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Ella Fitzgerald Sings The Cole Porter Song Book
''Ella Fitzgerald Sings the Cole Porter Song Book'' is a 1956 studio double album by American jazz singer Ella Fitzgerald, accompanied by a studio orchestra conducted and arranged by Buddy Bregman, focusing on the songs of Cole Porter. Background This was Fitzgerald's first album for the newly created Verve Records (and the first album to be released by the label). Granz decided to have Fitzgerald record well-established popular works becauseI was interested in how I could enhance Ella’s position, to make her a singer with more than just a cult following amongst jazz fans. So I proposed to Ella that the first Verve album would not be a jazz project, but rather a song book of the works of Cole Porter. I envisaged her doing a lot of composers. The trick was to change the backing enough so that, here and there, there would be signs of jazz.Fitzgerald's time on the Verve label would see her produce her most highly acclaimed recordings, at the peak of her vocal powers. This album in ...
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Ella Fitzgerald
Ella Jane Fitzgerald (April 25, 1917June 15, 1996) was an American jazz singer, sometimes referred to as the "First Lady of Song", "Queen of Jazz", and "Lady Ella". She was noted for her purity of tone, impeccable diction, phrasing, timing, intonation, and a "horn-like" improvisational ability, particularly in her scat singing. After a tumultuous adolescence, Fitzgerald found stability in musical success with the Chick Webb Orchestra, performing across the country but most often associated with the Savoy Ballroom in Harlem. Her rendition of the nursery rhyme "A-Tisket, A-Tasket" helped boost both her and Webb to national fame. After taking over the band when Webb died, Fitzgerald left it behind in 1942 to start her solo career. Her manager was Moe Gale, co-founder of the Savoy, until she turned the rest of her career over to Norman Granz, who founded Verve Records to produce new records by Fitzgerald. With Verve she recorded some of her more widely noted works, particularly he ...
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Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, ''Kiss Me, Kate ...
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Too Darn Hot
"Too Darn Hot" is a song written by Cole Porter for his musical ''Kiss Me, Kate'' (1948). In the stage version, it is sung at the start of Act 2, and in the 1948 original Broadway production, it was sung by Lorenzo Fuller (as Paul) and Eddie Sledge and Fred Davis (as the specialty dancers), leading the full company. In the 1953 MGM Hollywood film version, it is moved to a much earlier point, and it is sung by Ann Miller (as Lois Lane, Fred's new girlfriend, who is cast as Bianca). The song does not contribute to the plot in either the stage or film versions (according to general opinion); in the stage version, the song represents the company of ''The Taming of the Shrew'' taking a break offstage during the intermission of their play; in the film version it allowed the audience to see Lois's fun-loving, risk-taking nature, and gave Ann Miller a chance to show off her dancing skills, specifically tap. The line 'According to the Kinsey report' (in the original stage production) was ...
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Miss Otis Regrets
"Miss Otis Regrets" is a song about the lynching of a society woman after she murders her unfaithful lover. It was composed by Cole Porter in 1934, and first performed by Douglas Byng in ''Hi Diddle Diddle'', a revue that opened on October 3, 1934, at London's Savoy Theatre. Background The song began during a party at the New York apartment of Porter's classmate from Yale, Leonard Hanna. Hearing a cowboy's lament on the radio, Porter sat down at the piano and improvised a parody of the song. He retained the referential song’s minor-keyed blues melody and added his wry take on lyrical subject matter common in country music: the regret of abandonment after being deceitfully coerced into sexual submission.Schwartz, Charles (1979). ''Cole Porter: A Biography'' Da Capo Press, Instead of a country girl, however, Miss Otis is a polite society lady. Friend and Yale classmate Monty Woolley jumped in to help Porter "sell it", pretending to be a butler who explains why Madam can't keep a ...
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Anything Goes (Cole Porter Song)
"Anything Goes" is a song written by Cole Porter for his musical of the same name. (1934). Many of the lyrics include humorous references to figures of scandal and gossip from Depression-era high society. A recording by Paul Whiteman and his Orchestra (vocal by Ramona Davies) was very popular in 1934. People and items referenced in the song The song opens with a reference to the Massachusetts Bay Colony :"Times have changed, And we've often rewound the clockSince the Puritans got a shock, When they landed on Plymouth RockIf today, any shock they should try to stem, 'Stead of landing on Plymouth RockPlymouth Rock would land on them". The opening stanza is believed have influenced the orations of Malcolm X, who in 1964 said "Our forefathers were not the Pilgrims, we didn't land on Plymouth Rock, the rock was landed on us. The song mentions Mae West, Hollywood sex symbol, and Missus Ned McLean (Evalyn Walsh McLean), who had traveled to Soviet Union early after the Russian Rev ...
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All Through The Night (Cole Porter Song)
"All Through the Night" is a 1934 popular song written by Cole Porter for his 1934 musical ''Anything Goes''. The melody's distinguishing characteristic is a descending chromatic scale, starting on the third, interrupted by an octave leap after four bars. It was introduced by William Gaxton and Betina Hume. Hit versions in 1935 were recorded by Paul Whiteman (vocal by Bob Lawrence) and by Harry Rosenthal (vocal by Helen Ward). Other notable recordings * Bing Crosby - ''Anything Goes'' soundtrack (1956) *Ella Fitzgerald - '' Ella Fitzgerald Sings the Cole Porter Songbook'' (1956) * Julie London - '' All Through the Night: Julie London Sings the Choicest of Cole Porter'' (1965) * Johnny Mathis - '' Wonderful, Wonderful'' (1957) *Johnnie Ray – ''′Til Morning'' (1958) * Andy Williams – '' In the Arms of Love'' (1966) *Sampled by The Prodigy on the title track of their album ''The Day Is My Enemy ''The Day Is My Enemy'' is the sixth studio album by English electronic music ...
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Virgin Books
Virgin Books is a British book publisher 90% owned by the publishing group Random House, and 10% owned by Virgin Group, the company originally set up by Richard Branson as a record company. History Virgin established its book publishing arm in the late 1970s; in the latter part of the 1980s Virgin purchased several existing companies, including WH Allen, well known among ''Doctor Who'' fans for their Target Books imprint; Virgin Books was incorporated into WH Allen in 1989, but in 1991 WH Allen was renamed Virgin Publishing Ltd. Virgin Publishing's early success came with the ''Doctor Who'' New Adventures novels, officially licensed full-length novels carrying on the story of the popular science-fiction television series following its cancellation in 1989. Virgin published this series from 1991 to 1997, as well as a range of ''Doctor Who'' reference books from 1992 to 1998 under the Doctor Who Books imprint. In recent times the company is best known for its commercial non- ...
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All Time Top 1000 Albums
''All Time Top 1000 Albums'' is a book by Colin Larkin, creator and editor of the ''Encyclopedia of Popular Music''. The book was first published by Guinness Publishing in 1994. The list presented is the result of over 200,000 votes cast by the public in record shops, universities, schools and the French music trade show MIDEM – and ranked in order. Each album's entry is accompanied by an annotation with a 100-word review, details of its creation, and notes about the band or artist who recorded it. The Beatles' '' Sgt. Pepper's Lonely Hearts Club Band'' album made the top spot in the first edition, and the same band's '' Revolver'' made the top spot in the second, third and pocket editions of the series. Background In 1987, radio presenter Paul Gambaccini asked approximately 80 critics and disc jockeys from the United Kingdom and United States to list their ten greatest albums of all time. From these lists, he compiled the "Top 100 Albums" which was subsequently published b ...
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Colin Larkin
Colin Larkin (born 1949) is a British writer and entrepreneur. He founded, and was the editor-in-chief of, the ''Encyclopedia of Popular Music'', described by ''The Times'' as "the standard against which all others must be judged". Along with the ten-volume encyclopedia, Larkin also wrote the book ''All Time Top 1000 Albums'', and edited the ''Guinness Who's Who of Jazz'', the ''Guinness Who's Who of Blues'', and the ''Virgin Encyclopedia Of Heavy Rock''. He has over 650,000 copies in print to date. Background and education Larkin was born in Dagenham, Essex. Larkin spent much of his early childhood attending the travelling fair where his father, who worked by day as a plumber for the council, moonlighted on the waltzers to make ends meet. It was in the fairground, against a background of Little Richard on the wind-up 78 rpm turntables, that Larkin acquired his passion for the world of popular music. He studied at the South East Essex County Technical High School and at ...
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National Recording Registry
The National Recording Registry is a list of sound recordings that "are culturally, historically, or aesthetically significant, and/or inform or reflect life in the United States." The registry was established by the National Recording Preservation Act of 2000, which created the National Recording Preservation Board, whose members are appointed by the Librarian of Congress. The recordings preserved in the United States National Recording Registry form a registry of recordings selected yearly by the National Recording Preservation Board for preservation in the Library of Congress. The National Recording Preservation Act of 2000 established a national program to guard America's sound recording heritage. The Act created the National Recording Registry, The National Recording Preservation Board and a fund-raising foundation. The purpose of the Registry is to maintain and preserve sound recordings and collections of sound recordings that are culturally, historically, or aesthetically ...
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Library Of Congress
The Library of Congress (LOC) is the research library that officially serves the United States Congress and is the ''de facto'' national library of the United States. It is the oldest federal cultural institution in the country. The library is housed in three buildings on Capitol Hill in Washington, D.C.; it also maintains a conservation center in Culpeper, Virginia. The library's functions are overseen by the Librarian of Congress, and its buildings are maintained by the Architect of the Capitol. The Library of Congress is one of the largest libraries in the world. Its "collections are universal, not limited by subject, format, or national boundary, and include research materials from all parts of the world and in more than 470 languages." Congress moved to Washington, D.C., in 1800 after holding sessions for eleven years in the temporary national capitals in New York City and Philadelphia. In both cities, members of the U.S. Congress had access to the sizable collection ...
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Grammy Hall Of Fame Award
The Grammy Hall of Fame is a hall of fame to honor musical recordings of lasting qualitative or historical significance. Inductees are selected annually by a special member committee of eminent and knowledgeable professionals from all branches of the recording arts. It is compiled by The Recording Academy in the United States, and was established in 1973. Recordings (singles and albums) in all genres are eligible for selection, and must be over 25 years old to be considered. Additions to the list are chosen annually by a committee of recording arts professionals. Alphabetical listing by title: *List of Grammy Hall of Fame Award recipients (A–D) *List of Grammy Hall of Fame Award recipients (E–I) *List of Grammy Hall of Fame Award recipients (J–P) *List of Grammy Hall of Fame Award recipients (Q–Z) See also * Grammy Lifetime Achievement Award *Latin Grammy Hall of Fame Award *National Recording Registry References External linksOfficial website {{Authority control Aw ...
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