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Emit Ecaps
''Emit Ecaps'' is the third album by English techno producer Jonah Sharp under his pseudonym Spacetime Continuum. It was released in February 1996 on Reflective Records in the United Kingdom and on Astralwerks in the United States. After establishing himself as a techno producer but then moving to an ambient style on his previous album ''Sea Biscuit'' (1994), Sharp's music on ''Emit Ecaps'' balances his techno and ambient styles with influences of drum and bass and jungle music. The name of the album reverses the term 'space time'. ''Emit Ecaps'' was a radio success and received acclaim from music journalists who praised Sharp's change in direction. The album was followed in November 1996 by ''Remit Recaps'', a remix album of material from ''Emit Ecaps'', created with the involvement of several producers. Background and production London-born Jonah Sharp (Spacetime Continuum) began his career as a professional jazz drummer before moving to the United States in 1992. In his home ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jonah Sharp
Jonah Sharp (alias Spacetime Continuum) is a producer, remixer, and DJ of electronic music. Sharp was born in Edinburgh. After starting his musical career as a jazz drummer in London, U.K., he moved to San Francisco, U.S. During the 1990s Sharp released a series of albums on the Astralwerks record label. The first of these, entitled ''Alien Dreamtime'', featured a live recording of ethnobotany, ethnobotanist, writer and Psychedelia, psychedelic researcher Terence McKenna delivering a series of lectures to the accompaniment of Spacetime Continuum music. Sharp's subsequent albums combined experimental electronic music with subtle jazz elements and elaborate rhythm structures. His work has had a clear influence on contemporary psybient artists, such as Shpongle and others. Jonah Sharp has also released collaborations with Tetsu Inoue, Bill Laswell, Mixmaster Morris, Pete Namlook, David Moufang, and Plaid (band), Plaid. He has remixed songs from Nine Inch Nails, Meat Beat Manifesto, Pon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Music
House is a music genre characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by Disc jockey, DJs and music producers from Chicago metropolitan area, Chicago's underground Clubbing (subculture), club culture in the late 1970s, as DJs began altering disco songs to give them a more mechanical beat. House was pioneered by African Americans, African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other American cities such as New York City and became a worldwide phenomenon. House has had a large effect on pop music, especially dance music. It was incorporated by major international pop artists including Whitney Houston, Janet Jackson ("Together Again (Janet Jackson song), Together Again"), Kylie Minogue, Pet Shop Boys and Madonna ("Vogu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Banjo
The banjo is a stringed instrument with a thin membrane stretched over a frame or cavity to form a resonator. The membrane is typically circular, and usually made of plastic, or occasionally animal skin. Early forms of the instrument were fashioned by African Americans in the United States. The banjo is frequently associated with folk, bluegrass and country music, and has also been used in some rock, pop and hip-hop. Several rock bands, such as the Eagles, Led Zeppelin, and the Grateful Dead, have used the five-string banjo in some of their songs. Historically, the banjo occupied a central place in Black American traditional music and the folk culture of rural whites before entering the mainstream via the minstrel shows of the 19th century. Along with the fiddle, the banjo is a mainstay of American styles of music, such as bluegrass and old-time music. It is also very frequently used in Dixieland jazz, as well as in Caribbean genres like biguine, calypso and mento. Histo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trip Hop
Trip hop (sometimes used synonymously with "downtempo") is a musical genre that originated in the early 1990s in the United Kingdom, especially Bristol. It has been described as a psychedelic music, psychedelic fusion of hip hop music, hip hop and electronica with slow tempos and an atmospheric sound, often incorporating elements of jazz, soul music, soul, funk, reggae, dub music, dub, Contemporary R&B, R&B, and other forms of electronic dance music, electronic music, as well as sample (music), sampling from movie soundtracks and other eclectic sources. The style emerged as a more experimental music, experimental variant of breakbeat from the Bristol sound scene of the late 1980s and early 1990s, incorporating influences from jazz, soul, funk, dub, and hip hop music, rap music. It was pioneered by acts like Massive Attack, Tricky (musician), Tricky, and Portishead (band), Portishead. The term was first coined in a 1994 ''Mixmag'' piece about American producer DJ Shadow. Trip ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funk
Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African Americans in the mid-20th century. It de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first bea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Derrick May (musician)
Derrick May (born April 6, 1963), also known as Mayday and Is , is an American electronic musician from Belleville, Michigan, United States. May is credited with pioneering techno music in the 1980s along with collaborators Juan Atkins and Kevin Saunderson, commonly known as The Belleville Three. Biography Early life May is an only child born to a single mother in Detroit. May began to explore electronic music early in his life. At age 13, Derrick May began attending Belleville High School, and became friends with Juan Atkins in 1981. After an altercation, May became friends with Saunderson. Atkins taught May and Kevin Saunderson the essence of DJing as well, formed a trio, Deep Space Soundworks, collectively existing to present their favorite music at parties and clubs. In an interview with a French magazine, May explained that people used to laugh at the ideas that they were entertained by Kraftwerk and disco sounds, we did our thing and continued to believe in ourselves, rega ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noise (music)
Noise music is a genre of music that is characterised by the expressive use of noise within a musical context. This type of music tends to challenge the distinction that is made in conventional musical practices between musical and non-musical sound. Noise music includes a wide range of musical styles and sound-based creative practices that feature noise as a primary aspect. Noise music can feature acoustically or electronically generated noise, and both traditional and unconventional musical instruments. It may incorporate live machine sounds, non-musical vocal techniques, physically manipulated audio media, processed sound recordings, field recording, computer-generated noise, stochastic process, and other randomly produced electronic signals such as distortion, feedback, static, hiss and hum. There may also be emphasis on high volume levels and lengthy, continuous pieces. More generally noise music may contain aspects such as improvisation, extended technique, cacophony ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syncopated
In music, syncopation is a variety of rhythms played together to make a piece of music, making part or all of a tune or piece of music off-beat. More simply, syncopation is "a disturbance or interruption of the regular flow of rhythm": a "placement of rhythmic stresses or accents where they wouldn't normally occur". It is the correlation of at least two sets of time intervals. Syncopation is used in many musical styles, especially dance music. According to music producer Rick Snoman, "All dance music makes use of syncopation, and it's often a vital element that helps tie the whole track together". Syncopation can also occur when a strong harmony is simultaneous with a weak beat, for instance, when a 7th-chord is played on the second beat of measure or a dominant chord is played at the fourth beat of a measure. The latter occurs frequently in tonal cadences for 18th- and early-19th-century music and is the usual conclusion of any section. A hemiola (the equivalent Latin term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hi-hat
A hi-hat (hihat, high-hat, etc.) is a combination of two cymbals and a pedal, all mounted on a metal stand. It is a part of the standard drum kit used by drummers in many styles of music including rock, pop, jazz, and blues. Hi-hats consist of a matching pair of small to medium-sized cymbals mounted on a stand, with the two cymbals facing each other. The bottom cymbal is fixed and the top is mounted on a rod which moves the top cymbal toward the bottom one when the pedal is depressed (a hi-hat that is in this position is said to be "closed" or "closed hi-hats"). The hi-hat evolved from a "sock cymbal", a pair of similar cymbals mounted at ground level on a hinged, spring-loaded foot apparatus. Drummers invented the first sock cymbals to enable one drummer to play multiple percussion instruments at the same time. Over time these became mounted on short stands—also known as "low-boys"—and activated by pedals similar to those used in modern hi-hats. When extended upward roug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waveform
In electronics, acoustics, and related fields, the waveform of a signal is the shape of its graph as a function of time, independent of its time and magnitude scales and of any displacement in time.David Crecraft, David Gorham, ''Electronics'', 2nd ed., , CRC Press, 2002, p. 62 In electronics, the term is usually applied to periodically varying voltages, currents, or electromagnetic fields. In acoustics, it is usually applied to steady periodic sounds—variations of pressure in air or other media. In these cases, the waveform is an attribute that is independent of the frequency, amplitude, or phase shift of the signal. The term can also be used for non-periodic signals, like chirps and pulses. The waveform of an electrical signal can be visualized in an oscilloscope or any other device that can capture and plot its value at various times, with a suitable scales in the time and value axes. The electrocardiograph is a medical device to record the waveform of the ele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
