Embassy Of Germany, Saint Petersburg
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Embassy Of Germany, Saint Petersburg
The former Embassy of Germany in Saint Petersburg is considered the earliest and most influential example of Stripped Classicism. Designed by Peter Behrens, it was built to house the diplomatic mission of the German Empire in Saint Petersburg, the capital of the Russian Empire. After the relocation by the Bolsheviks of the Soviet capital from Petrograd (as Saint Petersburg was then known) to Moscow, it served as a consulate of the Weimar Republic and Nazi Germany. Located at 11/41 Saint Isaac's Square (russian: Исаакиевская площадь, дом 11/41) in the Tsentralny District of Saint Petersburg, the building now houses the offices of two Russian government agencies. History of the site In the 1740s, a two-storey building was erected by Nikita Shestakov on the site which is today at 11/41 Saint Isaac's Square. In 1743 Shestakov sold the building to merchant Fedot Stepanov and from the 1760s to 1812 it was owned by a jeweller to the court of the Russian Empi ...
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Saint Isaac's Square
Saint Isaac's Square or Isaakiyevskaya Ploshchad (russian: Исаа́киевская пло́щадь), known as Vorovsky Square (russian: Площадь Воровского) between 1923 and 1944, in Saint Petersburg, Russia is a major city square sprawling between the Mariinsky Palace and Saint Isaac's Cathedral, which separates it from Senate Square. The square is graced by the equestrian Monument to Nicholas I. The Lobanov-Rostovsky House (1817–20) on the west side of the square was designed by Auguste de Montferrand. It may be described as an Empire style building that has an eight-column portico facing the Admiralty building. The main porch features the twin statues of Medici lions on granite pedestals; they were made famous by Pushkin in his last long poem, ''The Bronze Horseman''. Nearby is Quarenghi's Horse Guards' Riding Hall (1804–07), in part inspired by the Parthenon and flanked by the marble statues of the Dioscuri, by Paolo Triscornia. Opposite the c ...
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Noble Court
A royal court, often called simply a court when the royal context is clear, is an extended royal household in a monarchy, including all those who regularly attend on a monarch, or another central figure. Hence, the word "court" may also be applied to the coterie of a senior member of the nobility. Royal courts may have their seat in a designated place, several specific places, or be a mobile, itinerant court. In the largest courts, the royal households, many thousands of individuals comprised the court. These courtiers included the monarch or noble's camarilla and retinue, household, nobility, clergy, those with court appointments, bodyguards, and may also include emissaries from other kingdoms or visitors to the court. Foreign princes and foreign nobility in exile may also seek refuge at a court. Near Eastern and Far Eastern courts often included the harem and concubines as well as eunuchs who fulfilled a variety of functions. At times, the harem was walled off and separate ...
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Neoclassical Architecture
Neoclassical architecture is an architectural style produced by the Neoclassical movement that began in the mid-18th century in Italy and France. It became one of the most prominent architectural styles in the Western world. The prevailing styles of architecture in most of Europe for the previous two centuries, Renaissance architecture and Baroque architecture, already represented partial revivals of the Classical architecture of ancient Rome and (much less) ancient Greek architecture, but the Neoclassical movement aimed to strip away the excesses of Late Baroque and return to a purer and more authentic classical style, adapted to modern purposes. The development of archaeology and published accurate records of surviving classical buildings was crucial in the emergence of Neoclassical architecture. In many countries, there was an initial wave essentially drawing on Roman architecture, followed, from about the start of the 19th century, by a second wave of Greek Revival architec ...
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