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Emergency Landing (1941 Film)
''Emergency Landing'' (a.k.a. ''Robot Pilot'') is a 1941 American aviation spy-fi romantic screwball comedy film directed by William Beaudine. The film stars Forrest Tucker in his second film and in his first leading role with co-stars Carol Hughes and Evelyn Brent. ''Emergency Landing'' features much mismatched stock footage of various types of aircraft. Plot Arizona inventor "Doc" Williams (Emmett Vogan) has invented a wireless remote control that can pilot an aircraft. Despite his efforts and those of his friend, pilot Jerry Barton (Forrest Tucker), they can not interest anyone in the invention. Barton has found a job as a test pilot for a millionaire named George Lambert (William Halligan) with his own aircraft company. When Doc brings a model of his invention, the two send their model aircraft to buzz Lambert on the golf course. Lambert is fascinated and arranges a test, but his daughter Betty is not, especially when the model lands in a puddle and drenches her. When ...
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Film Poster
A film poster is a poster used to promote and advertise a film primarily to persuade paying customers into a theater to see it. Studios often print several posters that vary in size and content for various domestic and international markets. They normally contain an image with text. Today's posters often feature printed likenesses of the main actors. Prior to the 1980s, illustrations instead of photos were far more common. The text on film posters usually contains the film title in large lettering and often the names of the main actors. It may also include a tagline, the name of the director, names of characters, the release date, and other pertinent details to inform prospective viewers about the film. Film posters are often displayed inside and on the outside of movie theaters, and elsewhere on the street or in shops. The same images appear in the film exhibitor's pressbook and may also be used on websites, DVD (and historically VHS) packaging, flyers, advertisements in newspap ...
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The Great Gildersleeve
''The Great Gildersleeve'' is a radio situation comedy broadcast in the United States from August 31, 1941 to 1958. Initially written by Leonard Lewis Levinson, it was one of broadcast history's earliest spin-off programs. The series was built around Throckmorton P. Gildersleeve, a regular character from the radio situation comedy ''Fibber McGee and Molly''. The character was introduced in the October 3, 1939, episode (number 216) of that series. Actor Harold Peary had played a similarly named character, Dr. Gildersleeve, on earlier episodes. ''The Great Gildersleeve'' enjoyed its greatest popularity in the 1940s. Peary played the character during its transition from the parent show into the spin-off and later in four feature films released at the height of the show's popularity. In ''Fibber McGee and Molly'', Peary's Gildersleeve had been a pompous windbag and antagonist of Fibber McGee. "You're a ''haa-aa-aa-aard'' man, McGee!" became a Gildersleeve catchphrase. The character ...
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Melodrama
A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a strong emotional appeal, takes precedence over detailed characterization. Melodramas typically concentrate on dialogue that is often bombastic or excessively sentimental, rather than action. Characters are often flat, and written to fulfill stereotypes. Melodramas are typically set in the private sphere of the home, focusing on morality and family issues, love, and marriage, often with challenges from an outside source, such as a "temptress", a scoundrel, or an aristocratic villain. A melodrama on stage, filmed, or on television is usually accompanied by dramatic and suggestive music that offers cues to the audience of the drama being presented. In scholarly and historical musical contexts, ''melodramas'' are Victorian dramas in which orchestral music or song was used to accompany the action. The term is now also applied to stage performances without incidental music, novels, films, tel ...
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Thriller Film
Thriller film, also known as suspense film or suspense thriller, is a broad film genre that evokes excitement and suspense in the audience. The suspense element found in most films' plots is particularly exploited by the filmmaker in this genre. Tension is created by delaying what the audience sees as inevitable, and is built through situations that are menacing or where escape seems impossible. The cover-up of important information from the viewer, and fight and chase scenes are common methods. Life is typically threatened in a thriller film, such as when the protagonist does not realize that they are entering a dangerous situation. Thriller films' characters conflict with each other or with an outside force, which can sometimes be abstract. The protagonist is usually set against a problem, such as an escape, a mission, or a mystery. Screenwriter and scholar Eric R. Williams identifies thriller films as one of eleven super-genres in his screenwriters' taxonomy, claiming that ...
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Monogram Pictures
Monogram Pictures Corporation was an American film studio that produced mostly low-budget films between 1931 and 1953, when the firm completed a transition to the name Allied Artists Pictures Corporation. Monogram was among the smaller studios in the golden age of Hollywood, generally referred to collectively as Poverty Row. Lacking the financial resources to deliver the lavish sets, production values, and star power of the larger studios, Monogram sought to attract its audiences with the promise of action and adventure. The company's trademark is now owned by Allied Artists International. The original sprawling brick complex which functioned as home to both Monogram and Allied Artists remains at 4376 Sunset Drive, utilized as part of the Church of Scientology Media Center (formerly KCET's television facilities). History Monogram was created in the early 1930s from two earlier companies; W. Ray Johnston's Rayart Productions (renamed Raytone when sound pictures came in) and Tre ...
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Poverty Row
Poverty Row is a slang term used to refer to Hollywood films produced from the 1920s to the 1950s by small (and mostly short-lived) B movie studios. Although many of them were based on (or near) today's Gower Street in Hollywood, the term did not necessarily refer to any specific physical location, but was rather a figurative catch-all for low-budget films produced by these lower-tier studios. Many of the films of Poverty Row were Westerns, including series such as ''Billy the Kid'', starring Buster Crabbe, from Producers Releasing Corporation (PRC), comedy/adventure series such as those featuring the Bowery Boys (Monogram Pictures) and detectives such as The Shadow. The films were characterized by low budgets, casts made up of minor stars or unknowns, and overall production values betraying the haste and economy with which they were made. Studios While some Poverty Row studios had a brief existence, releasing only a few films, others operated on more-or-less the same terms ...
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Warner Brothers
Warner Bros. Entertainment Inc. (commonly known as Warner Bros. or abbreviated as WB) is an American Film studio, film and entertainment studio headquartered at the Warner Bros. Studios, Burbank, Warner Bros. Studios complex in Burbank, California, Burbank, California, and a subsidiary of Warner Bros. Discovery. Founded in 1923 by four brothers, Harry Warner, Harry, Albert Warner, Albert, Sam Warner, Sam, and Jack L. Warner, Jack Warner, the company established itself as a leader in the American Warner Bros. Pictures, film industry before diversifying into Warner Bros. Animation, animation, Warner Bros. Television Studios, television, and Warner Bros. Interactive Entertainment, video games and is one of the Major film studio, "Big Five" major American film studios, as well as a member of the Motion Picture Association (MPA). The company is known for its film studio division the Warner Bros. Pictures Group, which includes Warner Bros. Pictures, New Line Cinema, the Warner Animat ...
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Screen Shot Emergency Landing
Screen or Screens may refer to: Arts * Screen printing (also called ''silkscreening''), a method of printing * Big screen, a nickname associated with the motion picture industry * Split screen (filmmaking), a film composition paradigm in which multiple distinct film sequences are shown simultaneously and next to each other * Stochastic screening and Halftone photographic screening, methods of simulating grays with one-color printing Filtration and selection processes * Screening (economics), the process of identifying or selecting members of a population based on one or more selection criteria * Screening (biology), idem, on a scientific basis, ** of which a genetic screen is a procedure to identify a particular kind of phenotype ** the Irwin screen is a toxicological procedure * Sieve, a mesh used to separate fine particles from coarse ones * Mechanical screening, a unit operation in material handling which separates product into multiple grades by particle size Media and mu ...
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Jack Lescoulie
Jack Lescoulie (November 17, 1912 – July 22, 1987) was a radio and television announcer and host, notably on NBC's ''Today'' during the 1950s and 1960s; a newspaper source lists his date of birth as May 17, 1912. Lescoulie was also known for his voice impersonation of comedian Jack Benny. Early years Lescoulie was born in Sacramento, California. His parents were both in vaudeville along with their children; Lescoulie's first public performance was at age 7. His first media job was with KGFJ in Los Angeles, when he was still in high school. The young Lescoulie helped the radio station cover the 1933 Long Beach earthquake. Lescoulie has a star for his work in television on the Hollywood Walk of Fame. Radio In 1933, Lescoulie had an orchestra that broadcast on KGFJ in Los Angeles. He was billed as the "Grouchmaster" on '' The Grouch Club'' (1938–40), a program in which people aired their complaints about anything, created by Nat Hiken, creator of ''The Phil Silvers Show'' (''Y ...
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Stanley Price
Stanley Price (December 31, 1892July 13, 1955) was an American film supporting actor who appeared in over 200 films between 1922 and 1956. He was a charter member of the Screen Actors Guild. Career Price was an actor whose artistic career spanned four different decades, from silents through talkies to the advent of color. He debuted in the silent movie '' Your Best Friend'' (William Nigh, 1922), sharing starring duties with Vera Gordon and Harry Benham. After that, he became a familiar figure, wearing either cowboy rustler outfits or gangster nice suits, particularly in the cliffhanger serials of the 1930s through the early 1950s. Usually, he served as the assistant or second-in-command for the '' brains heavy''. He usually wore workmanlike duds, did the physical labor, and often had more brawn than morality. Thus, Price went from one chapter to the next trying desperately to kill the hero with fists, knives, guns, bombs or whatever else happened to be handy at the time. Ne ...
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William Halligan (actor)
William Kerry Halligan (March 29, 1883 – January 28, 1957) was an American stage and film actor, and writer. Halligan was born on March 29, 1883, in Chicago, Illinois. He was active on the stage from 1904 to 1919. That year he made his film debut in '' The Wonder Man''. He appeared as a supporting actor in numerous films; his last appearance was in '' If I'm Lucky'' in 1946. He also worked as a writer and "gagman" (joke writer) from 1928 to 1943. He died at the Motion Picture County House in Woodland Hills, California on January 28, 1957. Filmography Partial list of films featuring William Halligan: * '' The Wonder Man'' (1920) - Bubbles * ''Waltzing Around'' (short) (1929) * ''Somewhere in Jersey'' (Vitaphone Varieties) (1929) * '' Follow the Leader'' (1930) - Bob Sterling * ''At Your Service'' (Vitaphone Varieties) (1930) * ''The Darling Brute'' (Vitaphone Varieties) (1930) * ''Accidents will Happen'' (short) (1930) * '' Lady and Gent'' (1932) - Doc Hayes * ''Story Confe ...
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Fourth Wall
The fourth wall is a performance convention in which an invisible, imaginary wall separates actors from the audience. While the audience can see through this ''wall'', the convention assumes the actors act as if they cannot. From the 16th century onward, the rise of illusionism in staging practices, which culminated in the realism and naturalism of the theatre of the 19th century, led to the development of the fourth wall concept. The metaphor suggests a relationship to the mise-en-scène behind a proscenium arch. When a scene is set indoors and three of the walls of its room are presented onstage, in what is known as a box set, the fourth of them would run along the line (technically called the proscenium) dividing the room from the auditorium. The ''fourth wall'', though, is a theatrical convention, rather than of set design. The actors ignore the audience, focus their attention exclusively on the dramatic world, and remain absorbed in its fiction, in a state that ...
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