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Emil Burian
Emil Burian (12 December 1876 – 9 October 1926) was a Czech operatic baritone. He was the father of poet and composer Emil František Burian and the grandfather of Czech songwriter and poet Jan Burian. Born in Rakovník, he was the younger brother of the famous Czech tenor Karel Burian, and, like his brother, was a pupil of singing teacher in Prague. Burian made his professional opera debut in 1895 at the Cologne Opera. He sang then at the National Moravian-Silesian Theatre in Ostrava and the National Theatre Brno. From 1899 until 1901 he performed at the Croatian National Theatre in Zagreb and from 1902 until 1904 he worked at the Divadlo Josefa Kajetána Tyla in Plzeň. From 1904 to 1906 he was on the roster of singers at the theatres of Nuremberg and Freiburg im Breisgau. He sang alongside his brother at the Semperoper in Dresden from 1906 until 1907, and then performed at the Hamburg State Opera from 1908 to 1910. In 1910 Burian joined the roster of singers at the National ...
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Emil Burian (1876–1926)
Emil Burian (12 December 1876 – 9 October 1926) was a Czech operatic baritone. He was the father of poet and composer Emil František Burian and the grandfather of Czech songwriter and poet Jan Burian. Born in Rakovník, he was the younger brother of the famous Czech tenor Karel Burian, and, like his brother, was a pupil of singing teacher in Prague. Burian made his professional opera debut in 1895 at the Cologne Opera. He sang then at the National Moravian-Silesian Theatre in Ostrava and the National Theatre Brno. From 1899 until 1901 he performed at the Croatian National Theatre in Zagreb and from 1902 until 1904 he worked at the Divadlo Josefa Kajetána Tyla in Plzeň. From 1904 to 1906 he was on the roster of singers at the theatres of Nuremberg and Freiburg im Breisgau. He sang alongside his brother at the Semperoper in Dresden from 1906 until 1907, and then performed at the Hamburg State Opera from 1908 to 1910. In 1910 Burian joined the roster of singers at the Natio ...
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The Kiss (opera)
''The Kiss'' ( cs, Hubička) is an opera in two acts, with music by Bedřich Smetana and text by Eliška Krásnohorská, based on a novel by Karolina Světlá. It received its first performance at the Provisional Theatre in Prague on 7 November 1876. Roles Synopsis Act 1 Lukáš, a peasant, has always been in love with Vendulka. Unfortunately for the young couple, his parents insisted that he marry another girl. However, his wife dies, leaving him with an infant. As they are both still young, Lukáš intends to woo the very eligible Vendulka. Paloucký, Vendulka's father, opposes the match: he reasons that since both Lukáš and Vendulka are stubborn people, they would make an incompatible couple. Vendulka is dismayed at his position, so Paloucký withdraws his objection, but his misgivings remain. With friends and relatives in his wake, Lukáš arrives at Paloucký's home to formally make his intentions towards Vendulka known. Paloucký gives his blessing to the coup ...
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People From The Kingdom Of Bohemia
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of per ...
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People From Rakovník
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of ...
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1926 Deaths
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipkn ...
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1876 Births
Events January–March * January 1 ** The Reichsbank opens in Berlin. ** The Bass Brewery Red Triangle becomes the world's first registered trademark symbol. * February 2 – The National League of Professional Base Ball Clubs is formed at a meeting in Chicago; it replaces the National Association of Professional Base Ball Players. Morgan Bulkeley of the Hartford Dark Blues is selected as the league's first president. * February 2 – Third Carlist War – Battle of Montejurra: The new commander General Fernando Primo de Rivera marches on the remaining Carlist stronghold at Estella, where he meets a force of about 1,600 men under General Carlos Calderón, at nearby Montejurra. After a courageous and costly defence, Calderón is forced to withdraw. * February 14 – Alexander Graham Bell applies for a patent for the telephone, as does Elisha Gray. * February 19 – Third Carlist War: Government troops under General Primo de Rivera drive throu ...
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The Bartered Bride
''The Bartered Bride'' ( cz, Prodaná nevěsta, links=no, ''The Sold Bride'') is a comic opera in three acts by the Czech composer Bedřich Smetana, to a libretto by Karel Sabina. The work is generally regarded as a major contribution towards the development of Czech music. It was composed during the period 1863 to 1866, and first performed at the Provisional Theatre, Prague, on 30 May 1866 in a two-act format with spoken dialogue. Set in a country village and with realistic characters, it tells the story of how, after a late surprise revelation, true love prevails over the combined efforts of ambitious parents and a scheming marriage broker. The opera was not immediately successful, and was revised and extended in the following four years. In its final version, premiered in 1870, it rapidly gained popularity and eventually became a worldwide success. Until this time, the Czech national opera had only been represented by minor, rarely performed works. This opera, Smetana's second ...
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The Barber Of Seville
''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy ''The Barber of Seville'' (1775). The première of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two hundred years, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera ''The Marriage of Fi ...
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Parsifal
''Parsifal'' ( WWV 111) is an opera or a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is loosely based on the 13th-century Middle High German epic poem ''Parzival'' of the ''Minnesänger'' Wolfram von Eschenbach, recounting the story of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail. Wagner conceived the work in April 1857, but did not finish it until 25 years later. In composing it he took advantage of the particular acoustics of his Bayreuth Festspielhaus. ''Parsifal'' was first produced at the second Bayreuth Festival in 1882. The Bayreuth Festival maintained a monopoly on ''Parsifal'' productions until 1903, when the opera was performed at the Metropolitan Opera in New York. Wagner described ''Parsifal'' not as an opera, but as (a festival play for the consecration of the stage). At Bayreuth a tradition has arisen that audiences do not applaud at the end of the first ...
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Lohengrin (opera)
''Lohengrin'', WWV 75, is a Romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. The story of the eponymous character is taken from medieval German romance, notably the ''Parzival'' of Wolfram von Eschenbach, and its sequel ''Lohengrin'', itself inspired by the epic of ''Garin le Loherain''. It is part of the Knight of the Swan legend. The opera has inspired other works of art. King Ludwig II of Bavaria named his castle Neuschwanstein Castle after the Swan Knight. It was King Ludwig's patronage that later gave Wagner the means and opportunity to complete, build a theatre for, and stage his epic cycle ''Der Ring des Nibelungen''. He had discontinued composing it at the end of Act II of ''Siegfried'', the third of the ''Ring'' tetralogy, to create his radical chromatic masterpiece of the late 1850s, ''Tristan und Isolde'', and his lyrical comic opera of the mid-1860s, '' Die Meistersinger von Nürnberg''. The most popular and recognizabl ...
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Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex textures, ...
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The Jacobin
''The Jacobin'' (''Jakobín'' in Czech), Op. 84 (B. 159), is an opera in three acts by Antonín Dvořák to an original Czech libretto by Marie Červinková-Riegrová. Červinková-Riegrová took some of the story's characters from the story by Alois Jirásek, "At the Ducal Court", but devised her own plot about them. The first performance was on 12 February at the National Theatre, Prague, 1889. Červinková-Riegrová revised the libretto, with Dvořák's permission, in 1894, notably in the last act. Dvořák revised the music in 1897 (the revised premiere was on 19 June 1898, under Adolf Čech). The composer felt great affection for the subject of the opera, as the central character is a music teacher, and Dvořák had in mind his former teacher Antonin Liehmann, who had a daughter named Terinka, the name of one of the opera's characters. John Clapham has briefly discussed the presence of Czech musical style in the opera. H. C. Colles has described this opera as "the most subt ...
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