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Embouchure Fipple Flute
Embouchure () or lipping is the use of the lips, facial muscles, tongue, and teeth in playing a wind instrument. This includes shaping the lips to the mouthpiece (woodwind), mouthpiece of a woodwind instrument or the mouthpiece (brass), mouthpiece of a brass instrument. The word is of French language, French origin and is related to the root ', 'mouth'. Proper embouchure allows instrumentalists to play their instrument at its full range with a full, clear tone and without strain or damage to their muscles. Brass embouchure While performing on a brass instrument, the sound is produced by the player buzzing their lips into a mouthpiece. Pitches are changed in part through altering the amount of muscular contraction in the lip formation. The performer's use of the air, tightening of cheek and jaw muscles, as well as tongue manipulation can affect how the embouchure works. Maintaining an effective embouchure is an essential skill for any brass instrumentalist, but its personal and p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet Embouchure
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphael Mendez
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the city, and began to work as an architect. He was sti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piccolo
The piccolo ( ; Italian for 'small') is a half-size flute and a member of the woodwind family of musical instruments. Sometimes referred to as a "baby flute" the modern piccolo has similar fingerings as the standard transverse flute, but the sound it produces is an octave higher. This has given rise to the name ottavino (), by which the instrument is called in Italian and thus also in scores of Italian composers. Piccolos are often orchestrated to double the violins or the flutes, adding sparkle and brilliance to the overall sound because of the aforementioned one-octave transposition upwards. The piccolo is a standard member in orchestras, marching bands, and wind ensembles. History Since the Middle Ages, evidence indicates the use of octave transverse flutes as military instruments, as their penetrating sound was audible above battles. In cultured music, however, the first piccolos were used in some of Jean Philippe Rameau's works in the first half of the 18th century. Sti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zygomaticus Major Muscle
The zygomaticus major muscle is a muscle of the human body. It extends from each zygomatic arch (cheekbone) to the corners of the mouth. It is a muscle of facial expression which draws the angle of the mouth superiorly and posteriorly to allow one to smile. Bifid zygomaticus major muscle is a notable variant, and may cause cheek dimples. Structure The zygomaticus major muscle originates from the upper margin of the temporal process, part of the lateral surface of the zygomatic bone. It inserts into tissue at the corner of the mouth. Nerve supply The zygomaticus major muscle is supplied by a buccal branch and a zygomatic branch of the facial nerve (VII). Variation The zygomaticus major muscle may occur in a bifid form, with two fascicles that are partially or completely separate from each other but adjacent. Usually a single unit, dimples are caused by variations in form. It is thought that cheek dimples are caused by bifid zygomaticus major muscle. Function The zygomat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Depressor Anguli Oris Muscle
The depressor anguli oris muscle (triangularis muscle) is a facial muscle. It originates from the mandible and inserts into the angle of the mouth. It is associated with frowning, as it depresses the corner of the mouth. Structure The depressor anguli oris arises from the lateral surface of the mandible. Its fibres then converge. It is inserted by a narrow fasciculus into the angle of the mouth. At its origin, it is continuous with the platysma muscle, and at its insertion with the orbicularis oris muscle and risorius muscle. Some of its fibers are directly continuous with those of the levator anguli oris muscle, and others are occasionally found crossing from the muscle of one side to that of the other; these latter fibers constitute the transverse muscle of the chin. The depressor anguli oris muscle receives its blood supply from a branch of the facial artery. Nerve supply The depressor anguli oris muscle is supplied by the marginal mandibular branch of the facial nerve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orbicularis Oris Muscle
In human anatomy, the orbicularis oris muscle is a complex of muscles in the lips that encircles the mouth. It is a sphincter, or circular muscle, but it is actually composed of four independent quadrants that interlace and give only an appearance of circularity.Saladin, "Anatomy & Physiology: The Unity of Form and Function". 5th edition. McGraw Hill. Page 330 It is also one of the muscles used in the playing of all brass instruments and some woodwind instruments. This muscle closes the mouth and puckers the lips when it contracts. Structure The orbicularis oris is not a simple sphincter muscle like the orbicularis oculi; it consists of numerous strata of muscular fibers surrounding the orifice of the mouth, but having different direction. It consists partly of fibers derived from the other facial muscles which are inserted into the lips, and partly of fibers proper to the lips. Of the former, a considerable number are derived from the buccinator and form the deeper stratum of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hocchiku
The , sometimes romanized as or , is a Japanese aerophone, an end-blown bamboo flute, crafted from root sections of bamboo. The bamboo root is cleaned and sanded, resulting in a surface patterned with many small, circular knots where the roots formerly joined the stalk. The same part of the bamboo plant is also used to produce the but, unlike the , the 's inside (bore) and outside surfaces are left unlacquered, and an inlay is not used in the mouthpiece. The membranes at the nodes inside a bore are generally left more intact than those of a , though older also share this trait. Together, these characteristics make for a visibly and audibly raw and organic instrument. are sometimes referred to as , meaning "without paste made of clay and lacquer, used to smooth the bore on modern one-piece"; are not cut in two pieces for crafting or storage, unlike modern that are used as musical instruments. have four holes down the front for fingers and one hole on the back for th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shakuhachi
A is a Japanese and ancient Chinese longitudinal, end-blown flute that is made of bamboo. The bamboo end-blown flute now known as the was developed in Japan in the 16th century and is called the .Kotobank, Fuke shakuhachi. The Asahi ShimbunKotobank, Shakuhachi. The Asahi Shimbun A bamboo flute known as the , which is quite different from the current style of , was introduced to Japan from China in the 7th century and died out in the 10th century. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kaval
The kaval is a chromatic end-blown flute traditionally played throughout the Balkans (in Albania, Romania, Bulgaria, Southern Serbia, Kosovo, North Macedonia, Northern Greece, and elsewhere) and Anatolia (including Turkey and Armenia). The kaval is primarily associated with mountain shepherds. Unlike the transverse flute, the kaval is fully open at both ends, and is played by blowing on the sharpened edge of one end. The kaval has eight playing holes (seven in front and one in the back for the thumb) and usually four more unfingered intonation holes near the bottom of the kaval. As a wooden rim-blown flute, kaval is similar to the ''kawala'' of the Arab world and ''ney'' of the Middle East. Construction While typically made of wood ( cornel cherry, apricot, plum, boxwood, mountain ash, etc.), kavals are also made from water buffalo horn, ''Arundo donax'' 1753 (Persian reed), metal and plastic. A kaval made without joints is usually mounted on a wooden holder, which pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xiao (flute)
The ''xiao'' (, pronounced ) is a Chinese vertical end-blown flute. It is generally made of bamboo. It is also sometimes called ''dòngxiāo'' (), ''dòng'' meaning "hole." An ancient name for the xiāo is ''shùzhúdí'' (, lit. "vertical bamboo flute", ) but the name ''xiāo'' in ancient times also included the side-blown bamboo flute, '' dizi''. The ''xiāo'' is a very ancient Chinese instrument usually thought to have developed from a simple end-blown flute used by the Qiang people of Southwest China in ancient period. In the oral traditions of the Xiao, practitioners and poets say its sound resembles the sweetness of the Phoenix's call, the king of birds in Chinese belief.e.g. in a story attributed to Liu Xiang, the player Xiao Shi "could imitate the sound of the phoenix with his flute. He married a princess, and later, with her, transformed into two phoenixes and flew away," from ''Liexian zhuan'' (Collected Life Stories of Immortals), in ''Dao zang'' (complete collect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel Moyse
Marcel Moyse (pron. ''moh-EEZ''; May 17, 1889, in St. Amour, France – November 1, 1984, in Brattleboro, Vermont, United States) was a French flautist. Moyse studied at the Paris Conservatory and was a student of Philippe Gaubert, Adolphe Hennebains, and Paul Taffanel; all of whom were flute virtuosos in their time. Moyse played principal flute in various Paris orchestras and appeared widely as a soloist and made many recordings. His trademark tone was clear, flexible, penetrating, and controlled by a fast vibrato. This was a characteristic of the 'French style' of flute playing that was to influence the modern standard for flutists worldwide. Moyse taught on the faculty of the Conservatoire de musique du Québec à Montréal, and was a founder of the Marlboro Music School and festival in Vermont. Moyse strove to teach his students "not how to play the flute, but to make music". Among his students were James Galway, Paula Robison, Trevor Wye, William Bennett, Carol Wincenc, B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
