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Eleventh Chord
In music theory, an eleventh chord is a chord that contains the tertian extension of the eleventh. Typically found in jazz, an eleventh chord also usually includes the seventh and ninth, and elements of the basic triad structure. Variants include the dominant eleventh (C11, C–E–G–B–D–F), minor eleventh (Cm11, C–E–G–B–D–F), and major eleventh chord (Cmaj11, C–E–G–B–D–F).Smith, Johnny (1980). ''Mel Bay's Complete Johnny Smith Approach to Guitar'', p.231. . Using an augmented eleventh produces the dominant sharp eleventh (C911, C–E–G–B–D–F) and major sharp eleventh (Cmaj911, C–E–G–B–D–F) chords. A perfect eleventh creates a highly dissonant minor ninth interval with the major third of major and dominant chords. To reduce dissonance, the third is often omitted (for instance 52 seconds into "Sun King" on The Beatles' ''Abbey Road'' in a dominant eleventh chord), turning the chord into a suspended ninth chord (e.g. C9sus4, C–G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eleventh Chord
In music theory, an eleventh chord is a chord that contains the tertian extension of the eleventh. Typically found in jazz, an eleventh chord also usually includes the seventh and ninth, and elements of the basic triad structure. Variants include the dominant eleventh (C11, C–E–G–B–D–F), minor eleventh (Cm11, C–E–G–B–D–F), and major eleventh chord (Cmaj11, C–E–G–B–D–F).Smith, Johnny (1980). ''Mel Bay's Complete Johnny Smith Approach to Guitar'', p.231. . Using an augmented eleventh produces the dominant sharp eleventh (C911, C–E–G–B–D–F) and major sharp eleventh (Cmaj911, C–E–G–B–D–F) chords. A perfect eleventh creates a highly dissonant minor ninth interval with the major third of major and dominant chords. To reduce dissonance, the third is often omitted (for instance 52 seconds into "Sun King" on The Beatles' ''Abbey Road'' in a dominant eleventh chord), turning the chord into a suspended ninth chord (e.g. C9sus4, C–G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abbey Road
''Abbey Road'' is the eleventh studio album by the English rock band the Beatles. It is the last album the group started recording, although ''Let It Be'' was the last album completed before the band's break-up in April 1970. It was mostly recorded in April, July and August 1969, and was released on 26 September 1969 in the United Kingdom, and 1 October 1969 in the United States, reaching number one in both countries. A double A-side single from the album, "Something" / "Come Together" was released in October, which also topped the charts in the US. ''Abbey Road'' incorporates styles such as rock, pop, blues, singer-songwriter, and progressive rock, and makes prominent use of the Moog synthesizer and guitar played through a Leslie speaker unit. It is also notable for having a long medley of songs on side two that have subsequently been covered as one suite by other notable artists. The album was recorded in a more collegial atmosphere than the ''Get Back'' / ''Let It Be'' s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bridge Chord
The Bridge chord is a bitonal chord named after its use in the music of composer Frank Bridge (1879–1941). It consists of a minor chord with the major chord a whole tone above (CEG & DFA), Payne, Anthony; Foreman, Lewis; and Bishop, John (1976). ''The Music of Frank Bridge'', p. 42. Thames Publishing. . as well as a major chord with the minor chord a semitone above (CEG & DFA), which share the same mediant (E/F). ) When inverted, both form eleventh chords (DFACEG = D119 and DFACEG = DmM7A9A11). According to Anthony Payne, Paul Hindmarsh and Lewis Foreman, Bridge had strong pacifist convictions, and he was deeply disturbed by the First World War. The Bridge chord appears to have been introduced in the years following the War, as Bridge experimented with more prominent use of dissonance in his musical language and a more structured method of composition. Its first use in his published work is in the Piano Sonata (1921–24).Payne, Anthony, Paul Hindmarsh, and Lewis Foreman. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Chord
Jazz chords are chords, chord voicings and chord symbols that jazz musicians commonly use in composition, improvisation, and harmony. In jazz chords and theory, most triads that appear in lead sheets or fake books can have sevenths added to them, using the performer's discretion and ear. For example, if a tune is in the key of C, if there is a G chord, the chord-playing performer usually voices this chord as G7. While the notes of a G7 chord are G–B–D–F, jazz often omits the fifth of the chord—and even the root if playing in a group. However, not all jazz pianists leave out the root when they play voicings: Bud Powell, one of the best-known of the bebop pianists, and Horace Silver, whose quintet included many of jazz's biggest names from the 1950s to the 1970s, included the root note in their voicings. Improvising chord-playing musicians who omit the root and fifth are given the option to play other notes. For example, if a seventh chord, such as G7, appears in a lead sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elektra Chord
The ''Elektra'' chord is a "complexly dissonant signature- chord"Lawrence Kramer. "Fin-de-siècle Fantasies: ''Elektra'', Degeneration and Sexual Science", ''Cambridge Opera Journal'', Vol. 5, No. 2. (Jul., 1993), pp. 141-165. and motivic elaboration used by composer Richard Strauss to represent the title character of his opera '' Elektra'' that is a "bitonal synthesis of E major and C-sharp major" and may be regarded as a polychord related to conventional chords with added thirds,H. H. Stuckenschmidt; Piero Weiss. "Debussy or Berg? The Mystery of a Chord Progression", ''The Musical Quarterly'', Vol. 51, No. 3. (Jul., 1965), pp. 453-459. in this case an eleventh chord. It is enharmonically equivalent to a 7#9 chord : D-F-A-C-E and a 6b9 chord : E-G#-B-C#-F. In ''Elektra'' the chord, Elektra's "harmonic signature" is treated various ways betraying "both tonal and bitonal leanings...a dominant 4/2 over a nonharmonic bass." It is associated as well with its seven note comple ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octave
In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music," the use of which is "common in most musical systems." The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' ( it, all'ottava), ''8va bassa'' ( it, all'ottava bassa, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by placing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fourth Of A Suspended Fourth Chord On C , or The Fourth of July
{{Disambiguation ...
Fourth or the fourth may refer to: * the ordinal form of the number 4 * ''Fourth'' (album), by Soft Machine, 1971 * Fourth (angle), an ancient astronomical subdivision * Fourth (music), a musical interval * ''The Fourth'' (1972 film), a Soviet drama See also * * * 1/4 (other) * 4 (other) * The fourth part of the world (other) * Forth (other) * Quarter (other) * Independence Day (United States) Independence Day (colloquially the Fourth of July) is a federal holiday in the United States commemorating the Declaration of Independence, which was ratified by the Second Continental Congress on July 4, 1776, establishing the United States ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Common Practice Period
In European art music, the common-practice period is the era of the tonal system. Most of its features persisted from the mid- Baroque period through the Classical and Romantic periods, roughly from 1650 to 1900. There was much stylistic evolution during these centuries, with patterns and conventions flourishing and then declining, such as the sonata form. The most prominent, unifying feature throughout the period is a harmonic language to which music theorists can today apply Roman numeral chord analysis. Technical features Harmony The harmonic language of this period is known as "common-practice tonality", or sometimes the "tonal system" (though whether tonality implies common-practice idioms is a question of debate). Common-practice tonality represents a union between harmonic function and counterpoint. In other words, individual melodic lines, when taken together, express harmonic unity and goal-oriented progression. In tonal music, each tone in the diatonic scale func ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eleventh Chord Voice Leading
In music or music theory, an eleventh is the note eleven scale degrees from the root of a chord and also the interval between the root and the eleventh. The interval can be also described as a compound fourth, spanning an octave plus a fourth. Since there are only seven degrees in a diatonic scale the eleventh degree is the same as the subdominant. The eleventh is considered highly dissonant with the major third. A perfect eleventh is an eleventh which spans exactly 17 semitones. See also *Eleventh chord *Suspended chord A suspended chord (or sus chord) is a musical chord in which the (major or minor) third is omitted and replaced with a perfect fourth or a major second. The lack of a minor or a major third in the chord creates an open sound, while the dissonan ... References Chord factors Fourths (music) Compound intervals {{music-theory-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compound Chord
In music, especially modern popular music, a slash chord or slashed chord, also compound chord, is a Chord (music), chord whose bass note or Inverted chord, inversion is indicated by the addition of a Slash (punctuation), slash and the letter of the bass note after the Root (chord), root note (music), note letter. It does not indicate "or". For example, a C major chord (C) in second inversion is written C/G or C/G bass, which reads "C slash G", "C over G" or "C over a G bass". If E were the Bass note, bass it would be written C/E or C/E bass (making a major chord in first inversion), which is read "C slash E", "C over E" or C/E bass. Some chords may not otherwise be notated, such as A/A. Thus, a slash chord may also indicate the chord form or shape and an additional bass note. In popular music, where the exact arrangement of notes is less important than some other forms, slash chords are generally used only when the specific bass note is important. A common example in guitar based ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lydian Dominant
In music, the acoustic scale, overtone scale, Lydian dominant scale, Lydian 7 scale, or the Pontikonisian Scale is a Heptatonic scale, seven-note synthetic scale, synthetic Scale (music), scale. : This differs from the major scale in having an Tritone, augmented fourth and a minor seventh scale degree. It is the fourth mode of the minor scale, melodic minor ascending scale. The term "acoustic scale" is sometimes used to describe a particular mode (music), mode of this seven-note collection (e.g. the specific ordering C–D–E–F–G–A–B) and is sometimes used to describe the Pitch collection, collection as a whole (e.g. including orderings such as E–F–G–A–B–C–D). History In traditional music, the overtone scale persists in the music of peoples of South Siberia, especially in Music in the Tuva Republic, Tuvan music. Overtone singing and the sound of the Jew's harp are naturally rich in overtones, but melodies performed on the igil (bowed instrument distantly r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suspended Chord
A suspended chord (or sus chord) is a musical chord in which the (major or minor) third is omitted and replaced with a perfect fourth or a major second. The lack of a minor or a major third in the chord creates an open sound, while the dissonance between the fourth and fifth or second and root creates tension. When using popular-music symbols, they are indicated by the symbols "sus4" and "sus2". For example, the suspended fourth and second chords built on C (C–E–G), written as Csus4 and Csus2, have pitches C–F–G and C–D–G, respectively. Suspended fourth and second chords can be represented by the integer notation and , respectively. Analysis The term is borrowed from the contrapuntal technique of ''suspension'', where a note from a previous chord is carried over to the next chord, and then resolved down to the third or tonic, ''suspending'' a note from the previous chord. However, in modern usage the term concerns only the notes played at a given time – the susp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
