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Elvina Ramella
Elvina Ramella (3 February 1927 - 3 March 2007) was an Italian operatic soprano. Life and career Born in Biella, Ramella began her singing studies at a very young age at the in Parma under the guidance of Italo Brancucci and continued at the Milan Conservatory where she graduated under the guidance of Giannina Arangi-Lombardi. She perfected her skills with Elvira de Hidalgo. She won several national competitions: at the Accademia Nazionale di Santa Cecilia in Rome and the "Giovanni Battista Viotti" and Aslico competitions, debuting at the Teatro Nuovo in Milan in ''The Barber of Seville''. She established herself on the international scene replacing resoundingly Joan Sutherland in ''La sonnambula'' at La Fenice in Venice in 1961. She had an intense activity in Italian and foreign theatres, including La Scala in Milan, Teatro dell'Opera di Roma, Teatro San Carlo in Naples, La Fenice in Venice, Teatro Carlo Felice in Genoa, Teatro Massimo in Palermo, Teatro Lirico Giusep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Teatro Massimo
The Teatro Massimo Vittorio Emanuele is an opera house and opera company located on the Piazza Verdi in Palermo, Sicily. It was dedicated to King Victor Emanuel II. It is the biggest in Italy, and one of the largest of Europe (at the time of its inauguration, it was - with its area of 7730 m² - the third largest opera house in Europe after the Palais Garnier in Paris, and the K. K. Hof-Opernhaus in Vienna), renowned for its perfect acoustics. Construction and opening An international competition for the creation of the opera house was announced by the Palermo Council in 1864 at the instigation of the mayor, Antonio Starrabba di Rudinì. For many years there had been talk of building a large new theatre in Palermo, worthy of the second biggest city in southern Italy (after Naples) and designed to promote the image of the city following the unification of Italy in 1861. The opera house was designed, and overseen by the Italian architect Giovan Battista Filippo Basile, who was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Taddei
Giuseppe Taddei (26 June 1916 – 2 June 2010) was an Italian baritone, who, during his career, performed multiple operas composed by numerous composers. Taddei was born in Genoa, Italy, and studied in Rome, where he made his professional debut in 1936 as the Herald in Wagner's ''Lohengrin''. He sang at the Rome Opera until he was conscripted into the army in 1942. After the war, he resumed his opera career and appeared for two seasons at the Vienna State Opera. He made his debut in London in 1947, at the Cambridge Theatre. The following year, 1948, saw his debut at the Salzburg Festival, La Scala in Milan, and the Teatro di San Carlo in Naples. His American debut took place at the San Francisco Opera in 1957, followed by his appearance with Lyric Opera of Chicago in 1959. He sang regularly at the Royal Opera House in London from 1960 to 1967. Taddei was equally effective in comedy and drama. His acting repertoire included the two Figaros, from '' The Marriage of Figaro'' and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferruccio Tagliavini
Ferruccio Tagliavini (; 14 August 191329 January 1995) was an Italian operatic tenor mainly active in the 1940s and 1950s. Tagliavini was hailed as the heir apparent to Tito Schipa and Beniamino Gigli in the lyric-opera repertory due to the exceptional beauty of his voice, but he did not sustain his great early promise across the full span of his career. Career Tagliavini was born in Cavazzoli, Reggio Emilia and studied in Parma with Italo Brancucci and in Florence and with Amedeo Bassi, a well-known dramatic verismo and Wagnerian Italian tenor of the pre-World War I era whose voice (as recorded) could not be more unlike Tagliavini's (see M.Scott, ''The Record of Singing'', 1978). It was also in Florence that he made his professional debut in 1938 as Rodolfo in ''La bohème''. He swiftly gained recognition as one of the leading tenori di grazia of his time in operas such as ''The Barber of Seville'', ''L'elisir d'amore'', ''Don Pasquale'', ''La sonnambula'', ''Lucia di Lammermoo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosanna Carteri
Rosanna Carteri (14 December 193025 October 2020) was an Italian soprano, primarily active from the 1950s through the mid 1960s. After her debut in Rome at age 19 as Elsa in Wagner's ''Lohengrin'', she appeared in leading roles internationally, based at La Scala in Milan. She participated in world premieres such as the title role of Pizzetti's '' Ifigenia''. Life and career Rosanna Carteri was born in Verona and raised in Padua. She studied with Ferrucio Cusinati and started singing in concert at the age of twelve. She won a RAI singing contest in 1948 which led to her operatic debut at the Baths of Caracalla in Rome as Elsa in Wagner's ''Lohengrin'' in 1949, aged only 19. She made her La Scala debut in Milan in 1951 in the title role of Piccinni's ''La buona figliuola'', directed by Giorgio Strehler. She first sang at the Salzburg Festival as Desdemona in Verdi's ''Otello'' in 1952, conducted by Wilhelm Furtwängler, and at the San Francisco Opera as Mimi in Puccini's ''La boh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Bohème
''La bohème'' (; ) is an opera in four acts,Puccini called the divisions ''quadri'', ''tableaux'' or "images", rather than ''atti'' (acts). composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on ''Scènes de la vie de bohème'' (1851) by Henri Murger. The story is set in Paris around 1830 and shows the Bohemian lifestyle (known in French as "") of a poor seamstress and her artist friends. The world premiere of ''La bohème'' was in Turin on 1 February 1896 at the Teatro Regio, conducted by the 28-year-old Arturo Toscanini. Since then, ''La bohème'' has become part of the standard Italian opera repertory and is one of the most frequently performed operas worldwide. In 1946, fifty years after the opera's premiere, Toscanini conducted a commemorative performance of it on radio with the NBC Symphony Orchestra. A recording of the performance was later released by RCA Victor on vinyl record, tape and compact disc. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Caterina Antonacci
Anna Caterina Antonacci (born 5 April 1961) is an Italian soprano known for roles in the bel canto and Baroque repertories. She performed as a mezzo-soprano for several years, particularly performing the Rossini canon. Career Antonacci studied in Bologna and made her debut as Rosina in 1986 at Arezzo. In 1994, she made her Royal Opera debut as Elcia in ''Mosè in Egitto''. She appeared there again in 2006 with Jonas Kaufman. She was profiled at length by ''The New York Times'' in March 2012. In 2013, she appeared in ''La voix humaine'' at the Opéra-Comique. Repertory * Bellini: Adalgisa (''Norma''), Romeo (''I Capuleti e i Montecchi'') * Berlioz: Cassandre ('' Les Troyens''), Marguerite (''La damnation de Faust''), Cléopâtre ('' La mort de Cléopâtre'') *Bizet: Carmen ('' Carmen'') * Cherubini: Medea (''Medea'') * Cimarosa:Orazia ('' Gli Orazi ed i Curiazi'') *Donizetti: Elisabetta (''Maria Stuarda'') *Gluck: Alceste ('' Alceste''), Armide ('' Armide''), Iphigén ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franco Zeffirelli
Gian Franco Corsi Zeffirelli (12 February 1923 – 15 June 2019), was an Italian stage and film director, producer, production designer and politician. He was one of the most significant opera and theatre directors of the post-World War II era, gaining both acclaim and notoriety for his lavish stagings of classical works, as well as his film adaptations of the same. A member of the Forza Italia party, he served as the Senator for Catania between 1994 until 2001. Films he directed included the Shakespearean adaptations ''The Taming of the Shrew'' (1967), starring Elizabeth Taylor and Richard Burton; '' Romeo and Juliet'' (1968), for which he received a nomination for the Academy Award for Best Director; and ''Hamlet'' (1990), starring Mel Gibson and Glenn Close. His Biblical television miniseries '' Jesus of Nazareth'' (1977) won both national and international acclaim and is still frequently shown at Christmas and Easter in many countries. A Grande Ufficiale OMRI of the It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgio Strehler
Giorgio Strehler (; ; 14 August 1921 – 25 December 1997) was an actor, Italian opera and theatre director. Biography Strehler was born in Barcola, Trieste; His father, Bruno Strehler, was a native of Trieste with family roots in Vienna and died when Giorgio was only three. His maternal grandfather, Olimpio Lovrich, subsequently became his father figure. Olimpio was one of the finest horn players of his day and the impresario of the Teatro Comunale Giuseppe Verdi, Trieste's Opera House. When he was seven, his grandfather died and he moved to Milan with his mother and grandmother. As a child, Giorgio was not impressed by theater. He found it "false" and decided it did not have the power to stir one's emotions as film did. His opinions changed one hot summer night while on his way to the cinema. He noticed a sign advertising the air-conditioning posted by the Odeon Theater. He walked in for some relief from the weather to see a performance of Carlo Goldoni's ''Una delle ultime ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolaus Harnoncourt
Johann Nikolaus Harnoncourt or historically Johann Nikolaus Graf de la Fontaine und d'Harnoncourt-Unverzagt; () (6 December 1929 – 5 March 2016) was an Austrian conductor, particularly known for his historically informed performances of music from the Classical era and earlier. Starting out as a classical cellist, he founded his own period instrument ensemble, Concentus Musicus Wien, in 1953, and became a pioneer of the Early Music movement. Around 1970, Harnoncourt began conducting opera and concert performances, soon leading international symphony orchestras, and appearing at leading concert halls, operatic venues and festivals. His repertoire then widened to include composers of the 19th and 20th centuries. In 2001 and 2003, he conducted the Vienna New Year's Concert. Harnoncourt was also the author of several books, mostly on subjects of performance history and musical aesthetics. Early life Johann Nikolaus Harnoncourt was born as an Austrian citizen in Berlin, German ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Böhm
Karl August Leopold Böhm (28 August 1894 – 14 August 1981) was an Austrian conductor. He was best known for his performances of the music of Mozart, Wagner, and Richard Strauss. Life and career Education Karl Böhm was born in Graz. The son of a lawyer, he studied law and earned a doctorate in this subject before entering the music conservatory in his home town of Graz, Austria. He later enrolled at the Vienna Conservatory, where he studied under Eusebius Mandyczewski, a friend of Johannes Brahms. Munich, Darmstadt, Hamburg In 1917, Böhm became a rehearsal assistant in his home town, making his debut as a conductor in Viktor Nessler's ''Der Trompeter von Säckingen'' in 1917. He became the assistant director of music in 1919, and the following year, the senior director. On the recommendation of Karl Muck, Bruno Walter engaged him at the Bavarian State Opera, Munich in 1921. An early assignment here was Mozart's ''Die Entführung aus dem Serail'', with a cast which i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tullio Serafin
Tullio Serafin (1 September 18782 February 1968) was an Italian conductor and former Musical Director at La Scala. Biography Tullio Serafin was a leading Italian opera conductor with a long career and a very broad repertoire who revived many 19th-century ''bel canto'' operas by Bellini, Rossini and Donizetti to become staples of 20th-century repertoire. He had an unparalleled reputation as a coach of young opera singers and famously harnessed and developed both Renata Tebaldi's and Maria Callas's considerable talents. Born in Rottanova (Cavarzere), near Venice, and trained in Milan, he played viola in the Orchestra of La Scala, Milan under Arturo Toscanini, later being appointed Assistant Conductor. He took over as Music Director at La Scala when Toscanini left to go to New York, and served 1909–1914, 1917–1918, and returned briefly after the Second World War, 1946 -1947. He joined the conducting staff of the Metropolitan Opera in 1924, and remained for a decade, after w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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