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Elisabetta Gafforini
Elisabetta Gafforini (1777 – 10 November 1847) was an Italian opera singer who performed leading contralto and mezzo-soprano roles, primarily in the theatres of Venice and at La Scala in Milan but also in Spain, Portugal, and other Italian cities. During the course of her 25-year career she appeared in numerous world premieres. She possessed a limpid, flexible, and resonant voice with an exceptionally wide range, and according to Stendhal was a consummate and enchanting comic actress. Gafforini was born in Milan and lived there after her definitive retirement from the stage in 1818 until her death at the age of 70. Biography Early years Gafforini was born in Milan in 1777, the daughter of Margherita ''née'' Fenaroli and Giuseppe Gafforini. Despite her considerable celebrity, there is little biographical data available about her early life. Her first documented performances date from 1793 when she was active in the opera houses of Venice. Her early appearances in Venice includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milan
Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city has 3.26 million inhabitants. Its continuously built-up urban area (whose outer suburbs extend well beyond the boundaries of the administrative metropolitan city and even stretch into the nearby country of Switzerland) is the fourth largest in the EU with 5.27 million inhabitants. According to national sources, the population within the wider Milan metropolitan area (also known as Greater Milan), is estimated between 8.2 million and 12.5 million making it by far the largest metropolitan area in Italy and one of the largest in the EU.* * * * Milan is considered a leading alpha global city, with strengths in the fields of art, chemicals, commerce, design, education, entertainment, fashion, finance, healthcar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinando Orlandi
Ferdinando Orlandi (7 October 1774 – 5 January 1848), also referred to as Orland and Orlando. Little is known of his early life and his year of birth is also cited as 1777. He was an Italian musician and teacher of singing who composed cantatas and sacred music (including four masses), but was particularly known for his operas, not all of which have survived. He was born and died in Parma. Life Orlandi studied music with Gaspare Rugarli, organist at the ducal chapel of Colorno, then in Parma with Gaspare Ghiretti and probably with Ferdinando Paer. In 1793 he entered the Conservatorio della Pietà della Turchini in Naples, where he studied counterpoint with Nichola Sala and Giacomo Tritto. In 1799 he returned to Parma, where he was appointed choirmaster. In 1801, his theatrical career began with the comic opera ''The Scottish Pupil'' (''La pupilla scozzese'') based on a libretto by Lorenzo Da Ponte that had earlier been set by Antonio Salieri in Vienna in 1789. When the Duchy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castrati
A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to an endocrinological condition, never reaches sexual maturity. Castration before puberty (or in its early stages) prevents the larynx from being transformed by the normal physiological events of puberty. As a result, the vocal range of prepubescence (shared by both sexes) is largely retained, and the voice develops into adulthood in a unique way. Prepubescent castration for this purpose diminished greatly in the late 18th century. Methods of castration used to terminate on the onset of puberty varied. Methods involved using opium to medically induce a coma, then submerging the boy into an ice or milk bath where the procedure of either severing the vas deferens (similar to a vasectomy), twisting the testicles until they atrophied, or comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
En Travesti
En or EN may refer to: Businesses * Bouygues (stock symbol EN) * Esquimalt and Nanaimo Railway (reporting mark EN, but now known as Southern Railway of Vancouver Island) * Euronews, a news television and internet channel Language and writing * En or N, the 14th letter of the Roman alphabet * EN (cuneiform), the mark in Sumerian cuneiform script for a High Priest or Priestess meaning "lord" or "priest" * En (Cyrillic) (Н, н), a letter of the Cyrillic alphabet, equivalent to the Roman letter "n" * En (digraph), ‹en› used as a phoneme * En (typography), a unit of width in typography ** en dash, a dash one en long * En language, a language spoken in northern Vietnam * English language (ISO 639-1 language code en) Organisations * Eastern National, a US organization providing educational products to National Park visitors * English Nature, a former UK government conservation agency * Envirolink Northwest, an environmental organization in England Religion * En (deity) in Alb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Seria
''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to about 1770. The term itself was rarely used at the time and only attained common usage once ''opera seria'' was becoming unfashionable and beginning to be viewed as something of a historical genre. The popular rival to ''opera seria'' was ''opera buffa,'' the 'comic' opera that took its cue from the improvisatory commedia dell'arte. Italian ''opera seria'' (invariably to Italian libretti) was produced not only in Italy but almost throughout Europe, and beyond (see Opera in Latin America, Opera in Cuba e. g.). Among the main centres in Europe were the court operas based in Warsaw (since 1628), Munich (founded in 1653), London (established in 1662), Vienna (firmly established 1709; first operatic representation: ''Il pomo d'oro'', 1668), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Carignano
The Teatro Carignano (Carignano Theatre) is a theatre in Turin and one of the oldest and most important theatres in Italy. Designed by Benedetto Alfieri, it is located opposite the Palazzo Carignano. Building commenced in 1752 and the theatre was inaugurated the following year with a performance of Baldassare Galuppi's opera, ''Calamità de' cuori''. Much of the theatre was destroyed in a fire in 1786, but it was rebuilt in a few months using Alfieri's original plans. Since then it has undergone several renovations. Although today it is primarily used for performances of plays, in the past it was an important opera house. The theatre is owned by the City of Turin but administered by the theatre company, Teatro Stabile di Torino, and is one of the company's principal performing venues. Premieres and debuts Premieres and notable debuts at the Teatro Carignano include: *Giovanni Pacini's opera ''La schiava in Bagdad'' (world premiere, 28 October 1820) *Nicola Vaccai's opera ''La pasto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dramma Giocoso
''Dramma giocoso'' (Italian, literally: drama with jokes; plural: ''drammi giocosi'') is a genre of opera common in the mid-18th century. The term is a contraction of ''dramma giocoso per musica'' and describes the opera's libretto (text). The genre developed in the Neapolitan opera tradition, mainly through the work of the playwright Carlo Goldoni in Venice. A ''dramma giocoso'' characteristically used a grand ''buffo'' (comic or farce) scene as a dramatic climax at the end of an act. Goldoni's texts always consisted of two long acts with extended finales, followed by a short third act. Composers Baldassare Galuppi, Niccolò Piccinni, and Joseph Haydn set Goldoni's texts to music. The only operas of this genre that are still frequently staged are Mozart and Da Ponte's '' Don Giovanni'' (1787) and '' Così fan tutte'' (1790), Rossini's ''L'italiana in Algeri'' (1813) and ''La Cenerentola'' (1817), and Donizetti Domenico Gaetano Maria Donizetti (29 November 1797 – 8 Ap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aquilino Ribeiro
Aquilino Gomes Ribeiro, ComL (; 13 September 1885 – 27 May 1963, Lisbon), was a Portuguese writer and diplomat. He is generally considered to be one of the great Portuguese novelists of the 20th century. In 1960, he was nominated for the Nobel Literature Prize; having been nominated by the . Biography Born in Carregal de Tabosa, Sernancelhe, the natural son of Joaquim Francisco Ribeiro, a priest, and Mariana do Rosário Gomes, he had three older siblings: Maria do Rosário, Melchior and Joaquim. He was originally destined for the priesthood, but became involved with the Portuguese Republican Party in opposition to the Royal House of Braganza, and had to exile himself in Paris. In 1914, he returned to Portugal, after the start of World War I. By then, the Portuguese First Republic had been established. He was later involved in opposition to António de Oliveira Salazar and the Estado Novo, whose government had moved to censor or ban several of his books. He was married twi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valentino Fioravanti
Valentino Fioravanti (11 September 1764 – 16 June 1837) was a celebrated Italian composer of ''opera buffas''. Fioravanti was born in Rome. One of the best ''opera buffa'' composers between Domenico Cimarosa and Gioacchino Rossini, he was especially popular in Naples, and was the first in Italy to introduce spoken dialogue in the French manner in his works, sometimes using the Neapolitan dialect. His works included some 70 operas, the most famous being ''Le cantatrici villane'' from 1799. He died, aged 72, in Capua. His eldest son, Giuseppe Fioravanti, was a successful opera singer, and his younger son, Vincenzo Fioravanti (1799–1877), also became a celebrated opera buffa composer, writing 35 stage works. His grandsons, Valentino (1827–79) and Luigi (1829–87), had successful opera careers, both as basso buffos. Works The following appear in the extensive list of works by Fiorvanti which appear in Sadie. *''Camilla'' *''Il furbo contr'il furbo'' *''Il fabbro Parig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elisabetta Gafforini By Cardini 1804 - Cropped
Elisabetta is an Italian feminine given name related to Elizabeth. * Elisabetta Artuso (born 1974), Italian former middle distance runner * Elisabetta Barbato (1921–2014), Italian operatic soprano * Elisabetta Casellati (born 1946), Italian politician and the first Italian woman president of the Italian Senate * Elisabetta Dami (born 1958), Italian children's books author, creator of the character Geronimo Stilton * Elisabetta de Gambarini (1730–1765), English composer, mezzo-soprano, organist, harpsichordist, pianist, orchestra conductor and painter * Elisabetta Gardini (born 1956), Italian politician, TV presenter and actress * Elisabetta Gonzaga (1471–1526), Italian noblewoman renowned for her cultured and virtuous life * Elisabetta Grimani (died 1792), wife of the last Doge of Venice * Elisabetta Keller (1891–1969), Swiss painter * Elisabetta Querini (1628–1709), wife of the Doge of Venice by marriage * Elisabetta Sanna (1788–1857), Italian Roman Catholic who was bea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
