Elisabeth Speiser
Elisabeth Speiser (born 1 October 1940) is a Swiss classical soprano, known principally for singing ''Lieder'' but also active in opera. She has appeared internationally. Biography Born in Zürich, Speiser appeared in concert from 1960. She was a regular soloist with the choir Der Gemischte Chor Zürich. Performances included Bach's cantata ''Gott der Herr ist Sonn und Schild'', BWV 79, and Beethoven's Mass in C major in 1967, Mozart's Requiem and '' Vesperae solennes'' in 1968, ''Ein deutsches Requiem'' by Brahms in 1969, Arthur Honegger's ''Totentanz'' in 1970, Haydn's ''Nelson Mass'' the same year, Hermann Suter's '' Le Laudi'' in 1972, alongside Marga Höffgen, Kurt Huber and Kurt Widmer, Frank Martin's ''Golgotha'' in 1972 and 1975, Cherubini's Missa solemnis in 1977. Speiser appeared in 1969 as Sandrina in the first recording of Haydn's opera ''L'infedeltà delusa'', conducted by Antonio de Almeida. She was Euridice in Gluck's ''Orfeo ed Euridice'' at the Glyndebourne ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Zürich
Zürich () is the list of cities in Switzerland, largest city in Switzerland and the capital of the canton of Zürich. It is located in north-central Switzerland, at the northwestern tip of Lake Zürich. As of January 2020, the municipality has 434,335 inhabitants, the Urban agglomeration, urban area 1.315 million (2009), and the Zürich metropolitan area 1.83 million (2011). Zürich is a hub for railways, roads, and air traffic. Both Zurich Airport and Zürich Hauptbahnhof, Zürich's main railway station are the largest and busiest in the country. Permanently settled for over 2,000 years, Zürich was founded by the Roman Empire, Romans, who called it '. However, early settlements have been found dating back more than 6,400 years (although this only indicates human presence in the area and not the presence of a town that early). During the Middle Ages, Zürich gained the independent and privileged status of imperial immediacy and, in 1519, became a primary centre of the Protestant ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Antonio De Almeida (conductor)
Antonio de Almeida (20 January 1928 – 18 February 1997) was a French conductor and musicologist of Portuguese-American descent. Born Antonio Jacques de Almeida Santos in Neuilly-sur-Seine near Paris, his father was the financier Baron de Almeida Santos of Lisbon, his mother was the former Barbara Tapper of Highland Park near Chicago. His godfather was pianist Arthur Rubinstein. Early years De Almeida was born in Neuilly-sur-Seine. As a child he studied piano, showing great musical talent (although he admitted he was not an exceptional pianist). In the early 1940s, he taught himself to play the clarinet by listening to recordings of Benny Goodman and Artie Shaw. When his family moved to Buenos Aires he studied with Alberto Ginastera, and he had the opportunity to hear performances conducted by notable European refugees at the Teatro Colón.Wimbush, R. Here and There – Antonio de Almeida. Gramophone, September 1969, p376. He studied nuclear chemistry at the Massachusetts I ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Yale University Press
Yale University Press is the university press of Yale University. It was founded in 1908 by George Parmly Day, and became an official department of Yale University in 1961, but it remains financially and operationally autonomous. , Yale University Press publishes approximately 300 new hardcover and 150 new paperback books annually and has a backlist of about 5,000 books in print. Its books have won five National Book Awards, two National Book Critics Circle Awards and eight Pulitzer Prizes. The press maintains offices in New Haven, Connecticut and London, England. Yale is the only American university press with a full-scale publishing operation in Europe. It was a co-founder of the distributor TriLiteral LLC with MIT Press and Harvard University Press. TriLiteral was sold to LSC Communications in 2018. Series and publishing programs Yale Series of Younger Poets Since its inception in 1919, the Yale Series of Younger Poets Competition has published the first collection of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Neue Zürcher Zeitung
The ''Neue Zürcher Zeitung'' (''NZZ''; "New Journal of Zürich") is a Swiss, German-language daily newspaper, published by NZZ Mediengruppe in Zürich. The paper was founded in 1780. It was described as having a reputation as a high-quality newspaper, as the Swiss-German newspaper of record, and for objective and detailed reports on international affairs. History and profile One of the oldest newspapers still published, it originally appeared as ''Zürcher Zeitung'', edited by the Swiss painter and poet Salomon Gessner, on 12 January 1780, and was renamed as ''Neue Zürcher Zeitung'' in 1821. According to Peter K. Buse and Jürgen C. Doerr many prestige German language newspapers followed its example because it set "standards through an objective, in-depth treatment of subject matter, eloquent commentary, an extensive section on entertainment, and one on advertising." Aside from the switch from its blackletter typeface in 1946, the newspaper has changed little since the 19 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Irwin Gage
Irwin Gage (September 4, 1939 – April 12, 2018) was an American pianist, specializing in accompanying Lieder. Biography Born in Cleveland, Ohio, Gage studied piano, musicology and literature at the University of Michigan and Yale, and later with Erik Werba at the Vienna Music Academy. He performed as a soloist, but above all was a collaborator with singers such as Elly Ameling, Arleen Auger, Walter Berry, Brigitte Fassbaender, Dietrich Fischer-Dieskau, Gundula Janowitz, Christa Ludwig, Edda Moser, Jessye Norman, Dagmar Pecková, Lucia Popp, Hermann Prey, Christine Schäfer, Peter Schreier. From his work with such international elite singers numerous award-winning recordings emerged. In 1970, he planned and accompanied an entire series of Lieder recitals at the Vienna Konzerthaus. From 1979 to 2005, Gage headed a song interpretation class at the Academy of Music and Theater in Zurich (now Zurich University of the Arts Zurich University of the Arts (ZHdK, german: Zürcher Hoc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ariettes Oubliées
''Ariettes oubliées'' (''Forgotten Songs'') is a song cycle for voice and piano, L. 60 by Claude Debussy, based on poems by Paul Verlaine.Pehlivanian, Elisabeth Zachary. “‘Ariettes Oubliees’: A Sonorous Symbolism.” California State University, Long Beach, 1993. The work consists of six different pieces, with an approximate run time of sixteen minutes. History The six ''ariettes'' were composed mainly in Rome and Paris during the year, 1886. The first two were completed in March 1887, with the others following close behind. They were re-published once again in 1903 under the official title of: Ariettes oubliées.Wenk, Arthur B., ''Claude Debussy and the Poets'', (Berkeley: University of California Press, c. 1976), 130. (Retrieved: 10 July 2013) Once published officially, Verlaine's poetry was brought back into the spotlight. This was largely due to Debussy's meticulous approach to composing for previously published text. Never before had words and music been so c ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Anton Webern
Anton Friedrich Wilhelm von Webern (3 December 188315 September 1945), better known as Anton Webern (), was an Austrian composer and conductor whose music was among the most radical of its milieu in its sheer concision, even aphorism, and steadfast embrace of then novel atonal and twelve-tone techniques. With his mentor Arnold Schoenberg and his colleague Alban Berg, Webern was at the core of those within the broader circle of the Second Viennese School. Little known in the earlier part of his life, mostly as a student and follower of Schoenberg, but also as a peripatetic and often unhappy theater music director with a mixed reputation as an exacting conductor, Webern came to some prominence and increasingly high regard as a vocal coach, choirmaster, conductor, and teacher during Red Vienna. With Schoenberg away at the Prussian Academy of Arts (and with the benefit of a publication agreement secured through Universal Edition), Webern began writing music of increasing confidenc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hugo Wolf
Hugo Philipp Jacob Wolf (13 March 1860 – 22 February 1903) was an Austrian composer of Slovene origin, particularly noted for his art songs, or Lieder. He brought to this form a concentrated expressive intensity which was unique in late Romantic music, somewhat related to that of the Second Viennese School in concision but diverging greatly in technique. Though he had several bursts of extraordinary productivity, particularly in 1888 and 1889, depression frequently interrupted his creative periods, and his last composition was written in 1898, before he suffered a mental collapse caused by syphilis. Early life (1860–1887) Hugo Wolf was born in Windischgrätz in the Duchy of Styria (now Slovenj Gradec, Slovenia), then a part of the Austrian Empire. Herbert von Karajan was related to him on his maternal side. He spent most of his life in Vienna, becoming a representative of a "New German" trend in Lieder, a trend which followed from the expressive, chromatic and d ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pelléas Et Mélisande (opera)
''Pelléas et Mélisande'' (''Pelléas and Mélisande'') is an opera in five acts with music by Claude Debussy. The French libretto was adapted from Maurice Maeterlinck's symbolist play of the same name. It premiered at the Salle Favart in Paris by the Opéra-Comique on 30 April 1902; Jean Périer was Pelléas and Mary Garden was Mélisande, conducted by André Messager, who was instrumental in getting the Opéra-Comique to stage the work. The only opera Debussy ever completed, it is considered a landmark in 20th-century music. The plot concerns a love triangle. Prince Golaud finds Mélisande, a mysterious young woman, lost in a forest. He marries her and brings her back to the castle of his grandfather, King Arkel of Allemonde. Here Mélisande becomes increasingly attached to Golaud's younger half-brother Pelléas, arousing Golaud's jealousy. Golaud goes to excessive lengths to find out the truth about Pelléas and Mélisande's relationship, even forcing his own child, Yniold ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Edita Gruberova
Edita is a female first name, a form of Edith. It may refer to: *Edita Abdieski (born 1984), Swiss singer *Edita Adlerová (born 1971), Czech opera singer *Edita Aradinović (born 1993), Serbian singer *Edita Brychta (born 1961), English actress *Edita Gruberová (1946–2021), Slovak opera singer *Edita Janeliūnaitė (born 1988), Lithuanian cyclist *Edita Morris (1902–1988), Swedish-American writer and political activist *Edita Piekha (born 1937), Soviet singer *Edita Pučinskaitė (born 1975), Lithuanian cyclist *Edita Raková (born 1978), Slovakian ice hockey player *Edita Šujanová (born 1985), Czech basketball player *Edita Tahiri (born 1956), Kosovar politician *Edita Vilkevičiūtė (born 1988), Lithuanian model See also * Edit (other) * Edyta (other) Edyta may refer to: People * Edyta Bartosiewicz (born 1965), Polish rock singer * Edyta Dzieniszewska (born 1986), Polish sprint canoer * Edyta Geppert (born 1953), popular Polish singer * Edyta Górn ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Die Zauberflöte
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's ''Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil'' (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled ''The Magic Flute Part Two''. The allegorical plot was influenced by Schikaneder and Mozart's interest in Freemasonry and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest Sarastro, Tamino comes to a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |