Eliza (Cherubini)
''Eliza, ou Le voyage aux glaciers du Mont St Bernard'' (''Eliza, or The Journey to the Glaciers of Mont St Bernard'') is an opéra comique in two acts by Luigi Cherubini with a French libretto by Jacques-Antoine de Révéroni Saint-Cyr. It was first performed at the Théâtre Feydeau, Paris on 13 December 1794. Cherubini made great use of local colour in his music for ''Eliza''. Its setting in the Swiss Alps was probably inspired by the contemporary popularity of Jean-Jacques Rousseau. The score includes a ''ranz des vaches'', a traditional melody played by Swiss herdsmen. ''Eliza'' marked an important stage in the development of French Romanticism and was also popular in Germany. Cherubini's musical evocation of nature (nightfall, the storm) influenced Carl Maria von Weber, who was particularly fond of the opera. Beethoven's Fifth Symphony finale includes a long chord sequence – a pattern that was borrowed from Cherubini, whom Beethoven "esteemed the most" among his contempo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' Encyclopædia Britannica
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French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Operas By Luigi Cherubini
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Amanda Holden (writer)
Amanda Juliet Holden (; 19 January 1948 – 7 September 2021) was a British pianist, librettist, translator, editor and academic teacher. She is known for translating opera librettos to more contemporary English for the English National Opera, and for writing new librettos, especially in collaboration with Brett Dean. She contributed to encyclopedias such as the ''New Penguin Opera Guide''. Life and career Amanda Juliet Warren was born in London, the daughter of Sir Brian Warren and Dame Josephine Barnes. She was educated at Benenden School, and studied at Lady Margaret Hall, Oxford, with Egon Wellesz where she gained a Master of Arts (MA), at Guildhall School of Music and Drama and a MA at the American University, Washington, DC. She also had degrees from the Royal Academy of Music (ARCM and LRAM).Holden /Amanda, ''Who's Who'' (UK), 2012 She first worked as a freelance pianist and accompanist, teacher at the Guildhall School, and therapist from 1973 to 1986. Libret ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Basil Deane
Samuel Basil Deane (27 May 1928 – 23 September 2006), known as Basil Deane, was a musicologist and academic. After studying at Queen's University Belfast and under Étienne Pasquier in Paris, he lectured at the universities of Glasgow, Melbourne and Nottingham, produced biographies of Roussel, Cherubini and Hoddinott, and co-presented several television programmes about music. He held a number of high-level academic; he was James Rossiter Hoyle Professor of Music at the University of Sheffield (1968–74), Professor of Music at the University of Manchester (1974–80), director of the Hong Kong Academy for Performing Arts (1983–87) and Peyton and Barber Professor of Music at the University of Birmingham (1987–92). Deane was also music director of the Arts Council (1980–83), during which time he prioritised funding for new touring groups, but oversaw the funding cuts which forced the D'Oyly Carte Opera Company to close. Life Deane was born on 27 May 1928 in Bangor, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Glacier
A glacier (; ) is a persistent body of dense ice that is constantly moving under its own weight. A glacier forms where the accumulation of snow exceeds its Ablation#Glaciology, ablation over many years, often Century, centuries. It acquires distinguishing features, such as Crevasse, crevasses and Serac, seracs, as it slowly flows and deforms under stresses induced by its weight. As it moves, it abrades rock and debris from its substrate to create landforms such as cirques, moraines, or fjords. Although a glacier may flow into a body of water, it forms only on land and is distinct from the much thinner sea ice and lake ice that form on the surface of bodies of water. On Earth, 99% of glacial ice is contained within vast ice sheets (also known as "continental glaciers") in the polar regions, but glaciers may be found in mountain ranges on every continent other than the Australian mainland, including Oceania's high-latitude oceanic island countries such as New Zealand. Between lati ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Great St Bernard Pass
it, Colle del Gran San Bernardogerman: Grosser Sankt Bernhard , photo = Great St Bernard Pass.jpg , photo_caption = View of the pass and hospice from Great St Bernard Lake with Mont Vélan in background , elevation_m = 2469 , elevation_ref = , traversed = Road , location = Valais, Switzerland Aosta Valley, Italy , range = Pennine Alps , map = Switzerland , map_caption = Location in Switzerland , coordinates = , topo = Swiss Federal Office of Topography swisstopo The Great St Bernard Pass (french: Col du Grand St-Bernard, it, Colle del Gran San Bernardo, german: Grosser Sankt Bernhard) is the third highest road pass in Switzerland, at an elevation of . It connects Martigny in the canton of Valais in Switzerland with Aosta in the region Aosta Valley in Italy. It is the lowest pass lying on the ridge between the two highest mountains of the Alps, Mont Blanc and Monte Rosa. It is located on the main watershed that separates the basin of the Rhône from that of the P ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jean-Blaise Martin
Jean-Blaise Martin, full name Nicolas Jean-Blaise Martin (February 24, 1768 in Paris – October 28, 1837 in Tourzel-Ronzières) was a French opera singer whose tessitura lay between tenor and baritone, which became later known as " baryton-martin". Life and career Jean-Blaise Martin began singing publicly as a child, before his voice broke. He made his professional operatic debut in 1789, at the Théâtre Feydeau, in Paris, in a parody called . He then studied with Madame Dugazon, and made his debut at the Opéra-Comique in 1794, and sang there until 1823. He became a member of the theatre's administrative committee in 1801. He also taught at the Conservatoire de Musique of Paris, from 1825 to 1837. He composed one opéra comique, , produced at the Théâtre Feydeau in 1796. During his career, he created some 15 roles in operas by Nicolas Dalayrac, François Devienne, André Grétry, Étienne Méhul, Nicolas Isouard, Ferdinando Paer, etc. Martin's voice was descri ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pierre Gaveaux
Pierre Gaveaux (9 October 1761 – 5 February 1825) was a French operatic tenor and composer, notable for creating the role of Jason in Cherubini's ''Médée'' and for composing '' Léonore, ou L’amour conjugal'', the first operatic version of the story that later found fame as ''Fidelio''. Early life Gaveaux was born in Béziers and sang in the cathedral choir there from the age of seven. Although intending to enter the priesthood, he also took lessons in composition. He next became first tenor at the Basilica of Saint-Seurin in Bordeaux, studying with Franz Ignaz Beck, and subsequently decided to follow a career in music, becoming a conductor at the Grand Théâtre de Bordeaux as well as continuing to sing. Career as a singer After a period in Montpellier, he moved to Paris where, on 26 January 1789, he took part in a performance of Giacomo Tritto's ''Le Avventure Amorose'', which marked the inauguration of the Théâtre de Monsieur company in the Salle des Machines a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |