. It was premiered in London on 12 April 1826. Against his doctor's advice, Weber undertook the project commissioned by the actor-impresario Charles Kemble for financial reasons. Having been offered the choice of Faust or Oberon as subject matter, he travelled to London to complete the music, learning English to be better able to follow the libretto, before the premiere of the opera. However, the pressure of rehearsals, social engagements and composing extra numbers destroyed his health, and Weber died in London on 5 June 1826. Performance history First performed at Covent Garden, London, on 12 April 1826, ...
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Martha (opera)
''Martha, oder Der Markt zu Richmond'' (''Martha, or The Market at Richmond'') is a ''romantic comic'' opera in four acts by Friedrich von Flotow set to a German libretto by and based on a story by Jules-Henri Vernoy de Saint-Georges. Flotow had composed the first act of a ballet, ''Harriette, ou la servante de Greenwiche'', derived from a text by Saint-Georges, for the ballerina Adèle Dumilâtre. This was first performed by the Paris Opera Ballet at the Salle Le Peletier on 21 February 1844. The time available for the composition was short, so the second and third acts were assigned, respectively, to Friedrich Burgmüller and Édouard Deldevez. The opera ''Martha'' was an adaptation of this ballet. Critical appreciation According to Gustav Kobbé, ''Martha'', though written by a native of Mecklenburg and first performed in Vienna, is French in character and elegance. Flotow was French in his musical training, as were the origins of both the plot and the score of this work, ef ...
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The Bohemian Girl
''The Bohemian Girl'' is an Irish Romantic opera composed by Michael William Balfe with a libretto by Alfred Bunn. The plot is loosely based on a Miguel de Cervantes' tale, ''La Gitanilla''. The best-known aria from the piece is "I Dreamt I Dwelt in Marble Halls" in which the main character, Arline, describes her vague memories of her childhood. It has been recorded by many artists, most famously by Dame Joan Sutherland, and also by the Norwegian soprano Sissel Kyrkjebø and Irish singer Enya. Performance history The opera was first produced in London at the Drury Lane Theatre on 27 November 1843. The production ran for more than 100 nights and enjoyed many revivals worldwide including: New York City (25 November 1844), Dublin (1844) and Philadelphia (1844).Loewenberg, columns 832-833. Loewenberg's listing of a production in Madrid on 9 April 1845 in an Italian translation by R. Paderni is evidently incorrect. No such performance can be traced, and D'Erme (see Sources) demonst ...
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Fra Diavolo (opera)
''Fra Diavolo, ou L'hôtellerie de Terracine'' (''Fra Diavolo, or The Inn of Terracina'') is an opéra comique in three acts by the French composer Daniel Auber, from a libretto by Auber's regular collaborator Eugène Scribe. It is loosely based on the life of the Itrani guerrilla leader Michele Pezza, active in southern Italy in the period 1800-1806, who went under the name of Fra Diavolo ("Brother Devil"). The opera was first performed by the Opéra-Comique at the Salle Ventadour in Paris on 28 January 1830 and an Italian version was prepared by Auber and Scribe for performance in London in 1857. This contained new recitatives and arias, as well as expanding the roles of Fra Diavolo's accomplices. The opera was Auber's greatest success, one of the most popular works of the 19th century and was in the standard repertory in its original French as well as German and Italian versions. An English translation was also prepared. Hugh Macdonald has characterised this comic opera ...
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Maritana
''Maritana'' is a three-act opera including both spoken dialogue and some recitatives, composed by William Vincent Wallace, with a libretto by Edward Fitzball (1792–1873). The opera is based on the 1844 French play ''Don César de Bazan'' by Adolphe d'Ennery and Philippe François Pinel (Dumanoir), which was also the source material for Jules Massenet's opéra comique ''Don César de Bazan'' (the character of Don César de Bazan first appeared in Victor Hugo's ''Ruy Blas''). The opera premiered at the Theatre Royal, Drury Lane on 15 November 1845. The first of six operas by Wallace, the work is often cited as an inspiration for a plot device in Gilbert and Sullivan's comic opera ''The Yeomen of the Guard'' in which a man weds a woman while awaiting execution in prison, escapes and, while he is disguised, the couple fall in love. Performance history ''Maritana'' was first produced at the Theatre Royal, Drury Lane under Alfred Bunn's management on 15 November 1845, conducted fi ...
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Le Roi Carotte
''Le roi Carotte'' (''King Carrot'') is a 4-act opéra- bouffe-féerie with music by Jacques Offenbach and libretto by Victorien Sardou, after E. T. A. Hoffmann. The libretto, written before the French defeat in the Franco-Prussian War, lampooned Bonapartists, monarchists and republicans. Staging the piece required elaborate costumes and grand spectacle, including a wide range of locations and numerous scene changes. Performance history The opera premiered at the Théâtre de la Gaîté on 15 January 1872. The first run lasted 195 performances, making a daily profit of 3,000 francs, and introducing Anna Judic in a principal operetta role. The work was seen in London in 1872 and Vienna in 1876. The U.S. premiere of ''Le roi Carotte'' took place in New York on 26 August 1872. The ''New York Times'' said that "the music is to be given with additions and alterations made for this country by Offenbach himself". Its run lasted until late autumn. After small-scale performances by Opé ...
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Mormons
Mormons are a religious and cultural group related to Mormonism, the principal branch of the Latter Day Saint movement started by Joseph Smith in upstate New York during the 1820s. After Smith's death in 1844, the movement split into several groups following different leaders; the majority followed Brigham Young, while smaller groups followed Joseph Smith III, Sidney Rigdon, and James Strang. Most of these smaller groups eventually merged into the Community of Christ, and the term ''Mormon'' typically refers to members of the Church of Jesus Christ of Latter-day Saints (LDS Church), as today, this branch is far larger than all the others combined. People who identify as Mormons may also be independently religious, secular, and non-practicing or belong to other denominations. Since 2018, the LDS Church has requested that its members be referred to as "Latter-day Saints". Mormons have developed a strong sense of community that stems from their doctrine and history. One of the ...
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Salt Lake City
Salt Lake City (often shortened to Salt Lake and abbreviated as SLC) is the Capital (political), capital and List of cities and towns in Utah, most populous city of Utah, United States. It is the county seat, seat of Salt Lake County, Utah, Salt Lake County, the most populous county in Utah. With a population of 200,133 in 2020, the city is the core of the Salt Lake City metropolitan area, which had a population of 1,257,936 at the 2020 census. Salt Lake City is further situated within a larger metropolis known as the Salt Lake City–Provo–Orem Combined Statistical Area, Salt Lake City–Ogden–Provo Combined Statistical Area, a corridor of contiguous urban and suburban development stretched along a segment of the Wasatch Front, comprising a population of 2,746,164 (as of 2021 estimates), making it the 22nd largest in the nation. It is also the central core of the larger of only two major urban areas located within the Great Basin (the other being Reno, Nevada). Salt Lake C ...
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Barbe-bleue (opera)
''Barbe-bleue'' (, ''Bluebeard'') is an opéra bouffe, or operetta, in three acts (four scenes) by Jacques Offenbach to a French libretto by Henri Meilhac and Ludovic HalévyLamb A. Barbe-bleue. In: ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. based on Charles Perrault's 1697 story. Performance history The work was composed while Offenbach was travelling during 1865, in Vienna, Brussels and Cologne, conducting his works in those cities. Other distractions during the period were the marriage on 9 August in Étretat of his eldest daughter Berthe to Charles Comte (for which he composed a mass) and problems with gout (which he encouraged the press to report). It was first performed at the Théâtre des Variétés, Paris on 5 February 1866, playing for five months. Following the great success of the creators' ''Belle Hélène'', the roles were close relations of the composer's antique operetta: Dupuis (Paris) another seducer, in Barbe-Bleue, Kopp (Mà ...
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